Mini-Review: Stake Land

Introduction

This is a post that is a repurposing of an old-school Mini-Review Round-Up post. As stated here I am essentially done with running multi-film review posts. Each film deserves its own review. Therefore I will repost, and at times add to, old reviews periodically. Enjoy!

Stake Land

A post-apocalyptic world wherein vampires rule and it’s kill or be killed.

There is a lot going for this film from cinematography to score to a well-delivered, at times poetic, at times humorous narration by the lead Connor Paolo. Where Stake Land struggles some is in its pace. There are some potentially rather huge situations glossed over and a lot of time is dedicated to roaming the abandoned countryside. There is also a lot of great acting in this film. While it is recommended viewing it’s also nowhere near as good as it could’ve been.

7/10

Advertisements

Mini-Review: Super

Introduction

This is a post that is a repurposing of an old-school Mini-Review Round-Up post. As stated here I am essentially done with running multi-film review posts. Each film deserves its own review. Therefore I will repost, and at times add to, old reviews periodically. Enjoy!

Super

A truly odd little film that can’t escape comparisons to Kick-Ass. While it never does metamorphose fully into a superhero film (and that’s fine) its quirk never really clicks as well as it should and the resolution (meaning the denouement not the climax) is a bit unsatisfying. A very good performance by Rainn Wilson but the film could’ve been much better.

6/10

1984 Blogathon: Devil Fish

Introduction

When deciding what to pick for a 1984-themed blogathon there were many great options. It was a great year. However, many of those were taken so I thought it’d be fun to go off the beaten path. At first I considered something foreign or very obscure. What ended up happening was that it turns out I had written about many of my favorites already. So that introduced a new possibility: something memorably bad; the only debate was “Do I want to write about two bad movies in a row?”

When I decided I did I was instantly surprised. Little did I know that when I chose Devil Fish there would be quite a few things about it to uncover that I had not known prior to starting on this post.

In the beginning, when I first saw it it was just another in the myriad of unfortunate works of cinema that Mystery Science Theatre 3000 introduced me to. Having revisited the film and asking myself questions like “Who wrote this?” and “Who directed this?” I came across some interesting answers that with more experience allowed me to better understand one of the eternal questions about bad films which is “What the hell happened there?”

So the first and most significant discovery I made regarding this film was that the director behind the credit of John Old, Jr. is in fact Lamberto Bava. This being the same Lamberto Bava of Macabre, and a film I have come to love when I just had to see it (as I wrote a short script in the same milieu) Demons. As it turns out he slapped a pseudonymous credit on a few of his works that were in the Italian low-budget rip-off arena. Fashioning this nom de plume after his father’s. Legendary Italian director Mario Bava had many great films but he did the occasional film he felt the need to take a John Old credit for.

Devil Fish is one of countless titles that have sought to cheaply gain an audience by playing off the popularity of Jaws, which will be eternal. I’m not one who tosses about the rip-off phrase about lightly. However, one can scarcely find a shark movie made after 1975 that doesn’t pattern itself after Jaws in some way, shape or form. This doesn’t have the failed tongue-in-cheek homages that say Sharknado has, but it definitely borrows liberally and was produced less than a decade after the original while Universal was still littering the landscape with subpar sequels.

Behind-The-Scenes

Devil Fish (1984, Cinema Shares International)

So that was one thing, but wait there’s more! As it turns out most of the behind-the-scenes talent took on pseudonyms as well. Usually in this case they are somewhat anglicized versions of their given names. For example, cinematographer Giancarlo Ferrando became John McFerrand. Now, one could try to argue that part of the attempt is to make the film seem more genuinely American-made. However, all of the cast doesn’t play ball and one of the go-to jokes for the MST3K crew was “We’re from Europe!” so no one was being fooled.

Beyond the names there are plenty of things to scratch your head about in wonder, or to at least note. Firstly, is that much in the Italian tradition actors came from all over the place and spoke several different languages while the camera rolled and then the dialogue was dubbed to create a uniform soundtrack. That by itself does not guarantee a bad film. I’ve seen well-dubbed works and many of the better low-budget Italian films were made the same way.

Getting back to the Jaws rip-off angle leads to one of the most infuriating parts of this film. There are several underwater shots that are supposed to tease the creature much like Bruce was scarcely seen. The problem here is that it is very difficult to decipher, at times, exactly what you are looking at. Instead of suspense all this builds is confusion, sighs and unintended humor.

The aforementioned John McFerrand’s score is one of the facets that heavily confuses the issue in this film. It sounds like the kind of antithetical music that makes a lot of giallo and Italian horror work but here it just seems to be terribly out of place, drown things out and distract from what the film is trying to accomplish. Just what that is at times is also confused, but you know what I mean.

Dialogue

Devil Fish (1984, Cinema Shares International)

What would a bad movie be without bad dialogue? It’s almost impossible. Much as great movies have memorable lines, bad movies do as well. A few gems that really stand out. Here are a few of those notable exchanges:

“Full of hate?”
“Hate.”
“Yes…That’s it….hate.”

