Welcome to The Movie Rat. This blog’s name comes from a term I came up with for a friend of mine when we went to the movies every Saturday for a matinee and at least one other film. We were like mallrats except we went to the movies eventually he lost interest but I kept on going.
So a new blog and infinite possibilities and here there won’t be any annoying restrictions such as trying to keep one of the most universal artforms in the world “localized.”
What does one do when one sets out to start a new blog. Well, for the time being anyway, whatever one wants.
However, I am starting with this manifesto to let you know a few things I plan on doing and conversely not doing.
So here are some things you can expect and some things I will venture to avoid, five things in each category sounds like a decent start…
-Be re-posting older articles slowly but surely.
-Do daily themes such as: Monochromatic Monday, Two For Tuesday, Weird Wednesday, Theme Thursday and Film History Friday. These may change. I also Plan writing longer more theory-based papers from time to time. I have ideas for both Metropolis and Zé do Caixão (Coffin Joe).
-Will offer “seasonally appropriate” reviews: For exampled, TCM is currently doing 31 Days of Oscar. From September 1 through October 31st there will be a glut of horror titles, from November 1st through Thanksgiving; foreign films and Christmas-themed (sometimes only slightly) in December.
-Always be looking for new and unique films as well as different ways of viewing and/or acquiring them and being a consumer advocate to an extent.
-Always write personally. No matter how informed one is I will not presume that my opinion is anyone else’s. I firmly believe in the assertion that no two people ever watch the same film and can only offer my views and interpretations and if I need to use a few “Me’s” and “I’s” to convey that so be it.
I will not:
– Discuss the MPAA here. Ratings exist for a reason but I personally do not care. The MPAA, if you visit their site (www.mpaa.org), will explain its reason(s) and other reviewers will give you their slant on the rating (I suggest: www.lights-camera-jackson.com – he is a kid who is also a professional critic and always includes how kid-friendly a movie is) but it is of no concern to me. I am not a parental aid I am only interested in aesthetics. I would not deign to judge what is and is not appropriate for your children that is a decision that all parents must make on their own based solely upon their values and what they believe their children should see, hear or can handle.
– Use the phrase “well-intentioned.” Few films, if any, have bad intentions.
– Avoid, at all costs, saying “it’s the best of its kind since such and such” for I am likely to have missed films of its ilk since such and such and you may disagree with my opinion of the former film and therefore I won’t adequately express my sentiments if that’s all I say.
– Since I discussed hyperbole above I will not say I am going to post something. I mentioned on more than one occasion on Examiner that I was planning on writing something about hyperbole in film criticism. And I was, but I never did.
– Confuse the person with the artist, or allow any other bias I may have, creep in without at least addressing it and letting you know that there is a grain of salt. Unless, it’s a first run or DVD review this will be a very positive site but unfortunately some movies are bad and it needs to be said, however, I do believe that in an overwhelming majority of them there is at least some redeeming quality.
I’m sure there’s probably more I can add. Suggestions would be more than welcome, for either category. Starting tomorrow the fun really starts.