While I am no proponent of the rebooting trend there comes a point where screaming protestations does become tiresome, when even the biggest purist has to sit back and say “You know what? If this is the trend it may as well serve some kind of a purpose.” To that end here is a list of 10 film series that should be rebooted for one reason or another.

10. Dr. Doolittle – This is another example Eddie Murphy’s sad decline ruining an altogether fine film concept. The Doctor Doolittle books by Hugh Lofting are magical and if adapted at the very least faithfully if not slavishly could certainly still be a huge hit and there is no reason it can’t start up again. Considering that the original 1967 rendition with Rex Harrison is mostly an afterthought it’s about time the series as written was done properly – installment by installment if possible.

9. Asterix et Obelix – One of two foreign entries on this list. While there are animated versions of this popular comic available ad nauseum there are only two live action films and one can clearly see why. The story came across as stale and lacking in whimsy. Gerard Depardieu who was one of the leading men in cinema once upon a time comes across as a charmless, fat oaf and not Obelix. The cast and director should be scrapped. It can be done in France or anywhere for that matter as long as it lives up to the magic these stories that travel through history are capable of and with that theme story possibilities are endless since the source material already provides many of them.

In light of the worldwide box-office success and aesthetic triumph of Tintin motion capture would be a wonderful place for this series to go.

8. Children of the Corn – This is a series that has had a remake of the original. Now as it stands the original is fantastic. It is a quintessential 80s horror film and overall one of the better ones ever made simply due to its overall impact. Having said that the series of sequels that followed soon thereafter have watered down and bastardized the brand and the drop in quality from the original to the sequels is one of the most precipitous of any horror franchise ever (with few exceptions). For that reason I have placed the franchise on the list and it will be with a bit of curiosity that I will attend the remake to see if the franchise can be revitalized.

7. Zombie – These are perhaps the films that Lucio Fulci, Italian giallo director, is best known for and it’s a mystery why. Slow-moving, sunlit and un-suspenseful when compared to Fulci’s best works. The occasional grossly unsettling make-up job is not enough to save any of the set-ups. These are a prime candidate for a relaunch. The island can be shot at night, or it could simply not be set on an island. Zombie films are all the rage for the time being find some other way to turn the genre on its ear under the zombie brand and it is sure to be a hit.

6. Jaws – Yes, Jaws is an absolute classic and should not be touched. There are reasons why the series is on the list. The series as a whole is very bad. Nothing that happened after Spielberg is any good and Hollywood has proven time and time again that absolutely nothing is sacred, not even Spielberg. A Poltergeist remake is in the works. So, theoretically, yes the Jaws series does belong here.

5. O Menino Maluquinho – This is the second foreign selection on this list and it is the film adaptation of the best-selling children’s book by Brazilian illustrator/author Ziraldo. The first film was absolutely wonderful and while not a literal adaptation it was most definitely one in spirit, which is the most important thing. There was a sequel which was good but not as good as the original as the cast was a little too old at this point to be believable in the story. However, with the character still popular in a daily comic strip it is easily a candidate for reboot. Brazilian audiences, especially younger ones are used to long series like Os Trapalhoes, and it would work perfectly if the kids were recast every few installments similar to the James Bond franchise.

4. Home Alone – This is another example of a series where it was the sequels failing the concept more so than the original. This is also one of those series where it’s one of the least necessary reboots but it’s the kind that makes you wonder why it hasn’t happened already, especially considering that it’s a John Hughes project Anyway, the second was regurgitation, the third was decent but weird in as much as it was just a continuation of the situation not characters or plot and the fourth was just painful.

3. Gremlins – Yes, the first only was classic but they kind of dropped the ball. The sequel, though enjoyable, seemed like an afterthought and the time between the original and the follow-up could’ve contributed to its lack of success. It’s an idea that’s endlessly appealing and one of the best combinations of horror and comedy around while the film is an 80s classic there is no performance that’s irreplaceable so it’s surprising that studio executives haven’t jumped at the opportunity to jump-start this one.

2. National Lampoon’s Vacation – The Vacation films weren’t ever really designed to end. They’re all so great each one more memorable than the last and just silly. I think it’s a series that could easily come back into play by just having Rusty or Audrey go on a trip with their kids and have Grandpa and Grandma (Chevy Chase and Beverly D’Angelo) along for the ride (Seriously, what else are they doing? And they should be doing something). With the last film being in 1989 there is so much socially and about the world that can be mocked, parodied or lampooned that wasn’t even in the public consciousness back then that it’s about time. People still laugh at the old ones and they would laugh at new ones too.

1. The Naked Gun – Yes, the 3rd film was called The Final Insult but those kinds of titles have been contradicted before. I think along with a new James Bond we should have new Frank Drebin pictures. This can be done in one of two ways one the old pulling the investigator out of retirement against his will ploy can be implemented or he could be unwillingly training his replacement. Either way good parody is a necessity and his were second to none and he should be leading, not making appearances in second rate attempts so the parents in the audience can have a good laugh.

Ideally, I’d have loved the late great Leslie Nielsen to have been involved but the fact of the matter remains that the parody film is fast becoming a lost art of the comedy genre and perhaps a classic vehicle is needed to revive it with the right people in place.