“Do you think it was an accident or that she committed suicide?”
“I don’t know I think that’s for you to decide.”
“Yeah, right on. I think I’ll decide on suicide.”

“Lots of new things in this town lately waitresses, sharks, and ladies who call a taxi and take a bath.”

“A million years of solitude is a long time. I bet it’s just dying to boff something.”

Editing

Devil Fish (1984, Cinema Shares International)

In continuing the laundry list there is also a fair deal of editorial redundancy in this film. The uninspired editing is due to a number of factors namely the script and budget (which influences the tight schedule this film was made on). Aside from the vague shots of the fish that are supposed induce suspense there are also several shots cutting to Peter drinking repeatedly.

Those motifs aside there are mysterious individual cuts like a cutaway to slow-motion pan up phone line to a clock.

Some support for the effects of the schedule and budget can be found in a Michael Skopkiw online interview here:

I would love to know the definition or formula for a “cult classic”. Lamberto was a very nice, gentle guy as most of the Italians are. But you know, the budget on these films would prohibit a Ron Howard from making anything great! These directors are working with a cast from at least three different countries speaking diverse languages and a mixed crew of Italian /American production team on a very tight budget. Lamberto , like most of the foreign crew, loved coming to the States and drinking in as much of our culture as they could get. (The hills of Georgia have a unique personality somewhat portryed [sic] in this film.) We had a crisis one day as a holiday was approaching and the Iataian [sic] film crew wanted to get back to their families. We had been working for 13, I think, long consecutive days in freezing mountain water and adverse conditions and both the cast and Lamberto were wearing thin. The crew wanted to plow right through but I had a good talk with Lamberto and pointed out how the film suffered further if we just continued. He finally went to the producers and they gave us a day off (which they were contractually obliged to anyway). So he did have a heart and tried to do what he could with what he had.

However, the decisions are the decisions regardless of what forced them and many films have succeeded with small budgets and tight schedules, myriad examples of both exist running the gamut of genres.

Even when cuts aren’t technically awkward the narrative makes them aesthetically unintentionally comedic or uncomfortable like a cut from a dolphin to a legless corpse and a cross-cutting sequence between a sex scene (that’s fairly gratuitous) and a murder.

Blame

Devil Fish (1984, Cinema Shares International)

In terms of writing it could be the speed and the number of chefs in the kitchen that lead to a film that referring to as half-baked would be greatly generous.

As I’ve intimated before one cannot blame the inspiration for what the inspired do with it. Meaning that you can’t hold it against Psycho for the rash of slasher films that eventually took their cue from it. Similarly, Jaws cannot be held accountable for the rash of pale imitations telling tales of terrors from the deep.

Characterization

Devil Fish (1984, Cinema Shares International)

In this film the characters don’t really get established, they just are. If you need further evidence of this it gets reinforced later on when there’s a climactic scene, where the stakes should be high and the revelation is large and to an extent you’re confused as to who the parties are; therefore, you haven’t time to care about what they have to hide and what they have to gain.

Part of that has to do with how many characters there are and another part of it has to do with the dubbing. I’ve written on dubbing a few times. In short, my stance is that it can be an artform, there is a technique to it and it can be well done, but all too often it is not. In this film is most definitely a detriment. It’s not just about matching, but about performance, but when the same language is not being spoken on set you have a harder time creating a unified vision on film.

Backfiring

Devil Fish (1984, Cinema Shares International)

It seems almost impossible to say after all of this, however, all is not entirely lost in this film. However, in the true nature of this film that adds to the frustration instead of just imbuing a modicum of appreciation. There are themes that excised from the narratives are fine. There are permutations of the giant, monstrous fish tale that aren’t terrible.The isolated concept of manipulating science, the twists employed, underwater knife fights and not seeing the monster are fine when all has not already been lost. When the movie has already lost hope then these things just make it longer, more boring, unintentionally comedic and worse.

As if you needed further proof that there are things worth working with here this film was remade as Sharktopus on Syfy a few years back. Likely another wasteful effort, but there was something to mine there indeed.

Furthermore, touching on the aforementioned twist again, the mysteries this film plays hurt it. It’s a case where perhaps further, quicker revelation would have elevated it.

Conclusion

Devil Fish (1984, Cinema Shares International)

What is there to conclude about a film such as this? Not much different than other terrible movies that are of the MST3K ilk. I recall reading about The Beast of Yucca Flats and its making, or watching the special features on their take of Manos: Hands of Fate; what I got there was there’s always a story and that was the spirit I undertook this venture in. What was surprising was that I found more of a story than I expected. Having said all this, can I, as I did with Reefer Madness, recommend you watch this anyway? I can’t do so without aid from the Satellite of Love. Your tolerance for cheese has to be really high. If you want to see either Bava at their best I suggest you stray from titles where they were credited as being “Old,” unless you want to end up prematurely in that state yourself.

