61 Days of Halloween: Dead Souls (2012)
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Dead Souls (2012)
I have frequently argued that when I choose to watch a TV movie that does not preclude it from inclusion in BAM Award consideration. However, on occasion some TV movies, I must admit, will have me shy away for a while. This is one I regretted letting slip. I think this were late 2012 re-airings of this Chiller original film but I let it slip owing to the fact that I was bogged down in my Year-End Sprint. I wish I hadn’t. However, this film is very much alive for my favorite older films of 2013 list.
The synopsis on the onscreen guide was thankfully bereft of information. With a setup up kind of like this on the menu: John returns to his birthplace to learn the secrets of his biological family; there’s a lot of blanks left to fill in.
The film starts strong from the very start. What you see is a shocking series of events, including crucifixions (easily cringe-inducing for me) as well as intimations of some kind of cult activity. However, the exact nature of what is going on is a bit obscured. Thus, we the audience are placed much in the same place as the protagonist, discovering along with him. That’s a good place to be in.
What this film does that’s slightly off the beaten path is that it plays out like a haunted house/ghost story, but also has an element of occult building and that puts it’s own spins on the events.
It leaves its protagonist John (Jesse James) alone much of the time. That’s good for character work, especially when there’s an expressive actor in tow. James has a natural sensitivity that exudes off the screen and allows him to carry the vehicle quite easily. He effortlessly handles the notes he has to play in the film: thoughtful, quiet, scared – and, upon learning what he deals with, feeling an emotional pull to the place and his family he’d never known. He does brilliant work here.
The arc of Emma (Magda Apanowicz) is also a benefit to this film. Whereas, she seems like she’ll be a bothersome and unnatural guest much like the one in Let’s Scare Jessica to Death, she softens, becomes a sidekick and co-combatant with the protagonist.
By the conclusion of the film not only are the blanks left un-filled by the beginning filled in but a new spin on the occult has been portrayed. Not to mention that the start is mirrored, completed and filled in by that point. This is a horror film that’s a little different and ought not be overlook, and I’m kind of kicking myself for letting it slip through the cracks last year.