61 Days of Halloween- Halloween: Resurrection

Most holidays worth their while encompass entire seasons, such as Christmas, for example. However, as you may have noticed there is a corporate push every year for us to think about the next holiday even sooner. While this has many negative side effects I figure I may as well embrace it.

Since Labor Day is really only good for college football and movie marathons cinematically it is as significant as Arbor Day, which means the next big day on the calendar is Halloween and we can start looking toward it starting now.

Daily I will be viewing films in the horror genre between now and then and sharing the wealth. Many, as is usually the case, will not be worth it so for every disappointment so I will try and suggest something worth while as well.

Halloween: Resurrection

It’s nearly impossible to drop the ball as badly as this installment of the series does. This is the one that almost justifies starting all over from scratch. Which would be fine but the fact of the matter is no one sets out to make something terrible just so they can start over. There are no ‘rebuilding films’ you think “Oh, this’ll work.” Then when you fall flat on your face you start trying to figure out how you’re going to fix it.

What makes it so terrible is the set up is there. This film pulls off the best cross-film trick of the series. Laurie’s triumph is rendered her tragedy and in a much more convincing way than occurs in the new series Laurie ends up institutionalized.

However, in a much worse way than Part 6. This film botches a farewell. Laurie Strode is this franchise every bit as much as Michael and Dr. Loomis are. You don’t send her out the way they do such that it was a near accident. That is no blaze of glory which after four films is what she deserved.

So here you are left with an Austin Powers in Goldmember kind of set-up (“Austin caught me in the first act, what’s with that?”). Who are we to root for and who does Michael want to kill now because at this point he’s gotten everyone, except Laurie’s son but no he doesn’t go after him, this would be the rare case where I’d be for recasting, he goes after random people.

Granted these are random people who are all in his house in Haddonfield but random nonetheless. In other words these people are all expendable I could care less whether they live or die, in fact, the quicker Michael kills them the happier with this pile of slop I’ll be.

But it gets worse and here’s how: remember how there was actual social commentary thru the guise of a mid-90s shock jock in Part 6. Yeah, well here there’s a reality show and it really just serves as a vessel through which they will attempt to get a “modern” audience to relate. In the end it just allows these ridiculous caricatures to be even more dense than they otherwise would’ve been through their pathetically contrived audition tapes with their deep thoughts on Michael Myers.

The sequence in which this farcical show is being taped manages to be just as if not more slow moving than the crater-sized lull in Part 5 but what makes it harder to bare is that there is literally not a person you want to make it through this thing alive.

The acting overall is just plain pathetic and as if it’s not bad enough the capper to the series is left to Busta Rhymes who cannot convincingly deliver a line unless the more complete and vulgar variant of mofo is included. Lucky for him he says mofo a lot. His conclusion is Michael is a mofo. He is a smart man and this is a dumb, dumb movie, which isn’t worth the film stock it was shot on.

1/10

61 Days of Halloween- Halloween: The Curse of Michael Myers

Most holidays worth their while encompass entire seasons, such as Christmas, for example. However, as you may have noticed there is a corporate push every year for us to think about the next holiday even sooner. While this has many negative side effects I figure I may as well embrace it.

Since Labor Day is really only good for college football and movie marathons cinematically it is as significant as Arbor Day, which means the next big day on the calendar is Halloween and we can start looking toward it starting now.

Daily I will be viewing films in the horror genre between now and then and sharing the wealth. Many, as is usually the case, will not be worth it so for every disappointment so I will try and suggest something worth while as well.

Halloween: The Curse of Michael Myers

Paul Rudd in Halloween: The Curse of Michael Myers (Universal)

OK, so what is the deal with part 6 in a super-long horror franchise? Previously, I was surprised by how out of the blue good Friday the 13th: Part 6 managed to be. Well, here it strikes again.

The first thing that needs to be established is that part of what makes this work is the fact that rather than revealing a previously unknown branch of the Myers or Strode family tree here we go back. This film involves Tommy Doyle many years later. Tommy had long ago been discarded from the series and had come to be a non-entity. To bring him back as a character who has become obsessed with studying Michael Myers and what makes him tick is so ingenious you wonder that it didn’t happen before.

After all it was Tommy’s prodding who introduced the concept of the boogeyman into the films in the first place. Another good thing is that it does finally resolve the Jamie Lloyd storyline, which is commendable because they could’ve thrown that away. Granted it was a little quick and brazen considering how huge an obstacle she was but it at least it was dealt with.

Part of what makes this film interesting is that it goes beyond the fact that Michael is just looking for a blood relation and examines the question why Halloween? It searches for and finds answers previously intimated in Part II with the allusion to the ritual of Samhain.

