Update: New Page Featuring my Guest Posts
New reviews will start tomorrow. As for now, I added a new page for guest posts I contributed to other sites. Check it out!
New reviews will start tomorrow. As for now, I added a new page for guest posts I contributed to other sites. Check it out!
Added a new page under the heading The Movie Rat on the lefthand dropdown menu where I link to past (and any possible future) podcast guest appearances. Check them out!
As mentioned yesterday, I’m getting back into the swing of things, so unlike other years I have no actual expectation that I will get to 61 horror movies in 61 days, but there will surely be some and all posts on the subject will link back here. With luck there will be daily posts of various types. Check back early and often!
Happy haunting!
As you may have noticed, not only if you look at the dates on my posts, but also if you read these Updates.
I’ve been in the process of becoming an adoptive father. Now that a new school year has kicked off I should be here, and watching movies, more frequently.
As for reviews, they are forthcoming. I’ve seen five so far this week. I just have to get to writing them. When they’re ready you’ll see them here.
Other things to look forward to are Blogathon participations…
First…

I will be covering a Freddie Highmore film out quite a few years before his run on Bates Motel, The Spiderwick Chronicles wherein he played twins.

Next…

The topic I will be covering for this blogathon will be Films as an Exploration of Human Sexuality. Now, I know that sounds like a dissertation title. However, the approach I’m planning on is a bit freeform, personal, and as all encompassing as I can be with such a huge topic.


Last, but certainly not least. I will be talking about a certain circus element in film. Thanks to the guidelines that allow me to go outside the bigtop, as long as some elements leave with me; I decided to write about Stephen King’s It (1990).

Can’t wait for these and I hope you feel the same!
The deaths in 2016 have put me down in the dumps more often than not. Usually, the case has been that I couldn’t even find the words to write an In Memoriam, as I have on a few occasions in the past.
This one I felt compelled to comment on late in the day saying:
That would not cut it for this blog. Neither would needlessly pointing out that Condescending Wonka memes are so pervasive it makes you forget how great a film that really is.
He and Richard Pryor on screen together was such a staple of my childhood that they are to me the among the great comedy teams to me.

What kept coming to mind were the scenes he was in, the laughs I had. And so, what better way to remember him than to share some of the ones I’ve found in my YouTube reminiscing. Enjoy!
Introduction
As those who know me, and if such a person exists, cyberstalk me, know I created this blog after writing on another site, which shall remain nameless, for a while. The point is, I have material sitting around waiting to be re-used on occasion I will re-post them here. Some of those articles or reviews may have been extemporaneous at the time but are slightly random now, hence the new title and little intro, regardless enjoy!
This it It (2009)
This is It is a documentary about the rehearsal process for Michael Jackson’s never-to-be-realized series of concerts in London, which were to have occurred starting this summer. It is the kind of documentary that is set up for success on many fronts whether it be financially, aesthetically or in sating a public’s curiosity.
Financially the success was almost guaranteed. Immediately following Jackson’s death his body of work went on to dominate the Billboard charts for weeks on end and the film has been no different climbing to top spot in the box-office. It is already sure to threaten as the highest grossing documentary of all-time and likely to receive an extension on its two-week limited release which was never likely to stay limited.
In terms of aesthetics the accomplishment is more a feat of content than appearance, of vision rather than framing. Much of the footage being full-frame grainy video proves the axiom that people will accept poor image quality before poor sound. The success of this film really lies in the third aspect in which it was successful which is in documenting an event that was to be and satisfying curiosity thereof.
The fact that the film was, in fact, finished is no small feat in and of itself. Sony Pictures acquired the rights to the footage for $50 Million in July and immediately went into post-production on it prepping it for this release date. As a technical feat it’s impressive no doubt but it has much to offer within that is worth seeing.

