For an Introduction to the concept of 61 Days of Halloween, and a list of previously featured films, please go here.
This installment of the series is offered by Narciso Ibáñez Serrador. The only other film I’ve seen of his is Who Can Kill a Child?, the original not the remake, which I enjoyed a bit more. Although many years later it’s interesting to see a filmmaker only twice and at two very different stages of their career, especially when some of the themes that are being explored are similar. This title is the most recent of his listed on the IMDb. While there are some interesting aspects to the film, and some of it is well-handled; I can’t help but feel it shares a lot of the difficulties the earlier film works: namely there are some dubious decisions by characters and some head-scratching moments.
However, what this film has going for it is that its tale is, eventually, a more layered one and touches upon themes too often avoided in American horror films. However, there does come a point in a film where it can be said you’ve been playing coy for too long and are starting to hurt the end result. The delayed nature of the reveals adds a sudden choppiness to the reveals and a very quick escalation with minimal time to absorb the impact of what is seen.
There is certainly a deftness of hand in how this tale is wrought, but it ultimately encounters some issues that titles truncated to have shorter running times do; inasmuch as I feel this film would’ve benefitted from being expounded upon such that the overall flow of it was more consistent. As it stands there are interesting scenes a themes, as well as effective sequences, that don’t gel into a completely successful whole.