Film Thought: Walking Out of a Movie

Previously I had written about the conundrum of when to turn off a film. However, if there is one mark of delineation I drew there it’s that Netflix has somewhat changed my approach to that whole question. With Netflix, or any other service that gives you movies at the touch of a button, the tendency is to just push play with less consideration than in the past, unless you’re paying just for that film. With films that are included with a subscription we tend to treat them like they’re free, or at the very least we’re more inclined to click just to try and get the most out of our subscription.

However, the way I approach movies at the auditorium is a bit different. Whereas home viewing can be far more impulsive there is still a shrine-like, quasi-religious reverence granted to a movie being screened as it was intended. This is why I have no tolerance for disruptive, completely unnecessary, loud talking; cell phone use and other breaches of etiquette. While I’m at it it’d also be great if the glow stick brigade at my local theater, which is part of a large chain of multiplexes, would stop traipsing through the theater at the beginning and end of a film, when focus is more critical.

Due to the elevated status that I give seeing a movie in an auditorium (Though I see a much larger number at home than ever before), I am far more hesitant to abandon a screening that I’ve gone to see in person. There are a few reasons this is so: firstly, there is the time invested. Whether or not I’m close to the theater I still like to show up early, there are a significant number of trailers playing before the film so the time invested is more than the running time. Secondly, the financial investment is invariably greater. I’ve mentioned it on a few occasions, and the numbers are easy to figure out, if you’re viewing a film on demand you are renting it so it’ll play on your TV. They don’t verify how many people you have sitting in front of that TV so the savings are obvious especially if you snack at your home theater and at the multiplex. Lastly, it just seems like a much bigger move to get up and walk out. Yes, there is the complication of if you’re with a group of people, but hitting a stop button and walking out of an auditorium are two massively different things.

The last time I felt the twinge to want to leave a film was when I saw Creature. However, it was ultimately too much train wreck to ignore so that leaves Jumanji as the only film I voluntarily walked out of because I just couldn’t take it anymore. I could count Big Fish also, but the decision was aided by a fire alarm that allowed me to realize “Hey, I don’t care if I finish watching this movie now. Thanks!”

So there’s my take. How about you? What have you walked out on and do you find it’s easier to shut off a film at home than to walk out?

When Is It Time To Stop a Movie?

This is a topic I was thinking about just recently. It was likely inspired by some godawful Netflix or the like. There are many schools of thought on this but essentially it’s something I’ve never been consistent with and it’s also an emotional visceral decision rather than an intellectual one, so I thought it was worth some examination. Without further prelude: Do you have a hard and fast rule regarding when to just stop watching a movie?

Clearly the environment one finds themselves in will impact how heavily you debate it. I’ve only theatrically ever walked out of one film, Jumanji. While I don’t necessarily regret the decision, the thought of “I’d rather be home and I should be leaving” did factor in. Either way, that’s the only precedent and while I’ve been tempted I’ve not done it again.

The stop or move on question comes into play a lot more when dealing with home video, more specifically on Netflix.

Some films, such as the one referenced in the picture Satan’s Little Helper, have the Train Crash Effect on you as a viewer, which is to say no matter how bad it is you have to keep watching. Regardless of the fact that I never even grew an ironic fondness of the film it was good fodder for joking.

Some films, of course, are so terrible they actually hurt your eyesight. The prime example of this would be Dollman, a film that’s the antithesis of Demonic Toys inasmuch as its so bad it’s offensive. That film I turned off within 10 minutes.

Which brings us to the argument of time; Syd Field’s theory that you typically know if you like a film within the first 10 minutes has some basis in fact but isn’t gospel. It’s more a guideline emphasizing the importance of a strong start to screenwriters. Few, if any, endings have ever salvaged a film in my mind. Many endings have ruined films. Usually, the cut-off is the mid-point. One film I saw recently really started to collapse around that point and few improve beyond it.

Is the 50% rule set in stone in my mind? Sadly, it’s not that easy. I’ve rarely stopped a movie past that point, but I have found redeemable qualities or scenes beyond it in the past when all that had preceded said point had been irredeemable.

I’m given further pause by films I nearly quit on very early on but I stuck with and eventually loved. The most notable example being Dogville. Eventually I got past my resistance and really started to appreciate what was happening. That does complicate things and is a case against ever turning anything off.

While I certainly understand the philosophy behind not wasting one’s time any further the allure of the unknown and the possibility of something to latch on to is compelling.

When watching a film as a group it’s easy to make it a democratic process. The question can be raised: “Are we done with this?” If there’s no consensus you can tune out in some fashion, which is an option when viewing solo but then why even keep the movie playing?

I suppose this is a roundabout way of putting my thoughts down and hoping for some insight from without that will lead me to a conclusion but in all likelihood it will remain an instinctual decision. If I think there’s something I can glean or catch from continuing I shall, if it’s pointless I shan’t. What are your thoughts?