The film starts with a rather personal approach showing us candid interviews with the dancers who were selected to partake in the show and they tell of their past somewhat, the audition process and what being in the show means to them. Soon after it goes into working on particular numbers and we are allowed to see the creative process at work both from Jackson’s perspective and in collaboration with director Kenny Ortega.
We see lighting get added, music being refined, film segments being shot against green screen and just a small taste of the epic scale that this series of concerts was to have and even on celluloid and without a live audience there to witness it, it’s rather impressive.
Perhaps the best part of the film is that it remains focused on the show on highlighting the numbers and the production, and what it couldn’t show through rehearsal footage it discussed in interviews, for example, costume pieces that were not yet complete like the “Billie Jean” costume. In zeroing in on the show it also didn’t lose focus on Jackson as an artist and even with a freeze frame and a title card at the end it didn’t get too bogged down in playing up a melodramatic and sensationalistic ending. If you want to draw parallels between the rehearsals and his tragic death you can but it is not a tabloid film, thankfully.
Resisting the temptation to give too much away allow this critic to say merely this: the best thing about this film when it was first announced seemed to be the fact that it seemed to be completing an unfinished work, or coming as close to doing so as humanly possible. The film does that and more so giving us a glimpse into what was likely to have been the biggest and best show the young century has seen.

The concert series being designed to stay on one stage and not needing to travel made it a different creature entirely and this film showed how Jackson was taking his video ingenuity and bringing it to the stage and he was most definitely a driving force as the repeated conversations between him and Ortega throughout illustrate.
Unlike, some music docs that take you off stage, behind the scenes and into the personal lives of the artist, this was about the show. This film was about This is It and that’s it and that was more than enough. Despite the pace being a little slow in the middle it’s still a great ride.
8/10
It’s been too long since I did a Short Film Saturday. This short doc that first aired on Sportscenter, and I just watched it for the first time. It links into a vacation I just took (to Williamsport to the Little League World Series), which is only a small reason for my recent hiatus.
It shows not only the importance of youth programming but also how increased interaction between police and their communit can affect change. Enjoy!
So, here I am again discussing another Disney reading – or rather a conspiracy theory. This one concerns Mulan and was proffered by newly-minted Vice Presidential candidate Mike Pence when he was a conservative talk show host in Indiana. On his show’s site he penned an op-ed which postulated that Mulan was liberal propaganda, and, in his mind, proof that women should not serve in the armed forces.
The approach I will take to examining this claim is a mostly film theory based. He’s politicizing the apolitical and therefore I will keep most of my discussion focused on his assessments and whether they are truly contextualizing plot and themes correctly.
So let’s begin.

It starts with the title of the piece (pictured at the bottom of this post): “Women in the Mulan Military.” It’s objectively nonsensical. In the film Mulan there is one woman in the military. She is not allowed to be in the military and poses as male. Or is the lack of proper italicizing to indicate that allowing women to serve “Mulans” our military? Which also makes no sense.
Lack of coherence in titling already paves the way for flawed reasoning.

In a not-so-minor grammatical note he writes “Fathers Day.” Sorry. It’s Father’s Day. If you are a father it’s your day rather than the day of all fathers. Possessives are important. Already he’s not even made his point and I’m less likely to give any credence to his arguments.

Then he claims the popularity of the film was all induced by McDonald’s. This gives you a sense of his understanding of the film industry. Disney animated films were on a hot-streak at the time, they always appeal to kids, and McDonald’s tie-in is the work of Disney Marketing not some insidious McDonald’s agenda. Furthermore, it shows his bias from the start. He’s not even synopsized the film yet.
In a film with an anthropomorphized dragon, a fictional creature to begin with, and a cricket in the same vein, he critiques the likelihood of Mulan’s military prowess:
Despite her delicate features and voice, Disney expects us to believe that Mulan’s ingenuity and courage were enough to carry her to military success on an equal basis with her cloddish cohorts.

Mulan and the voice actress who played her Ming-Na Wen
It’s uncertain how one can read that sentence any thing other than sexist. Apparently, Pence can suspend disbelief on common Disney tropes but a pretty girl who can fight is crazy. Not to mention the fact that this film establishes her as accident prone, and then does a traditional training montage to show the improvement of her martial skills. To Pence’s mind she has to look like G.I. Jane or a butch lesbian to be able to fight.

If anything in this piece almost holds water it’s this next passage, but even that misses the mark:
Obviously, this is Walt Disney’s attempt to add childhood expectation to the cultural debate over the role of women in the military. I suspect that some mischievous liberal at Disney assumes that Mulan’s story will cause a quiet change in the next generation’s attitude about women in combat and they just might be right. (Just think about how often we think of Bambi every time the subject of deer hunting comes into the mainstream media debate.)

