Review- Waiting for ‘Superman’

Geoffrey Canada in Waiting for 'Superman'

Waiting for ‘Superman’ comes out on video today

When I was about 14 years old the film Hoop Dreams came out. At the end of that year Roger Ebert cited it as one of, if not the best movies of the year. This is not an Ebert rant but a point shall be made. At the time being young, naive and having not seen it I didn’t know how that could be possible for a documentary to earn that kind of praise. I have become enlightened since then and this film is proof that it can indeed happen and is likely to stand amongst the best films of the year.

Another reason that anecdote was relayed is that this is a personal film. It is personal in many ways not only in that it focuses on individual children while examining the system as a whole but also because as you watch it you’d be hard pressed not to think back to your public schooling experience and either remember something very reminiscent from your own past or come to some greater understanding of the monstrous machine in which you were raised.

Which brings me to my next point: this film is not propagandist. There are several statistics illustrated and cited (if you look close you can see sources). So there is support for the film’s claim that the system is broken and what a bulk of the information is trying to discover factors that lead to that and what possible solutions are.

It is most jarring especially if you were public schooled but were perhaps not well-versed in the politics of the system and some of the terminology. By highlighting a nauseating systemic issue with the individual struggles of children today in our educational system it does become a very emotional experience indeed.

Not to give much away but there are many issues that will be examined like Tracking, The Lemon Dance, The Rubber Room, Tenure and Union Dysfunction. Hearkening back to an earlier point, aside from humorous and creative use of archival footage there is nothing done in the edit to paint anyone in a worse light than they are painting themselves.

Documentaries are a tough business. You have to go where the facts and the footage take you despite what you set out believing. What Guggenheim does well is not only personalize his subject matter but pick topics for which there is overwhelming statistical data to support his hypothesis.

The film shows you the odds these kids are facing as they are trying to get into a school that will give them a better chance, one that won’t allow them to get lost in the shuffle. They are odds that seem insurmountable and surely the results aren’t always great but the film does allow for a glimmer of hope.

First, it is creating a dialogue much like his previous film An Inconvenient Truth did for global climate change. However, in another great piece of marketing from the folks at Paramount it is allowing people to make a difference, even more than the Pledge to see this film which is similar to the Demand to see Paranormal Activity campaign. Everyone who purchases a ticket gets a $15 voucher to donate to their favorite educational program. Details are available here.

Davis Guggenheim was last in the news for backing out of the Justin Bieber 3D film due to the need to promote this film. It was the right choice. John Chu is more than capable of handling that and this film needs its director supporting and publicizing it much as we need it seen and it needed being made.

10/10

Review- My Soul To Take

Max Thieriot in My Soul to Take

While traditionally it has been that October offers us a barrage of horror releases other months are not immune from seeing them either.  It is a genre that though as much as I love it is drowning in sub-par sequels and remakes, which is sad because while finding a truly great horror film is kind of like finding a needle in a haystack when you do find one there’s almost nothing like it.



My Soul to Take, Wes Craven’s latest film, is very likely the film that will capture the title of Horror Film of the Year. While it’s true that Let Me In is a wonderful rendition of the tale it was not quite perfect and it is a tale already told whereas this was not.

This film hooks itself into you right away as we watch a jaw-dropping and fascinating opening sequence which chronicles who the Riverton Ripper was. Springing forward we are watching a late night party in the woods where those who were born on the last night the Ripper was seen alive, and is presumed to have died. They are about to engage in a cleansing ritual it is interrupted and things go south from there.

While there is a bit of willful misdirection by the film, certain scenes want you to lean one way over the other as to who the killer is, rest assured it does add up in the end if you look back on some of those scenes as just planting the seeds of mental illness and character building.

Almost from the word go this film ratchets up the tension and makes it a jaw-clenchingly enjoyable experience which is not only full of suspense but comedy, by design not by accident. What is even more surprising is that a seemingly superficial scene in which Bug (Max Thieriot) and Alex (John Magaro) are trying to eavesdrop on the girls in the rest room turns into one of the pivotal scenes in the film due to the fallout from it.

Even though this was a film that was converted to 3D in post production that bears commenting on because when I went to see it there was no 2D option available. While I don’t have a scorecard of native-3D vs. post-conversion I must say it is the best I’ve seen of post-conversion. The images are crisp and clear and there is depth of field. A lot of time and effort was put into it to make it all seem by design and indeed it did enhance the experience.

Finding a horror protagonist is a tricky thing. People who will watch a horror film will watch many and become jaded. We’ve all been there where we’re watching a horror flick and it stinks and part of why it stinks is we don’t like the protagonist and they just won’t die already. This film doesn’t have that concern Max Thieriot plays Bug as endearingly and affably as possible while still maintaining the utmost sincerity. We see him struggle through this nightmare and root for him not only to make it out alive but to not be the killer.

Another reason that this film manages to keep itself so engaging is while Bug is boyish, kind and sheltered he is never stupid. There is never a decision he makes or something he does that makes you roll your eyes and take you out of the moment.  

My Soul to Take will keep your eyes glued to the screen and your knuckles white. It is a great night at the movies waiting to happen and a breath of fresh air in a sometimes stagnant genre.

10/10
 
For More Information: please visit the film’s site. For tickets and showtimes please use Fandango.