Review- Rise of the Planet of the Apes
So here we are again it’s time for another prequel, however, unlike most that have come along since it became a popular trend this one is quite good and valid at the same time. However, this is not one where I’d suggest you watch the prequel first. Therefore, if you, like many of those I watched this film with apparently, have not seen the original Planet of the Apes please do so before venturing to see Rise of the Planet of the Apes. As good as it is and it is pretty good it will ruin the experience of the first film for you because it is a classic that is spoiled entirely by the conception of this film.
Having said that if one has the knowledge of what occurs in the first series of films it is fascinating to watch this film and see how the blanks get filled in and they’re not done so in a thoughtless haphazard way but rather intelligently and interestingly as well.
What is also good to see is that the scope of the film is not too large. It is a rather focused story that seeks to tell only the very beginning, the rise as it were. Therefore, it’s not too sweeping and that focusing of the narrative allows for a greater identification with the plight of the characters involved and for us to watch in close quarters the world-changing events that will take place.
This is the kind of plot that is intriguing and detailed enough such that it doesn’t really hinge on the performances of its cast. Film is a strange medium in as much as a well-crafted, well told story need not have the most powerful acting to succeed whereas in a play that’s next to impossible. A prime example would be James Franco’s character, he’s not given much in the way of a character and doesn’t add a tremendous amount to it either. Where he brings me into the story is in the moral/ethical dilemmas of the testing in the lab and the moments with his father, played by John Lithgow. His interaction in scenes opposite motion-capture creations are less compelling. Freida Pinto similarly just seems to be there as a plot device and of significance to the protagonist but not truly present in the tale. Tom Felton’s first post-Harry Potter performance is a bit inconsistent and uncomfortable sadly, though it is a perfectly despicable villain hearkening back to the beginning of Malfoy’s arc where he was more vile and less ambivalent.
Then, of course, there’s the performance all are talking about which is that of Andy Serkis as Caesar. Having seen Serkis recently in Sex & Drugs & Rock & Roll I was most impressed with his performance there. Here I was impressed by the combination of factors: how he in turn aided the CG artists to render a humanoid ape. I appreciate and admire the contribution he makes to this film and consider a success but any Oscar talk pre-Fall is always premature and for the time being any and all motion capture discussions of that nature are far-fetched.
As intimated prior the effects work is rather impressive throughout, however, as is the case in most films that use them so regularly some sequences are far stronger than others and the rendition is by no means perfect.
The climax of the film is truly great stuff and is the kind of sequence you head out to the movies for but don’t find nearly often enough. It’s a pretty huge and well-choreographed battle that the whole movie has been working towards.
While Rise of the Planet of the Apes does have a few failings it is a very solid piece of entertainment. Those who were, or still are, skeptical can rest easy: it’s a well done and worthy installment in the series.