SPOILER ALERT: Since this is an analytical piece rather than straight-up review certain plot elements will be discussed in some detail. If you do not wish to know such information please stop reading now.
I believe what struck me most about People Like Us is that while it shares a plot device with The Lucky One, namely a lie told (or if you prefer information withheld). The reason this struck me so strongly was that while this was one of the major encumbrances of The Lucky One I feel that People Like Us handled it better in many regards such that is allows the film to succeed.
Now, the first way in which the secret(s) and lie(s) in these films differ is that in People Like Us it’s a far more tangible thing. Chris Pine’s character has just discovered that his father had a daughter with another woman. Therefore, he has to process and deal with this information. He had a bad relationship with his father, felt abandoned, but never knew about this. He has to sort it out himself. Furthermore, he discovers this in light of his father’s recent passing, where he is assigned to give her money his father left to her.
In The Lucky One we understand the plight that Zac Efron’s character has: he feels that a woman in a picture was his lucky charm, the woman being a fallen comrade’s sister. With his struggles to adjust to life as a civilian he goes to seek her out, to what end he does not yet know. Now, he does eventually come to like the woman, and not the dream, and he does help give her closure about what exactly happened to her brother. However, his secret is not only far more nebulous, but is also one he comes much closer to having a chance to say.
Essentially, if a confession in a film is a necessity you’re really walking a tightrope. The longer the protagonist is forced to withhold that information the more precarious he and his plight become. Now, the external and internal conflicts of People Like Us are so well laid out and the different avenues so well-examined that the cat’s-got-your-tongue situations end up being far less annoying in that film than in The Lucky One.
Also, in The Lucky One it’s the kind of weird thing that you can either explain right away or you know you’ll wait on. However, the biggest issue is that he was so close to saying it and he just got motor-mouthed out of his opportunity upon first meeting her. Granted it’s a hard thing to say, but in People Like Us it was hard too but the film allowed the protagonist the opportunity to make the decision to wait on his own with minimal outside influence.
Neither scenario is really ideal for a prolonged secret, however, I feel People Like Us played it better than The Lucky One did.