Mini-Review: ATM

Introduction

This is a post that is a repurposing of an old-school Mini-Review Round-Up post. As stated here I am essentially done with running multi-film review posts. Each film deserves its own review. Therefore I will repost, and at times add to, old reviews periodically. Enjoy!

ATM

I often discuss the merits of going into a film as a clean slate. I can’t say I went in 100% clean to this film, however, I don’t see that as a detriment here. I found this was streaming, saw it qualified as a 2012 release, and added it to my queue without further thought for a time. One tweet by a fellow Twitter compatriot who disliked it, didn’t give much away, but intrigued me enough to give it a play.

A few things struck me as odd as it pertained to ATM: the first of which is that it does hold interest and a fairly believable premise through a much larger portion of the film than I expected based on what I heard. While I will credit the film for its set-up and a certain degree of cleverness in it maniacal plan, the second oddity is that the most major twist I was way ahead of, and the resolution was one that doesn’t stand up to harsh scrutiny, and the length of the reveal allows you to scrutinize it. It reminds me a bit of Penumbra but with more annoyance and less impact.

This is also a film that inflated its running time to its detriment. It cut out of the closing credits at least three, if not four times, to additional montages hinting at more villainous plots. Such were the cutaways that it bloated the credits crawl (which were slow to begin with) to nine minutes. The film clocks in at exactly 90 minutes with it included. It wouldn’t have saved the film, but it is OK to run less than 90 minutes. It really is. Add to that a very slow reveal, and you have an end that doesn’t end long after the point where the film becomes completely asinine.

4/10

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