Review- The Hangover Part II
If you read my review of The Hangover you’ll know that I was quite a fan of the original installment of the film. It even cracked my Top 15 Films of 2009 list. It remains, regretfully for the follow-up, as one of the best comedies of the past few years.
Part of what works so well in the first, and what I didn’t quite articulate then, is that when you’re dealing with a story wherein your characters seemingly irrevocably messed up their life in the course of one night of binge drinking and partying and did crazy things, add to that they cannot recall what they did and you can have almost anything happen as long as it hangs together when it gets explained. This should be an extraordinarily freeing experience for writers and filmmakers instead it became a case of variations on precisely the same thing.
As the trailers for the film started rolling out I started to get a Home Alone 2 vibe form it, meaning that while it may be funny it would be essentially the same film but relocated. Little did I know just how many things would be pretty much the same as they were the first time around and what compounded that is that it wasn’t even that funny. At least Home Alone 2 was the rare film in the course of my life that made me cry from laughter.
One perfect example of how identical they decided to make this film is that the one new character who they bring along with them on their night of partying, Teddy (Mason Lee), is the one who vanishes and must be located. So it’s the same triad as the first time. Doug stays behind and does damage control. So the dynamic is similar but a little more unbalanced than it seemed last time. Zach Galiafanakis has been the one who has most benefited from the first film career-wise and it seems like the film was designed to give him even more moments both organic and inorganic than prior. While Helms is still very funny he seems to have fewer chances to take over scenes.
There were long passages of this film where I barely made a sound, which is rare for me in a comedy but to be fair this film does have its moments. Two very noticeable ones are musical in nature, one is original to this film a parody of Billy Joel’s “Allentown” and the other which rehashes a cameo from the first in a very humorous way.
While one cameo which was sort of a re-run works another, that of Nick Cassavetes as the tattoo artist, just falls completely flat. As unpopular as he is now, Mel Gibson would’ve been funnier in the part, which was how it was originally cast.
In the film there are a few things that spring to mind that kind of make you wonder a bit too much and over-thinking is the enemy of a comedy. Firstly, Alan recites many random factoids about Thailand throughout and one of them ends up being a key event. So kudos to an extent for giving us expository information without us necessarily knowing it. There are two other head-scratchers, however, that are harder to overlook: one being how avoidable the chaos that ensued was this time. Second is the consequences a few of the characters face are a bit too serious too be laughed off lightheartedly and takes away some of the intended comedy.
Practically all the complaints listed above are story-related, which is in and of itself a shame because you do have the same talented core doing their best in this one also but this time they have substandard, stale material that they cannot coax enough laughs out of to salvage this mess.
The sad reality is that pretty much everyone who saw and enjoyed the first film, which were many, went out to see it opening weekend and gave the film a record opening (for an R-Rated live-action comedy) so there will be a third film. Hopefully the mistakes of this installment are learned from and addressed.