BAM Best Picture Profile- The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

Each year, I try and improve the site, and also try to find a new an hopefully creative and fun way to countdown to the unveiling of the year’s BAM Awards. Last year, I posted most of the BAM Nominee and winner lists (Any omissions will be fixed this year). However, when I picked Django Unchained as the Best Picture of 2012 I then realized I had recent winner with no write-ups. I soon corrected that by translating a post and writing a series of my own. The thought was all films honored as Best Picture should have at least one piece dedicated to them. So I will through the month of December be posting write-ups on past winners.

The Chronicles of Narnia: The Lion, the Witch and the Wardrobe (2005)

The Chronicles of Narnia is another series that I have a long history with. I presume it must’ve been The Lion, The Witch and the Wardrobe that was a book read aloud when I was in a Montessori grade school. We later saw the BBC animated rendition of that book at least (if not more of them- and it’s a far less frightening animated version than their take on The Hobbit). I don’t recall ever revisiting the books, or continuing the series in my childhood.

Then when the first film version was due out naturally the books became more prominently displayed in stores again. I seized the opportunity (as films have been known to occasionally act as catalysts to me reading) to acquire the omnibus presentation of the entire series in the now-preferred reading order; the one first suggested to Lewis by a young reader named Laurence. Since I commuted quite a bit at the time, and it was the end of the semester, I had quite a bit more free time on my hands. I ended up reading the entire series in a weeks’ time, at least one of the books being the ever-so-rare re-read.

The Chronicles of Narnia: The Lion, the Witch & the Wardrobe (2005, Disney)

This had to be less than one month prior to the release of the film. Therefore, I was quite ready for it. However, I was not expecting what I ended up getting. Firstly, as I’ve highlighted before distance between the reading of a book and then seeing the film can be a great, even a beneficial thing. It leaves you less encumbered by the facts and more willing to accept a tonally true version. So the film had that against it rather than for it.

I ended up finding myself very engaged and enthralled by the vision of this land presented in a way I’d not seen, nor ever imagined. Perhaps more so than in any other book in the series, Wardrobe focuses on a character’s struggles with temptations and greed. In the “Pevensie Tales” it is Edmund who is the most layered and interesting and it is in this story, through the writing, directing and rendition by Skandar Keynes that he fully, vibrantly comes to life. Alongside him is one of the more brilliantly portrayed antagonists in recent memory – Tilda Swinton’s White Witch.

It’s reflecting back on this film this year that lead me to a truth: I cannot cite thinly-veiled propaganda or allegory alone as a dismissal of a film; films both good and bad can be hung with that label. I say that because the Biblical allusions in the series, this installment especially, are fairly overt. However, what’s at the core of the tale are things far more universal and eternal: basic values and human struggles that are not unique to those of the Christian faith. It just seems these books/films take a lot of backlash (especially via ridiculous comparison to the works of Tolkien and friend and rival of Lewis’) as if they were some Bible-thumping bore. Whereas I’m rather sure the same fundamentalists appalled by Harry Potter, don’t take to kindly to talking beasts; especially a godly one (symbol or not).

The Chronicles of Narnia: The Lion, the Witch and Wardrobe was another late-in-the-year jolt to my awards picture. It was the beginning of what, most certainly behind-the-scenes, has been a long and most unusual journey. The series through three films has seen two studios, and now survives based on its international grosses. The fourth film, The Silver Chair, has a green light, a writer, a new production company and potentially a new studio (that remains to be seen). This was the start, and even in my fandom, I admit Prince Caspian was a letdown, but think the series righted itself. Now as it awaits its next port I still look back on this installment with the greatest of fondness; not just for bringing a treasured childhood tale to life, but to the cast for making the Penvesies more engaging and vibrant than I could have imagined.

