Mini-Review- Day & Night

As has become standard with Pixar releases they whet the audience’s appetite for Toy Story 3 with its rendition of what is in danger of becoming a lost art form: the animated short. Pixar, however, does more than its share to preserve this artform by not only producing these shorts but proliferating them on television and on DVD. 

The short that preceded Up, called Partly Cloudy was one of the best films of 2009 and Day & Night which precedes Toy Story 3 is even better. 

What you get in this tale is an even more ingenious tale than offered previously but with execution that is of surpassing genius. Day & Night are represented in the tale by specter-like beings with sky-scenes appearing through their seemingly transparent person. 

The fact that they are Day and Night is introduced wordlessly in a temporarily dislocating and fantastic pull out. In fact, the only words uttered in the film are picked up when they pass a radio station and highlights why these two, and thus we also, should get along. 

This short is so good its worth the price of admission and obviously earned itself its own review. Do yourself a favor and show up early to watch Toy Story 3 so you don’t miss it (or watch it on the DVD should you get it). 

10/10

Weird Wednesday #1- Jan Švankmajer

Once again, I am aware of what day it actually is for this week anyway I will likely be late with these themes as I get my footing with them: as things progress I may stagger them.

Here we go.

Weird Wednesday

Weird Wednesday is one of the blankest canvases I am likely to give myself as a cinematic theme. After all the word weird despite its connotation merely means outside the norm and many things can fall into that category.

Yesterday, I chose to watch most of the films on the collection of Jan Svankmajer short films called The Ossuary and Other Tales.

I have been familiar with Svankmajer for quite some time but haven’t seen him in a long time. Milos Forman astutely asserts that “Disney + Buñuel= Svankmajer.” He is an artist that seamlessly goes from puppetry to stop-motion to conventional animation to live action and every way in between.

The Films

The Last Trick

This first tale, if it is the first one you watch in your version of the collection. Is likely to be your litmus test as to whether or not you like Svankmajer. There is a seamless and effortless surrealism to his narratives that provokes thought and seeks to make no explanation. While deceptively simple there are many conclusions that can be drawn from watching this dialogue-free short.

Historia Naturae

Despite how ponderous some of his films may be and how odd they are I’ve always felt a certain kinship with Svankmajer and this proves I’m not crazy. Below you will see both his film where skeletons and illustrations of animals are made to do different dances through the edit. And below that a project I did in an editing class in college which I made with no prior knowledge to Svankmajer’s film. There is a certain similarity. Mine is set to a samba which is a dance he does not include but his waltz is fabulous.

Johann Sebastian Bach

One of his pieces that cuts to the music. Very well done.

Don Juan

A shocking and horrific version of the tale told with puppets.

The Garden

A brilliant and fascinating surrealist live-action film about a man who has unusual gardening practices to say the least.

The Castle of Otranto

A wondrous mockumentary that splices live-action in with an animated story. The live action purports to report on the events that inspired Horace Walpole’s The Castle of Otranto, the animation tells the story within the book in painstaking detail.

The Ossuary

A kaleiodoscopic tour of the Sedlec Ossuary in the Czech Republic.