This award is one I will present annually to the actor, writer, director or any combination thereof who has in my estimation the best year. The only real criteria is that they have multiple credits. The credits can be two responsibilities on the same film or more than one film. The idea came to me based on Robert Downey, Jr.’s incredible 2008. He was the first winner and the name stuck.
2015 Entertainer of the Year: Will Ferrell
Sometimes it’s next to impossible to pick this award and not confuse it with a Lifetime Achievement award. Though the main difference is, even though this is also a body-of-work trophy it’s awarded for a year’s work irrespective of the accomplishments made in prior years.
Yes, Will Ferrell has been at it longer than many of us care to realize right now and I’ve been a fan for quite some time and think he has had very few misses along the way. However, this year there was a lot of stuff, all throughout the year, and it was all hilarious; at least his involvement was.
I like to be inclusive of comedy, and horror, and any other genres the awards generally disregard, so those are just some reasons this funny man is honored this year. Now, for some more specifics about his 2015….
First, there was Get Hard, as with any projects he does with Adam McKay behind the scenes there is silliness and farce in equal measure. There’s much topical humor about the world of high finance aside from broad generalizations and stereotypes exploited for comedic value.
A Deadly Adoption really should have sealed it any, but these awards are ones that kind of occur to me rather than being ones that I consciously plot more often than not. First, this film was a secret project. It was then a surprise announcement as a Lifetime Movie mocking Lifetime Movies, mysteriously pulled from its premiere then rescheduled. It then received a drubbing from those not prepared for the film’s tongue-so-firmly-planted-in-cheek. Will McKinley’s take on it echoes my sentiments on it perfectly. It’s very effective, funny when the absurdity hits you with its subtlety and marks the 2nd straight year a TV film has been included in the BAM Awards.
Ferrell Takes the Field is Ferrell taking his love of baseball to a hilarious extreme to help a charity, create a documentary and promote the MLB by making appearances at 10 positions in real Spring Training games. It aired on HBO and is well worth your time if you like him or baseball or both.
Shortly after that I discovered that perhaps his most hilariously insane character Orson Welles caricature (my reading) Eric Jonrosh had The Spoils Before Dying on IFC. I was able to stream the first two so far. It doesn’t start as strongly as The Spoils of Babylon but he’s as funny as ever.
Then came Daddy’s Home, a re-teaming with Mark Wahlberg and a return to more family-friendly fare where he’s more successful than most comedians.
The cherry on top of his 2015 was his unannounced return to SNL in a recent cold open as Dubya.
Clearly it was a great year for him, and one thing Wahlberg said in his junket/circuit interviews was true, to paraphrase he said “His comedy doesn’t come from a dark place, he just genuinely wants to me make people laugh,” and in 2015 he made me laugh quite a lot.