This is something I’m going to do periodically. Basically, I will employ many means to qualify films for the BAM Awards be it either seeing the film theatrically acquiring a DVD either through purchase or on Netflix. This could lead to an influx of several new titles being seen in a short span of time which would be difficult to write full reviews for. At least this way the film gets some of its deserved attention and you get some notion of my thoughts on them.
If you have questions or comments feel free to respond. I always get back.
As always please refer to My Rating Scale for an indication of what the scores mean and if you’re curious where these films might make a dent in my personal awards please check my BAM Considerations.
Rochelle Aytes in The Inheritance (Duly Noted)
A family reunion in the country quickly becomes something more insidious.
I use the word quickly above almost for the lack of a better word. There’s nothing quick about The Inheritance, it all takes far too long to unravel, too many things are played close to the vest and by the time secrets are spilled and the true intention starts to come out it’s too late to salvage it. The idea is interesting: it’s a generational tale going back to slavery and mixing in voodoo aspects, however, all the information finally flows in a barrage and then you get bad effects towards the end and truly anticlimactic escape. It all could’ve gone somewhere very interesting but never gets its momentum going.
Connor Paolo in Stake Land (IFC Films)
A post-apocalyptic world wherein vampires rule and it’s kill or be killed.
There is a lot going for this film from cinematography to score to a well-delivered, at times poetic, at times humorous narration by the lead Connor Paolo. Where Stake Land struggles some is in its pace. There are some potentially rather huge situations glossed over and a lot of time is dedicated to roaming the abandoned countryside. There is also a lot of great acting in this film. While it is recommended viewing it’s also nowhere near as good as it could’ve been.
Josie Ho in Dream Home (IFC Films)
A woman will do anything to get her dream home.
This is almost like two different movies entirely. I get how they connect but while I appreciate the bit of time traveling done by the narrative in the beginning, and the subtext at the end in the nice simple button, but I really just could not get into this one. The film goes out of its way to explain why this means so much to her and thus we identify but it all seems so superficial. It is rather suspenseful, the kills are great but it ends up feeling a bit vacuous. It almost would’ve been better if the film tried its hand at subtext more and didn’t get so cutesy with the whodunit. Instead, we eventually get all the pieces, put them in place and say “So what?” Sometimes I’d rather be confused and intrigued at times than lucid and unimpressed.
Adrienne Pickering in The Reef (Image Entertainment)
It’s a shark attack movie.
Not to disparage it in the synopsis section but that’s what it is. It’s one in the Open Water mold and while the performances are good a very believable the film takes the concept of slow burn a bit too far such that it burns out. It becomes completely and totally uninteresting and after a while downright boring. There’s only so much of people treading water, or even swimming, that you can take before it becomes mind-numbing shark or no shark. The score does nothing to heighten the tension and there’s really no drama to the whole affair. I will grant that it’s more realistic than most of the goofy shark movies as of late and more interesting but it still doesn’t make it good.
Allyn Carrell in Fright Flick (Breaking Glass Pictures)
The story is that of a series of murders on a film set.
One of the first problem this film runs into is that it’s about a cheesy low budget horror movie. It starts with a film-within-a-film and you’re thinking “Wow, is it going to be this terrible throughout?” The good news is no it’s not; the bad news is it doesn’t get much better. The gore effects are really strong, when the chips are down some of the performances are decent but the characters are pathetic and so are some of the performances at times, only some are consistently annoying throughout. A lot of the inconsistency stems from the direction just upload it on instant and watch the in-credits scene and you’ll see the confusion that plagues this film. The standout performances are those of Chad Allen and Allyn Carrell.