The Trouble with The Magician’s Nephew

The Chronicles of Narnia (Scholastic)

So yesterday the beans were finally spilled that it will be the Magician’s Nephew that is the next book in The Chronicles of Narnia that will be adapted into a film. Now I had been one of a select group of fans who had adamantly supported The Silver Chair as the next book that should get adapted and not just for continuity’s sake, as Eustace, played by Will Poulter, in the only character that crosses over to that book from Dawn Treader.

The fact that this debate exists is interesting and indicative of a few things that are unique about the Narnia series as opposed to other fantasy properties.

First, it needs to be acknowledged that the chronology was always likely to be fractured. Those seeds were sewn by C.S. Lewis himself. For it was Lewis himself who wrote The Magician’s Nephew after the other six installments and pleaded, mostly to no avail, that it be read before The Lion, the Witch and the Wardrobe. As a child I did not read it as such. When the first film was about to be released I searched for information on reading order and finally took the tales in properly.

Of course, we all know The Lion, the Witch and the Wardrobe was the first film and subsequently that the producers decided that it was to be the Pevensie tales would be told first. Whereas in other fantasy properties you typically have a continuity in the personages populating the tale. Lewis, however, is true to the name of his series and this series are about the stories and about the land rather than a particular lead or group thereof.

If one adheres to Lewis’s reading plot the books that have been adapted thus far are numbers two, four and five. The decision to go to The Magician’s Nephew, an origins tale, at this point is a curious one on a few accounts.

Firstly, I find it a bit of a curious business decision. The Voyage of the Dawn Treader just crossed the $400 Million mark in international box office receipts and it is a film that took the somewhat unusual path in this day and age of building by word-of-mouth. Due in part to the disappointment most felt in Prince Caspian it didn’t break out of the box strong but had staying power when people realized this one is very good indeed.

With a franchise redeemed, at least in a financial sense, it would seem like the most obvious decision in the world to go next to the one tale that had any sort of connection.

Will Poulter in The Chronicles of Narnia: The Voyage of the Dawn Treader (20th Century Fox)

Furthermore, it needs to be noted that while the film doesn’t make it explicit I assumed Will Poulter is playing quite a few years younger than he is in Dawn Treader. Given some time off he may not look the part of Eustace as much as he does now. Not that I think he’d be replaced but it just might seem a bit awkward or need a bit of a re-write when the Silver Chair‘s time does come.

With this sort of momentum I even entertained the wild fantasy that funding would be sought for both potential next films to shoot simultaneously and release one shortly after another. The fact of the matter is the remaining volumes need not all have the same director as each has its own sensibility.

Pipe dreams aside, personally I would’ve liked Silver Chair next not just because I prefer that story but because it made more logical sense. The series has already pleasantly surprised me in two of its three installments so I am more than willing to withhold judgment but as I said it strikes me as odd.

With Narnia being by its very nature a more fragmented series it does raise some doubts as to what its cinematic future is. Let us assume the tale works as well as possible and the marketing draws in enough fans new and old, then what?

After The Magician’s Nephew the books that remain are: The Horse and His Boy, book number three, a more introspective tale than any of the others. It always struck me as having a Carol Ballard’s Black Stallion vibe, which would make it rather an artistic venture and as such it’s a gamble. I can’t see the producers gambling twice in a row so I predict this book would be the 6th film of the series.

The Silver Chair being the runner-up this time around would thus be the 5th film adapted and naturally The Last Battle would close out the series.

If films four and five connect then I think it’d be safe to assume they could afford a gamble and a closing chapter.

When it started there were no guarantees, and there still isn’t, that this series would see completion. It’s an older property than the other big budget films and has Christian overtones, which do not appeal to some but it’s never been about that to me it’s been about great storytelling.

In conclusion, I do like The Magician’s Nephew and definitely think there’s potential there with new cast members and story which re-examines some familiar motifs. I am just not sure it was the right choice as the next film. However, if it does well this series will be one step closer to following in Harry Potter‘s footsteps, proving you can plan a massive series and achieve it. If you consider that I believe two of the first three Narnia installments trump Potter it is very exciting news regardless of which novel they chose to adapt next.