Not only that but it makes bigger societal commentaries with a shock jock character and also with the misguided and scarily cabalistic worship that Michael has inspired in some.

Right off the bat the first two kills in this film are gruesomely fantastic and likely to garner an audible reaction and it sets the tone for the rest of the film.  

It follows thru on so many things in the past that were left dangling and executes its own plot so well it’s hard not to like this installment in the series. Part of how the shock jock fits into the film is that he is bringing Halloween back to Haddonfield after it has been banned. It also through some tongue-in-cheek humor lampoons where the series could but does not go and makes it very entertaining.

While this is the first film in a while to try and expound on the psychology of Michael Myers it does carry through another valuable constant and that is Dr. Loomis. His being retired at this point and being drawn back in while a standard tactic when combined with these factors works to great effect.

It was also a fitting swansong for Donald Pleasence in the series that the film was dedicated to his memory and the last hint of him we have is through voice over and not a visual. Granted this is a decision likely forced upon the production it ended up being fortuitous and as classy a farewell as one could expect from a slasher franchise.

While this film takes the story more into the outside world than any other had it doesn’t feel in any way disingenuous but rather a natural evolution of the story. Nothing is rehashed and it is probably the most startlingly original installment to the series barring the progenitor.

This one is definitely worth viewing and giving a chance. Do not judge it by where it falls chronologically.

8/10

61 Days of Halloween- Halloween (1978)

Most holidays worth their while encompass entire seasons, such as Christmas, for example. However, as you may have noticed there is a corporate push every year for us to think about the next holiday even sooner. While this has many negative side effects I figure I may as well embrace it.

Since Labor Day is really only good for college football and movie marathons cinematically it is as significant as Arbor Day, which means the next big day on the calendar is Halloween and we can start looking toward it starting now.

Daily I will be viewing films in the horror genre between now and then and sharing the wealth. Many, as is usually the case, will not be worth it so for every disappointment so I will try and suggest something worth while as well.

Halloween (1978)

At times it can be almost more difficult to write about a great movie than it can be to write a mediocre or terrible one. That, however, is not the case when it comes to John Carpenter’s Halloween.

So much in this film works to absolute perfection. It starts right off the bat with the theme. It is not only one of the best themes in the horror genre but in cinema and furthermore there are variations on it such that the entire score is fantastic.

The film starts, of course, with the brilliant prologue which shows Michael’s genesis. There is tremendous use of POV in this scene and also silently the character is being built. Many a horror villain are too chatty. What separates Myers and Voorhees is their silence which amplifies the fear factor. What sets Myers apart is that he never has anyone acting on his behalf he is always “evil incarnate” as Dr. Loomis calls him. Which helps make the prologue more shocking and why it lands high on this list (don’t follow the link if you haven’t seen the film).

The prologue ends in a near cinematic tableau as we are allowed to absorb the awe of what we just witnessed. The story recommences 15 years later. Loomis is introduced and immediately another brilliantly staged and crafted scene breaks out where you see Michael in his present state.

Following this is where Haddonfield and its characters are introduced. The first two sections are played in darkness but then Loomis chasing Michael, Loomis talking to authorities, Laurie Strode’s day and Michael’s following are played in daylight. Night falls for good in the 35th minute of the film and from thereon in horror film history is made.

It can not be overstated that what makes the most effective horror films nine times out of ten is building character and concept. Loomis both in trying to get people to understand what they’re dealing with reveals some of what his experience has been and how he’s become not so much jaded as aware.

What should not be overlooked is all the talk about the boogeyman. It may be too easy to slough this aside as childish nonsense, however, the film makes it perfectly clear by the end that it’s as good a description as you’re likely to get.

Part of what makes Michael Myers such an iconic figure is that he really does get under your skin. He watches you when you don’t realize it, when you think you caught him he vanishes and he comes out of nowhere with some of the best entrances you can ask for in cinema. It truly is spine-tingling stuff. Furthermore these entrances while accompanied by SFX and music don’t crank the volume up so loud that that’s what scares you. That’s what I call a false scare. In this film music and effects underscore what is scaring you which is Myers.

It’s hard to think of a third act in a horror film which has more memorable, shocking and iconic moments. There is Judith Myer’s tombstone, the double-scare corpses and the shadow lurking. Yet it doesn’t stop there. Right at the end there are four extraordinarily memorable moments which to not give too much away I will similarly label: He is the Boogeyman, The Unscored Moment (where the silence makes the visual even more frightening), Vanish and The Breathing Montage.

It’s about as well-crafted as a film, regardless of genre, can be. It spawned a slew of imitators and it attacks primal fears on so many levels. There’s not much like Halloween and even with the ups and downs of the franchise it is likely the best horror series ever.

10/10