This is another case of vastly overrating the influence of media on reality. Apparently the integration of women in combat roles during the Gulf War or on combat ships in 1993 or flying combat missions during operation Desert Fox in 1998 doesn’t set-up a childhood expectation just movie about a Imperial Era Chinese girl, who goes only to protect her father and promptly quits when the war is over. That’ll get girls wanting to be in 21st Century wars they “shouldn’t be in.”
As for Bambi, I don’t know anything about deer hunting debates. I didn’t know they existed. I know there is a season for it and regulations around it. Maybe that’s an Indiana thing. Bambi, however, I do know. It was the first movie I remember seeing at the movies. Bambi’s mother’s death is scarring because it’s his mother not because it’s a deer taken down by a hunter. Hunters shoot deer. That’s a fact. In anthropomorphizing forest animals a logical assumption, divorced of political leanings, is that animals would fear hunters. If you think Walt Disney knowingly put liberal propaganda in his films, you don’t know enough about Walt Disney – which he probably doesn’t because even though this piece is from the late ’90s he refers to Walt Disney, the man who was dead more than 30 years, and not Disney, the company that bears his name. Lastly, people twist things up over time. Like the fact that the name Bambi is used almost exclusively for girls in real life even though Bambi in the film is a buck.
From there Pence goes on a tangent about scandals like Tailhook and the Aberdeen Proving Grounds. His assessment: men and women stuff will happen. It’s classic victim blaming. It’s like saying “Well, if they weren’t in the military they wouldn’t have been raped and molested.” Try weeding out the rapists and molesters instead.

When he ties it back to Mulan he states, in closing:
It is instructive that even in the Disney film, young Ms. Mulan falls in love with her superior officer! Me thinks the politically correct Disney types completely missed the irony of this part of the story. They likely added it because it added realism with which the viewer could identify with the characters. You see, now stay with me on this, many young men find many young women to be attractive sexually. Many young women find many young men to be attractive sexually. Put them together, in close quarters, for long periods of time, and things will get interesting. Just like they eventually did for young Mulan. Moral of story: women in military, bad idea.

Methinks methinks is a compound word.
As for the supposed irony, it’s irony that is informed by Pence’s sexist viewpoint. The subtext of that sentence is: a woman in the military either falls in love with her superior officer or is raped. Yes, there’s Disneyfication like the addition of animal sidekicks, and yes there is a romantic interest; however, that builds additional conflict (the key to drama) as to show one’s feelings could betray her gender, which she is hiding after all.
This is the same kind of knee-jerk reactionary propaganda decree that leads to people thinking Muppets want their children to be Communists or that Frozen will make their daughters lesbians.

Jenn Lewis/BuzzFeed
The film is actually one of the earliest feminist characters in the Disney pantheon. She takes matters into her own hands, is a non-conformist, and almost never allows herself to fall to the mercy of a patriarchal society. Pence’s oversimplified statement would make sense if we lived in a bygone era, but we don’t. Politics aside he misses the moral entirely. Mulan doesn’t join the military because she really wants to behead some Huns nor does it caution us about our daughters running off to fight wars incognito.
Mulan pleads for her father to be excused as he is aging and injured. This plea is rebuked. She runs off and takes her father’s place. She risks her freedom and life to protect him. It’s a story about courage, sacrifice, and the family value of honoring elders.
The story is set when it was first written in a poem in about the 5th century. It was a far more impressively progressive statement then than it is now. Apparently, some aren’t ready to come out of the 600s.

When Bubbawheat was looking for some cultish films to watch in June, and when a foreign title was one of the qualifiers, I knew I’d have something to add. Some of his thoughts are in line with mine on Zokkomon (2011) but I added a blurb with my perspective a few years after seeing the film, and it’s always interesting to see someone’s fresh perspective. Check it out!
Flights, Tights, and Movie Nights
My June-ing the Cult month is winding down as I get to my last two which are also the two most recent films in this line up. Over at the The Movie Rat, Bernardo suggested that I check out Zokkomon, which is only five years old at the moment and was actually distributed by Disney World Cinema. Aside from that, I had no idea what I was getting into other than I assumed there would be at least some musical numbers based on what little I’ve seen out of Bollywood. What I ended up getting was a weird mix of Batman, Harry Potter, with a little Matilda and even the Karate Kid thrown in for good measure. The high point was the colorful characters and the touch of a greater message that was only slightly heavy handed. Very fun film and easily recommended.
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