Mini-Review: Fright Flick

Introduction

This is a post that is a repurposing of an old-school Mini-Review Round-Up post. As stated here I am essentially done with running multi-film review posts. Each film deserves its own review. Therefore I will repost, and at times add to, old reviews periodically. Enjoy!

Fright Flick

The story is that of a series of murders on a film set.

One of the first problem this film runs into is that it’s about a cheesy low budget horror movie. It starts with a film-within-a-film and you’re thinking “Wow, is it going to be this terrible throughout?” The good news is no it’s not; the bad news is it doesn’t get much better. The gore effects are really strong, when the chips are down some of the performances are decent but the characters are pathetic and so are some of the performances at times, only some are consistently annoying throughout. A lot of the inconsistency stems from the direction just upload it on instant and watch the in-credits scene and you’ll see the confusion that plagues this film. The standout performances are those of Chad Allen and Allyn Carrell.

3/10

Mini-Review: Dream Home

Introduction

This is a post that is a repurposing of an old-school Mini-Review Round-Up post. As stated here I am done with running multi-film review posts. Each film deserves its own review. Therefore I will repost, and at times add to, old reviews periodically. Enjoy!

Dream Home

A woman will do anything to get her dream home.

This is almost like two different movies entirely. I get how they connect but while I appreciate the bit of time traveling done by the narrative in the beginning, and the subtext at the end in the nice simple button, but I really just could not get into this one. The film goes out of its way to explain why this means so much to her and thus we identify but it all seems so superficial. It is rather suspenseful, the kills are great but it ends up feeling a bit vacuous. It almost would’ve been better if the film tried its hand at subtext more and didn’t get so cutesy with the whodunit. Instead, we eventually get all the pieces, put them in place and say “So what?” Sometimes I’d rather be confused and intrigued at times than lucid and unimpressed.

5/10

Mini-Review- Bob Dylan: Revealed

Introduction

This is a post that is a repurposing of an old-school Mini-Review Round-Up post. As stated here I am essentially done with running multi-film review posts. Each film deserves its own review. Therefore I will repost, and at times add to, old reviews periodically. Enjoy!

Bob Dylan: Revealed

Bob Dylan in Bob Dylan: Revealed (Music Video Distributors)

A documentary that tries to encompass a large part of Bob Dylan’s musical career.

This film is like an instructional on how not to construct a documentary. There’s little to no music in a film a bout a musician, interview subjects dominate entire portions of the film, there is insufficient editing of what they say, there is footage that’s described as we’re seeing it and the scope is gigantic. Ultimately, if the subject, Dylan, wasn’t as interesting as he is I’d have given this the lowest possible score but instead it gets by with a

2/10

Mini-Review: The Reef

Introduction

This is a post that is a repurposing of an old-school Mini-Review Round-Up post. As stated here I am essentially done with running multi-film review posts. Each film deserves its own review. Therefore I will repost, and at times add to, old reviews periodically. Enjoy!

The Reef

It’s a shark attack movie.

Not to disparage it in the synopsis section but that’s what it is. It’s one in the Open Water mold and while the performances are good a very believable the film takes the concept of slow burn a bit too far such that it burns out. It becomes completely and totally uninteresting and after a while downright boring. There’s only so much of people treading water, or even swimming, that you can take before it becomes mind-numbing shark or no shark. The score does nothing to heighten the tension and there’s really no drama to the whole affair. I will grant that it’s more realistic than most of the goofy shark movies as of late and more interesting but it still doesn’t make it good.

4/10

Mini-Review: The Beaver

Introduction

This is a post that is a repurposing of an old-school Mini-Review Round-Up post. As stated here I am essentially done with running multi-film review posts. Each film deserves its own review. Therefore I will repost, and at times add to, old reviews periodically. Enjoy!

The Beaver (2011)

One of the quirkiest films I’ve seen this year. It’s a bit inconsistent towards the latter half of the second act but overall it’s effective and all the laughs about the situation are intended. Mel Gibson does a fantastic job in this film. It’s perhaps Foster’s best directorial turn but not her strongest story. The tightness of the cast, few ancillary characters, helps this film connect.

7/10

Mini-Review: On the Shoulders of Giants

Introduction

This is a post that is a repurposing of an old-school Mini-Review Round-Up post. As stated here I am essentially done with running multi-film review posts. Each film deserves its own review. Therefore I will repost, and at times add to, old reviews periodically. Enjoy!

On the Shoulders of Giants

A documentary about the best basketball team you never heard of: the Harlem Rens.

This film has a fascinating subject and some interviews who are able to shine a light on the story of a team who played in the days when professional basketball meant barnstorming, however, the scope of the tale isn’t focused enough and there is a lack of footage of team, which would allow the film to be more visually appealing. I liked learning about the team and there’s great information but it’s not a great film.

6/10