Mini-Review: Room 514

Room 514

Room 514 (2012, Film Movement)

This film contains one of the slyest, most telling pieces of foreshadowing I’ve seen in some time. I won’t give it away, but as I reflected on this film it seemed to me to be a modern, Israeli-set version of A Few Good Men. The drama is more intimate and behind closed doors, but what the film is about is the people and how they react in a given set of circumstances rather than what the consequences for said action is. The comments both societal and militaristic have been made and the story is at an end. The outside world may never feel any ramifications or repercussions from what occurred, but those behind said closed doors do.

What director Sharon Bar-Ziv achieves is an intimate tale not only in terms of the number of participants but also in the frame. There are many times where there is scarcely background to be spoken of as two faces, within very close proximity to one another, dominate our view. Their is an intense focus on the characters studying one another and we in turn study them and not only how they react to one another but also what they are saying.

For a film of this nature to achieve maximum effectiveness it needs great acting and it gets that from its three main players: Asia Naifeld, Guy Kapulnik and Udi Persi. Neifeld plays Anna the Military Police interrogator at the center of virtually every scene and her performance is a veritable tour de force. Her choices as an actress are as clear as the convictions of her character and really help bring this film home. It’s a fascinating tale that is worth your time as it really and truly engages you.

Room 514 will be available on home video from Film Movement on 6/18.

9/10

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