Rewind Review- Black Swan

As those who know me, and if such a person exists, cyberstalk me, know I created this blog after writing on another site, which shall remain nameless, for a while. The point is, I have material sitting around waiting to be re-used on occasion I will re-post them here. Some of those articles or reviews may have been extemporaneous at the time but are slightly random now, hence the new title and little intro, regardless enjoy!

Black Swan

There is a lot to really like about Black Swan, not the least of which is that it is a film that openly delves into the psyche of its protagonist from the start, as it is about with a dancer dealing with the stress and pressure of dancing a dual-lead in Swan Lake, and it toys with reality with demented glee. Some things left me wanting but let me focus on the positives first.

There is, of course, the performance of the cast. Starting with Natalie Portman she is what people likely will first think of when they think of this film. It is true of any film but more true of others, that the equation of this film truly changes with anyone else in the lead. The scene-stealer in this film though is Barbara Hershey. I say this not only because it is so great to see her in a prominent role again, but also because she slowly and surely builds from a caring, over-bearing mother to a frightening entity in this film and she delivers most of the wallop.

Mila Kunis, best known either from That 70s Show or as Meg on Family Guy take your pick, does very well in this film, however, I feel her character is not quite the mental parasite that even Hershey’s is. For Hershey’s character made Nina’s (Portman) mind a fertile ground for paranoia.

This film is edited with great panache and stitched together with a robust score, it truly sets a tone and creates a self-regulating tempo. The story certainly accelerates at a palatable pace, it’s just that on occasion some of the jumps could be larger but that is truly not a big grudge.

What does create my only true issue with the film occurs in the third act, which is unfortunate because it sails through the most difficult portion of the film to navigate rather easily. In the third act a fractured chronology is created and reality is truly blurred to the extent that its difficult to know what’s real and what isn’t when you are watching it. Upon a re-viewing it would likely become clear and what the true chronology is will likely reveal itself. What I take issue with is the decision itself of how to end it and I will skirt it as best as possible but…spoiler alert.

What made this a truly a riveting watch for two-thirds of it was watching these characters, particularly Nina, in their own universe. Granted most, if not all of this tale is from Nina’s perspective but as a story I was watching something original that decides to turn itself in the into something derivative or at the very least something of a re-invention. Granted the bones were there but it seems like in many cases a reflexive allusion to another tale within your own is more effective, such as Pinocchio in A.I. or even Swan Lake itself in Billy Elliot

It’s jarring because around many of the corners in the tale you didn’t quite know what to expect then you’re hit with an ending and you’re like “Oh, that’s it?” It seems as if things are lining up for something much more earth-shattering than what is delivered and it’s just a bit of a let down, not that it taints the whole movie. This is a twist unlike that in Shutter Island. This is still a fine film that could’ve been even better than it is.

Without question Black Swan is a film that will benefit from a second viewing and it is the kind of film that will get people talking, however, I feel a miscalculation in the handling of the story cost it.

8/10

The 5 Most Invalid Star Wars Complaints

With the recent release of Star Wars: Episode 1- The Phantom Menace in one additional D that has never before been seen there were bound to be many new articles that wrote upon the first film (chronologically) all over again.

Now, it’s been well-documented that fans and critics alike didn’t have much regard for Jake Lloyd’s interpretation of Anakin Skywalker and this was reiterated in the new articles. However, what struck me as a I read a new piece on old news was that, even in Episode One, much less the entire series, there are far more bothersome things that those of us who are fans can nitpick about. So, since fandom breeds nit-pickery whether one likes it or not, I have decided that there needs to be some priority set to this nitpicking. Namely, the focus will be on things ought not be nitpicked when you think about it.

I have asked Joey Esposito and Tom Sanford V to contribute their own lists as they are bigger die-hards than I, I’ll link to those when they’re up. I provide a sort of detached-weirdo perspective as the first time I truly saw the trilogy was in order in 2005 after I had seen Episode 3.

So enjoy (or become enraged by) my opinions below.

5. The Alternate Versions

This one is the last on my list because I agree with the fans right to complain about the alternate edits with new effects and the like with a caveat: namely, and this is a theme with me, if it really enrages you that much don’t buy them. I know I’m sticking with my DVDs for the time being. While I agree with the director’s right to change his film if he so pleases, I would prefer it if Lucas treated Star Wars like Spielberg treated E.T., meaning the original, unaltered version was always available and the new stuff was optional. I went to see the new E.T. but that was the only time, every other time the original has been just fine by me. So, yes, you have a right to complain about this switch, however, if you keep buying every release it’s falling on deaf ears. Therefore your options are one of two: hold out or get over it. None are great I grant you, but it’s the sad truth.

