March to Disney: Zokkomon and Disney World Cinema

This is a series of posts this month wherein I will focus on Disney films. For more on my background with Disney films and about the timing of this focus please read the introductory post here.

Disney has two fairly recently initiated and under-exploited and under-publicized home video lines. I may write about them both here today, but the focus of this piece is Disney World Cinema rather than Disney Generations Collection.

Disney World Cinema, as the title implies, makes available in the US Disney-Produced titles from overseas. The selections so far a mainly original content, and not as diverse as they could be.

For example, I was once linked to a clip of a visually stunning film produced by Russia’s Disney Channel, but understanding 0.001% of the Russian language I couldn’t watch all of it. The point being there is plenty of content out there this line could make available. Out of the initial wave of releases I selected one and finally gave it a whirl for this theme.

One of the examples in this line is a High School Musical set in China. Now Foreign versions of movies or TV shows, that are remakes as opposed to subtitled or dubbed are not new. In fact, in the early days of sound, scripts used to be translated and re-shot on the cheap after an A-List feature was done. Paramount was a prime example using everything identical to the American version for Spanish features.

The film I saw comes from India and is entitled Zokkomon. Now, while simplified, there is a more indigenous approach to the film in terms of the fairly apparent themes it tackles with minimal didacticism. The feel of the film is a hybrid between a DCOM and a big budget Bollywood musical, which also includes elements of tentpole action films towards the end. Yes, there are story-commenting, fairly random musical numbers that border on non-diegitic inasmuch as a narrator/singer is introduced, but it still remains a fairly hybrid product.

While even at a relatively short 105 minutes there are a few flashback montages too many and a spare song or two, but it’s not so bloated that it weighs down the entire project. There are some universally recognizable, and identifiable fairy tale tropes updated to make this perhaps one of the more obvious titles to try this series out on. The principal cast is fairly good as a whole, namely Majari Phandis, Tinnu Anand with the standout being the young lead Darsheel Safary.

Disney has their Channel and distribution arms the world over, there are likely more markets where titles can be found for this line. Perhaps merging this concept with the also under-ultilized and under-publicized Disney Generations Collection, a disc-on-demand concept similar to Warner Archive in conception, if not in practice, is the way to go for these films, such that there’s less monetary commitment to pressing copies, thus making a larger library available. In a similar vein, a DisneyNature feature, Wings of Life, that was originally only released in France will soon hit US home video for the first time. This will be its only release here, in lieu of a theatrical run, but in time for Earth Day.

Zokkomon served as a good introduction, that had I seen it as soon as it was available may have been in the running for some BAM Awards, I may look into the other selections and you should check them out and see if any titles appeal to you.

Review- African Cats

African Cats (DisneyNature)

Ever since the inception of DisneyNature there has been a social awareness angle to all their nature documentaries due in part to the fact that during these films initial week of theatrical release a portion of the box office has gone support a wildlife conservation fund. This social awareness has in the previous three films crept into the narrative but this film avoids that self-conciousness, which is good. They’ve realized that almost any nature documentary has an environmental aspect now regardless of your conservationist and/or Global Climate Change stance, especially when you release the film on Earth Day.

What’s not as good is that cinematically it doesn’t stack up to prior installments. There are quite a few reasons for this.

It almost goes without saying that the cinematography in this film is great. If you’re making a nature doc and you don’t have at least a few breathtaking shots and a handful of “How’d you get that?” shots you haven’t really done your job. In some cases it could’ve been better in terms of working with the edit and clarifying action and sometimes shots were intimated at by narration that didn’t exist.

The only reason I bring the comparative aspect of it into play is that a) this is the same team that brought Earth to the screen and b) the films in this series regardless of director have shared some similar traits in construction.

One of the larger issues the film faces is balancing the amount of narration to include. It seems as if there was too much included and it makes me wonder is there was more written simply because they knew Samuel L. Jackson was going to be reading it. Many times in the film I mentally omitted extraneous portions of narration. Far too many times for it to not be bothersome.

Aside from the sheer amount of dialogue that was included there were scripting issues such as not naming any of Kali’s, a powerful lion, sons.

Perhaps this decision was made due to the fact that this is a film that was dealing both with cheetahs and lions and there were two rival factions of lions to include. The balancing act between the two, or three really, was quite precarious and the overlap was very minimal. This is unfortunate not only because the cheetah’s tale, which I found to be more interesting, got the short shrift.

This film is at times a moving an intimate portrait of wildlife on the African Savanna that only slightly miscalculated the use of some of its elements. It, while focusing on cats, did manage to include many other species that inhabit the area and convey information about their behavioral and migratory patterns.

African Cats is well worth viewing both for entertainment and altruistic purposes but it just falls short of maximizing its potential.

7/10