As is my usual policy when deciding to write an in memoriam piece I don’t like to rush it to strike while the news cycle is hot. Part of the reason why is that I like to give the people I choose to write about their due rather than being short and sweet to the point of being curt.
Jackie Cooper’s was a long and extensive career that can not be summed up in a few short and sweet sentences. I’ll try and give it better perspective here.
From 1929-1931 Cooper made about 13 shorts as part of Hal Roach’s legendary Little Rascals troupe. Hal Roach being one of the legendary producers of Hollywood and the Rascals being one of his longest lasting legacies.
Below in two parts you’ll find one of their shorts where Cooper features prominently.
1931 turned out to be a watershed year for the young actor who in that year went most of the way to establishing his Hollywood immortality. First, there is his participation in the film Skippy, which earned him a nomination as Best Actor. A film which is mysteriously unavailable on DVD in the US.
However, in that year he also delivered what is likely his most memorable performance in The Champ, a film for which Wallace Beery captured Best Actor.
Another fine and more mature performance from Cooper can be found in the film Peck’s Bad Boy, which is a wonderful example of classic filmmaking because the story is so simple but so emotive. It also features two outstanding antagonistic performances by Dorothy Peterson and Jackie Searl. The film can be seen in its entirety here:
Surprisingly Cooper never did capture the Juvenile Award, a special Academy Award that was awarded to a deserving young actor from 1934 to 1960. However, he did have another memorable performance with two of the other finest actors of his generation Freddie Bartholomew and Mickey Rooney in The Devil is a Sissy in 1936. His character being the most hardened of the lot.
While like many child actors Cooper found the work to be not as good or as consistent as he transitioned to adulthood he did keep working and with the advent of television he transitioned mediums and started building a long and impressive resume of guest appearances on the small screen.
Eventually he made his way behind the scenes as a director and producer. Some of his directorial credits include episodes of M*A*S*H for which he won an Emmy for the episode “Carry on, Hawkeye,” Mary Tyler Moore, The Rockford Files, The White Shadow for which he won an Emmy for the Pilot episode, Magnum, P.I., Cagney & Lacey, The Adventures of Superboy and Jake & the Fatman.
Between 1948 and 1971 there was but television work, he also garnered consecutive Emmy nominations as an actor in 1961 and 1962 for his work on Hennesey, but then there was the occasional blip of a film until he was cast as Perry White, the editor of the Daily Planet, in the Superman films, the initial wave. It is in this capacity that he is known and remembered by many today as I have mentioned before many are lucky to be known by all for one film or project, even more fortunate are those who are known by many.
Jackie Cooper had many incarnations as an entertainer but in all of them he entertained audiences and endeared himself to them. He will be dearly remembered and sorely missed. He left an indelible mark on film and left innumerous memories behind. Let us take a moment and reflect on them.