Make Your Own Film Festival- Pick A Country (Part 1 of 7)

Michel Joelsas in The Year My Parents Went on Vacation (City Lights Pictures)

Windows doesn’t discriminate between regions any longer, and neither does Macintosh. Even if they do you should get a warning when inserting a Non-Region 1 DVD (meaning one made for distribution outside the US, Canada and Mexico) saying what region it is and asking if you want to change your computer’s region. Typically, there has been a set limit on how many times you could change regions before it became a permanent switch. Even if your computer is more finicky you still have an opportunity to watch many more DVDs, many of which you can only find online, that you never thought you could before.

Some foreign films have limited appeal and distribution internationally. With that in mind you should take that into account when traveling overseas and pick up some movies you won’t find in the US. Taking that in to consideration this critic made a number of purchases when in Brazil in 2008 to set up yet another mini-festival.

O Ano em Que Meus Pais Sairam de Ferias (The Year My Parents Went on Vacation)

In the way pretty much only a Brazilian film can this film combines football (the global variety), politics and coming of age. A child’s parents are forced to leave the country in 1970, months before the World Cup, due to their opposition to the dictatorship. He is left with his grandparents but fate has other plans for him.

What develops from there is a very interesting and very steadily built drama. It is a testament to the Brazilian people. The story is literally told like a slice of life in which tenebrous things can be going on in the background and all around but life goes on and it still is for the most part fine. There obviously is some focus on the revolt but they are also seen through the eyes of a child who only wants for his parents to return.

The end of the film, which merges the World Cup final with a police raid and then the denouement with us seeing what becomes of Mauro, is also perfect. This was a reality that faced many Brazilians of all walks of life in this era. It is quite a good, unfiltered, unsentimental coming of age film and like most that are good it’s different and so are the circumstances.