If you’ve been to my site over the years it’s not secret that I am a huge fan of Stephen King, and I have sought almost any opportunity I could find to write about him.
Here are some notable instances:
A review of It (1990)
A series on his as-of-yet unadapted works
A series on adaptations of his work focusing mostly on Maximum Overdrive
However, in the BAM Awards as entertainer of the year was not something I foresaw.
Throughout the year I made mental notes of actors and directors who had multiple credits to their name who made their mark through a large swath of the calendar year. I usually like these awards to be like revelations rather than conscious decisions. Once I tried resisting choosing King, I knew he was the only choice.
And I only resisted because picking the creator of source material would be a new frontier, but it is worthy of inclusion. I always cite the author of source material in my nominations on equal footing with the screenwriters.
With it seeming, based on early looks, that King was going to have a very good year, many retrospectives came but the new work showed there are people working now who want to work with his material, and know how to mold it for film.
And it was a very good year for Stephen King, and the BAM Awards were no exception. Films based on his works garnered 30 nominations; including three of five Best Adapted Screenplay nominations.
He also saw two more of his works turned into TV shows Mr. Mercedes and The Mist.
He and his son Owen released the timely novel Sleeping Beauties, and he has a new novel due out this spring; so it’s clear he’s still kicking but his impact on me and many has been long-lasting and will continue, but 2017 cinematically was a standout for highlighting his work, and it’s why he’s the recipient of this prize.