Mini-Review: Stoker

Introduction

This is a post that is a repurposing of an old-school Mini-Review Round-Up post. As stated here I am essentially done with running multi-film review posts. Each film deserves its own review. Therefore I will repost, and at times add to, old reviews periodically. Enjoy!

Stoker

This is one of those films that grabs you from the first frame and scarcely ceases long enough to let go. It’s the kind of film that peels back layers of mystery and intrigue, slowly at first, but, then it escalates them until you find yourself in a delirious whirl of rapt tension and drama. All the while, as it slowly sets the foundation of the most basic facts, it’s setting up reveals of more precisely sinister revelations of motivation and past incidents.

The film is technically constructed to match this narrative drive employing montages, cross-cutting sequences, frames and L-cuts (cuts where audio lingers after a scene, or starts before an accompanying visual) to link what are at first seemingly disconnected events.

Stoker builds mystery regarding enough elements of its story, while keeping things simple, such that it easily achieves misdirection from one unanswered riddle to another. Thus, answers you had half-formed are forgotten briefly as you puzzle something else and when you’re confronted with confirmation of a fact it lands with the desired impact, whether you intuited the information or not.

Practically everything regarding Stoker is precise and stylized to the utmost for impact, yet scarcely ever feels forced when you consider all the pieces in the whole. It’s a mesmerizing portrait that is sure to rank among the best of the year.

10/10

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