Directed by Chuck Jones this Looney Tunes short is another that takes place on the Warner Brothers backlot. Daffy has a meeting in faceless studio head J.L.’s office (clearly modeled after Jack L. Warner). Part of Daffy’s desire in this outlandish pitch is to break out of what he sees as typecasting and play the role of a swashbuckling hero.
Perhaps one of the more interesting aspects of this short is how it deals with the concept of casting. In the framing mechanism Daffy is pitching a film to break out of the type-cast mold he feels he’s stuck in. Within the pitched story the Warner crew cast from their stable of stars to create a swashbuckling, animated version of The Scarlet Pimpernel called The Scarlet Pumpernickel.
Daffy plays Daffy Dumas Duck, Porky Pig plays Lord High Chamberlain, Mama Bear plays a handmaiden, Henery Hawk plays a pageboy, Sylvester plays a Lord and groom-to-be, Elmer Fudd plays an innkeeper; and an obese horse not unlike the one in What’s Opera, Doc? also makes an appearance.
This short is also a showcase for the music of Michael Maltese who is frequently the unsung hero behind the scenes of the Looney Tunes shorts.
Aside from some visual flair like hanging off the underside of a cliff, a flood, the Pumpernickel using a parachute; it’s an absurd plot only animation could really pull off in such a short amount of time. As the commentary track on the DVD observes it packs in all the conventions of a swashbuckler with comedic effect, complete with jokes about Errol Flynn. Also, on the Golden Collection’s commentary track I learned that this was more of a showcase for Mel Blanc than usual as he voiced Elmer Fudd in this short as well though he usually didn’t.
This is also one of the Looney Tunes shorts which has been the target of retroactive censorship and re-edits on TV. The short ends with Daffy putting a gun to his head, as his story ends with the Scarlet Pumpernickel killing himself. Daffy shoots, falls to the ground, then looks up (the bullet went through his beret) and says “It’s getting so you have to kill yourself to sell a story around here.” Edits dropped frames where the gun fired and cut straight to him on the ground. In my estimation it’s a useless edit as the implication is still there. Yes, the reality of suicide is more present in today’s world. However, the fact remains that art of the past cannot and should not be constantly altered to fit ever-changing mores and realities. They are what they are and are reflective of a time. It’s up to each successive generation to know better as the collective consciousness grows.
As such, there’s not a moral to be learned from this short, it’s funny with jokes for audiences young and old, for people who just like animation or old Hollywood; but it’s not a morality play and an excellent quick parody of a genre.