Don’t You Recognize Me: Chris Evans

Don’t You Recognize Me will be a sporadically posted theme wherein I briefly highlight an early role of a now well-known actor. Typically, it will be one where I didn’t immediately make the connection, hence the title.

Society has become a bit more instantaneous in the internet age, very preoccupied with what’s current and what’s next and not as much with what’s past. It’s a generalization but this does apply to the world of film a bit too. Therefore, career trajectories sometimes will sneak up on you. At times I’ll see a name in a casting announcement and only in the piece connect a name with a face. Evans’ case is not quite that, but it happens a lot.

The journey an actor takes from recognizable face to known name is still, in most cases, one that is many years in the making. As I hearkened back to Not Another Teen Movie I checked his IMDb and realized that I did see him since, even before his second more successful superhero incarnation, in Scott Pilgrim vs. the World and The Nanny Diaries but this is the one I always think about.

It’s a far cry from the kinds of roles that he’s playing now, but in a lot of ways Not Another Teen Movie is the last wholly successful parody I saw. Acting in a parody requires serious chops. You find yourself in the most ridiculous, outlandish and unrealistic situations placed on film and not only do you have to suspend your own disbelief as a performer and play scenes without commenting on them, but you have to sell the audience and make them suspend it too, at least to an extent. Evans is the love interest Jake Tyler, maybe the only highly-skilled high school back-up quarterback in the annals of teen filmdom (“Mr. Not First String Anymore is not first string anymore” as Austin, his rival, puts it). He’ll be the one who is at the epicenter of the broadcast, cheeky bet to turn the glasses-and-a-ponytail-paint-on-her-overalls Janie Briggs to be prom queen, and succeeds on every level.

Yet, as well as it works somehow this slipped my mind until after I saw Captain America and just before The Avengers. When it clicked it just made me smile and gave me a whole new level of respect both for what he did prior and with his latter roles. If you only know Evans now and like a good, ridiculous parody that is a bit raunchy at times check out Not Another Teen Movie. It has had high replay value for me.

Note: This film is Rated R by the MPAA for strong crude sexual content and humor, language and some drug content.

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Review- Captain America: The First Avenger

Chris Evans in Captain America: The First Avenger (Disney/Marvel)

As is always the case when dealing with a superhero film I feel that one’s personal history with a character is an important factor to consider when discussing the film, at the very least so I can relay to you my frame of reference. In the crop of superhero films released this year Captain America is likely the property I had the least amount of history with, which if you think about it is an advantage to the film. For as much as I talk about disengaging expectation built by other media from a film the reason I write on it so much is that it’s a fight against human nature to more purely and accurately judge a film.

So Captain America, to me, is free of the restraint of expectations but does it take advantage of this advantage? Not fully, no. The film sets its character up well enough: Steve Rogers is a kind, disciplined, brave young man who yearns to serve his country in the hour of its greatest need but is repeatedly rejected due to his build and health problems. This film, especially the opening, runs the risk of being overly overt propaganda, however, it focuses on character enough, at the beginning at least, such that it narrowly avoids that.

Another manner in which it dodges the P-word is in the turn the film takes immediately following the experiment that gives Steve his abilities. The trajectory from everyman to super-being isn’t a straight ascent because at first the only responsibility he’s given is that of pitchman. He has to fight the power and be a little rebellious to truly fulfill his destiny so that makes it a bit interesting.

Another strength that the film has to fall back on is the strength of its cast, the supporting cast mainly. Not to discredit Chris Evans, he does a fine job and is believable as Steve at both stages though he’s not as dynamic as he was in Star Trek and it seems like he was always waiting for the transition- that CG job making him skinny is quite impressive.

First and foremost among the supporting cast is Hayley Atwell who plays Peggy Carter and the love interest in this film and is not only a strong, intelligent woman but makes the love interest in a superhero film vital for the first time in some time. If you think about it many of the recent crop have had love interests as either an afterthought or not at all. The relationship between her and Steve gives this film the little extra it needs to get by.

Tommy Lee Jones and Hugo Weaving each do rather well in their respective required roles: Jones as the disbelieving Colonel and Weaving as the villainous Red Skull, replete with an authentic-sounding accent in a film with too much foreign intrigue to dabble in foreign tongues like others have recently. Also quite enjoyable is the performance of Stanley Tucci as Dr. Abraham Erskine who takes Steve under his wing.

