61 Days of Halloween: Come Out and Play
Come Out and Play
Whenever possible I try to give those who may be reading these reviews a frame of reference of where I’m coming from with a particular title. That can in large part become relevant when one discusses a remake. I believe I viewed Who Can Kill a Child? last year and I was not a fan in the slightest. When dealing with a remake, you want to try to have a clean slate, but I realize this can be difficult as certain things are expected. I liked this version just marginally and here’s why:
The biggest faults the film has are in the beginning and the end, there’s far too much unspoken and not enough urgency as the weird situations start to present themselves. I’ve not read the book, but so far as I’m concerned there’s not yet the perfect rendition of this tale, regardless of how faithful each may or may not be to the book.
As the film progresses further from the overly-coy beginning, it does start to address some concerns, seriously up the stakes and after some missteps in the suspense department early playing that up. The score is consistently effective, and the all-too-ghostly children start to have presence, a bit of information to them, which makes them more dangerous, and in turn makes the audience engage further. It creates some mystery and makes you interpret events after a minimal mandatory amount of information is handed out.
Where I feel the film could’ve further excelled was at the very, very end. However, what it manages to do after being a fairly ineffectual carbon copy elevates it oh-so-slightly from its predecessor.