Review- The Chronicles of Narnia: The Voyage of the Dawn Treader

Will Poulter, Skandar Keynes, Ben Barnes and Georgie Henley in The Chronicles of Narnia: The Voyage of the Dawn Treader (20th Century Fox)

The Chronicles of Narnia: The Voyage of the Dawn Treader is in a word, though there could be many, many more; glorious. Absolutely glorious in every single, solitary respect. Not only does it work brilliantly as a standalone tale but it also closes a chapter in a series with great effect. How it functions within the series will be detailed later.

The first thing that should be commented upon is the virtuosity of the players involved. Now this tale does have a rather big obstacle to overcome as in this tale the Pevensie quartet becomes a duo, as Peter (William Moseley) and Susan (Anna Popplewell) are scarcely seen but worry not Georgie Henley and Skandar Keynes are very strong and prodigious leads in the film. They each face their own trials and tribulations in their journey and support the film equally. Will Poulter, who broke out with his earth-shatterlingly good performance in Son of Rambow, is flawless in the part of Eustace Scrubb. He applies the affectations of an uptight, snobbish brat with great aplomb from a pitchy voice to flared nostrils and as his character mellows those layers peel back. Truly, Son of Rambow was most fortunate to have both he and the incomparable Bill Milner in the fold and The Dawn Treader would be so much less than it is without Poulter.

Lastly, and here is where we discuss this film in the context of the series, there is Ben Barnes. Ben Barnes, as Caspian, who is now a King; reprises his role but not identically to the last installment. In Prince Caspian a decision was made that the Talmarines, to differentiate themselves as men of a different nation, should be Spanish or speaking in a brogue thereof. Barnes did what he could to work with this impediment but that decision along with some in structuring made that installment a little less than it could’ve been. Therefore kudos are in store for the production team, principally the late great director Michael Apted, for deciding to rescind said decision. Ben Barnes speaking in his true voice is another actor entirely and he is a credit to this film.

This film, unlike many fantastic voyages, actually allows you to get into the character’s head a bit. In fact, that’s really what the enemy is all about: exploiting fears that each of the characters have. The characters are seen alone, the characters dream and they do battle with an enemy that knows how to defeat them. Mist or fog can be a very effective cinematic motif, as evidenced by eponymous films but you add a sentient nature to said mist and a whole other level is reached. Especially with the way it is framed and how the characters very infrequently sense its presence. I wrote recently of the jolting scares to be found in the most recent Harry Potter, well that is trumped by the ominous looming and chasing of the mist in this tale which gave me goosebumps on more than one occasion, as did some other events, CG or not.

Speaking of CG this may be an aspect of this film, which is almost taken for granted. To go through a laundry list of awe-inspiring visual achievements that the effects artists conjure up in this film would be tedious. However, it does need to be said that the work in this film is so accurate and precise that it likely goes overlooked by many. It has been short-listed for an Academy Award nomination and if it does not receive said nomination it will be one of the greatest injustices they’ve ever perpetuated [It didn’t get it, surprise, surprise].

This film is expertly edited and flows like a dream and treats time like a tinker toy. It makes the film move very briskly throughout but grinds the action nearly to a halt when things need observing in the minutest detail. If you had no notion of the time you’d swear the film is at least 20 minutes shorter than it really is, which is a testament to the pace of the tale.

You can’t have a sweeping epic story line without a sweeping epic score and this film most certainly has that as well, as there’s not much it doesn’t have. The score always matches but doesn’t overpower or over-accentuate the film and is dazzling.

The superlatives could continue to flow but I saw this film twice on the weekend so that should say something. I may see it anew to gauge the 3D quality, for the time being bear in mind that it is post-converted so buyer beware [I did end up seeing it in 3D later on and the conversion was pretty good] .

You have in this tale characters who are human therefore flawed and must struggle mightily against the darker parts of their nature to achieve their goal. You also have here in a series an ending as should the films continue different characters coming to the fore, even if this wasn’t the case the ending is quite the effective tear-jerker. This is without a doubt one of the most complete cinematic experiences I’ve had in a while, one of the best films of the year and a no questions asked must see.

10/10

The Chronicles of Narnia: The Voyage of the Dawn Treader is available on DVD and Blu-Ray today.

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