In recognition Of: National Coming Out Day
I haven’t done enough promoting of indie and short films on this site yet or at least not as much as I would’ve liked to this point. In an effort to rectify this and in recognition of National Coming Out Day I am posting a short film (a little over three minutes) below.
It’s not only one of the most beautifully edited and constructed shorts I’ve ever seen but one of the most effective and evocative statements against homophobia and a reflection of social change.
Without much further ado I present you The Closet.
Most holidays worth their while encompass entire seasons, such as Christmas, for example. However, as you may have noticed there is a corporate push every year for us to think about the next holiday even sooner. While this has many negative side effects I figure I may as well embrace it.
Since Labor Day is really only good for college football and movie marathons cinematically it is as significant as Arbor Day, which means the next big day on the calendar is Halloween and we can start looking toward it starting now.
Daily I will be viewing films in the horror genre between now and then and sharing the wealth. Many, as is usually the case, will not be worth it so for every disappointment so I will try and suggest something worth while as well.
Rose Ross in Mother's Day (Troma)
Mother’s Day is a film with many problems. Firstly, it tries to introduce its three protagonists in two different time periods. First, you meet the characters very briefly in college and then separately ten years later.
A lot of screen time in this film is wasted. For example these friends waste a lot of time goofing and being drunk when they reunite and there is also an unnecessary very extensive prank scene from their college days which halts whatever forward momentum the film had built up.
Furthermore this comes after we are introduced to our villains and their M.O. so we are just sitting about waiting for them to strike anew so it becomes doubly painful.
As if you didn’t know going in that you’d get a lot of overacting in this film it goes beyond even what is expected. There’s also terrible example of the 80s work montage, bad scoring and introduced-to-the-mix-real-late ghost character, ghost in the literary sense not supernatural.
As if that wasn’t enough there is a grainy, poorly-focused twist-ending shot that adds insult to injury. Skip this one.