This isn’t the only recent superhero film of late to deal with actual historical events in a fictionalized context, see the recent X-Men film, what that film did though that this failed to do (and it was the major failing of it) is that it made its tale as high stakes and intriguing as the historical incident in which it wrapped itself up. It also re-wrote history in a major way this film decided instead to write a subplot so to an extent you’re watching the undercard of World War II as Captain America and co. go after Red Skull and his rogue band of occultist Nazis and Hitler and the majority get second billing and no play. When an actual man who wanted to take over the world takes a backseat to a fictional creation who does, it’s a monumental task to make that notion as scary regardless of how likely it is in the world of the story.

Thus, in Captain America his initial battle as a hero, which in the end is more climactic, is also more effective.

When it’s all said and done Captain America is an effective and enjoyable film with obvious flaws that could’ve been handled and addressed better than it is.

6/10

A Recap of Super Bowl Film Commercials

The Super Bowl this year, as it is many years was replete with ads that either advertise films or referenced them. Here’s a quick recap.

Captain America: The First Avenger

This is the first look I’ve really gotten at Captain America. At least in terms of a trailer, this seems like a rather good glimpse at at least some of the highlights of the origin of the character. Playing the tale as a period piece is also likely to work to this film’s benefit.

Fast Five

A continuation of The Fast and the Furious series. This installment takes place in Rio de Janeiro, there will be a Brazilian theme. What is most humorous about this one is that our heroes will drive through favelas and mess up hardened criminals and likely walk out unscathed. Very realistic.

Super 8

This was, hands down, the best trailer of the night. Oddly enough, esteemed publications like The Hollywood Gossip ran a headline which reads “Super 8 Movie Trailer: What the… ?!?” Now granted the article does admit it’s somewhat excited for the release but why complain about being confused. Super 8 first released an even more arcane teaser months ago and now about four months prior to its release we see a little more. This is how trailers used to work. You see just enough of a film to be intrigued into watching it, instead now sometimes you feel like you watched a whole movie. I finish seeing many and say to myself “That movie sucked.” because I feel like I saw the whole thing. This gives us just enough to want more and I’m even more amped for it than I was before. Bring it on Abrams and Spielberg.

Transformers: Dark of the Moon

Another example of why less is more. The original trailer while it was a little annoying when you found out what it was for was a little more mysterious.Now you see more than before and it gets silly from the get go and that’s just annoying.

Thor

While this ad made me giggle because I randomly thought of re-writing the song “War” and inserting “Thor,” it is decent. Not nearly as effective as the theatrical trailer as this one shows some possible chinks in the armor but not bad.

Rango

This is literally a film that has been overexposed and again reiterates the brilliance of the Super 8 strategy. I have been seeing trailers and commercials for this for so long I am fatigued of it and the worst part is the concept was only borderline in my estimation to begin with.

Pirates of the Caribbean: On Stranger Tides

Nothing could be less appealing to me than another Pirates film considering that they have fallen off precipitously and I literally fell asleep during the last one, which was fine by me save for the fact that I needed to be woken up because I was snoring. This ad actually presents the film in a better light than does the full-length trailer.

Cowboys & Aliens

This is the kind of film most people already have an opinion on based on the concept. You either think the combination of two disparate entities such as these is ridiculous or inspired. The fact that the director of this film is also responsible for Elf, Zathura, and Iron Man won’t sway you. Aside from the much hyped ‘seeing more of the alien craft’ not much to be gleaned here or to change one’s mind.

Limitless

Not much to see here. a condensed version of the trailer. The concept has potential but it seems like it gets pushed to extremes. Interesting to note that it’s one of the few films coming out in fairly short order that shelled out the big bucks for a Super Bowl ad. It will be interesting to see what it does.

Rio

It’s a short 0:15 spot but even here you get to see some of the unfortunate aspects of the film: Hispanic actors subbing in as Brazilian and inaccuracies of beach life in Brazil such as the overly-large bikini cuts. While there is some promise in the concept of a film about the birds of Brazil it seems like it might not quite hit in this rendition.

Now some websites are mentioning The Adjustment Bureau, Just Go With It, Priest and Battle: Los Angeles, the last one I saw pre-kick-off. Others I didn’t see in-game. Maybe I was on a health break but I only count kick-off to final whistle and those were the ones I counted. Did I miss them?

There were also a few ads inspired by or referencing films such as the Bud Light Product Placement ad, Budweiser Cowboy singing “Tiny Dancer” reminiscent of Almost Famous, Volkswagen Mini-Darth Vader and Hyundai Sonata a bit callously referencing silent films.

To see all the ads go here.

What was Your Favorite Film Commercial During the Super Bowl?
(polls)