4. Midi-Chlorians

Here’s where my watching the series knowingly in chronological, so far as the narrative goes, order starts to factor in. This is one of the most over-debated and over-analyzed aspects of the entire saga. You can like or dislike it as you please, but I really don’t see the point in getting all up in arms about this point, when you have so many you could possibly choose from. Granted you implement things in the prequel trilogy that don’t follow through to the original and it removes an element of mystery but how much does it really detract? Furthermore, to parlay the filmmaker point above, it was introduced when the prequels were very much Lucas’s design, as concessions may have been made later on, so clearly he had it in mind. So it may not fit your vision but it fit his. Essentially, if one if offended by the very notion of the prequels they ought not waste time on this factoid. Conversely, if this is your biggest issue with the series that’s not so bad or you’ve blown it way out of proportion.

3. The Prequels In General

I alluded to this above but there are some who never got over the prequels happening in the first place. That’s fine. The original films are still there and if you watch those on an endless loop for all of eternity and never watch the prequels, would you still feel dirty knowing they exist? I wouldn’t. Now, even having seen the prequels first and then racing home to finish the series that night I won’t say the prequels are better, however, the concept was new to me when I first heard of it so I figured: “Why not watch it in order?” Today I think my appreciation for the saga and for prequels in general are heightened for it. Yes, I saw the prequels first, and yes, The Empire Strikes back is my favorite, and yes, The Phantom Menace is my least favorite, but in a lot of ways it functions like A New Hope does as a prelude to what’s to come.

2. Writing

People started to pile on to Lucas’ screenwriting seemingly only from 1999 to 2005 when seeing the new ones and then retroactively casting aspersions on his prior works. I can’t defend him in some areas but he knows his style and he jokes about being the “master of wooden dialogue.” He’s not Woody Allen or Joseph Mankiewicz or any of the greats, he knows that but he also typically writes his script in milieus he knows and where his style can flourish: Sci-Fi and adventure tales structured like serials, at least 10 films he had a hand in creating are in this vain (Star Wars and Indiana Jones) they emulate the style down to visual transitions and what I prefer to refer to as functional dialogue. However, suddenly when there are movies of his forthcoming some are not excited to see he is to be mocked and ridiculed? It’s exactly the same as what he’s always done. It worked then and it worked when the films rolled around again, the difference was in the receptiveness of the audience more so than the prowess of the artist.

1. Acting

Star Wars ain’t Shakespeare. Some actors will flail about. I don’t usually excuse actors I know to be talented from struggling with flat roles they seem uninterested in but it does happen. The fact of the matter is, I can ignore sub-par acting if I like the story enough. It will detract from it sure but rarely does it single-handedly ruin a film. Furthermore, as implied above, the saga might not embolden every actor. Sure, Harrison Ford did great things as Han, however, it’s right in his wheelhouse and his range is not the most vast to be honest. When dialogue has always been functional (I think we all know the story of the argument Ford and Lucas had on the set of the original about writing and saying things) and some actors can’t find themselves as well in that world, suddenly in the fourth film you’re going to pile on to a kid? I’m not going to say Jake Lloyd was the greatest thing since sliced bread but he did become the whipping boy for all that ailed The Phantom Menace in the eyes of many. Even I, who marginally liked the film, can pick many issues with that one and Lloyd is nowhere to be found on my list.

Essentially, due to fan outrage about the concept of the prequels existing and their dissatisfaction with the end result a child’s life was ruined, and yes I will go so far as to say potential was thwarted. You can’t tell me that Portman and Christiansen were always on point or that it ranks amongst Sam Jackson’s best works. As much as I’d like him you’d rattle off a bunch of Ewen MacGregor films before getting to the prequels. And if nothing else convinces you to absolve Jake Lloyd maybe this will: Did you like The Sixth Sense? I am assuming that you are a human being reading this and the answer is yes. Well, Haley Joel Osment is just one of those who auditioned for the role of Anakin but was not selected. So you can thank Jake Lloyd for The Sixth Sense if nothing else. Then feel free to troll on elsewhere, if you so please.

Review- Thor

Chris Hemsworth and Natalie Portman in Thor (Paramount/Marvel)

To make it very clear I have in the past set down a list of rules regarding adaptations of any materials wherein I try to divorce myself entirely from the source material when gauging a movie. Meaning that I will not comment on adaptation choices or omissions. With Thor that task was much easier as my knowledge of both the legend and the Marvel rendition thereof is severely limited so I came into the film with a fairly clean slate.

Perhaps what is the most surprising part of the story to me is the fact that the film struck a very good balance of locations. It started for an extended period of time in Asgard establishing the characters and setting up Thor’s predicament and then after he’s exiled to earth switches back frequently. The advertising did make it seem as if it’d be very heavy on Earth-based action but I guess they just didn’t want you seeing too much of Asgard.

I think this balance serves the narrative quite well indeed. As Thor struggles to repent and reclaim his hammer at home the stakes keep on rising and events continue to conspire against him unbeknown to him. The pace is tempered so as the tale isn’t rushed and more meaning can be added to the spectacle rather than there just being a spectacle to behold and the audience “Oohs” and “Aahs” and walks out bloated by candy and soda gas.

You film buffs/comics fans out there might be aware, especially through the intimations made in prior films, that Marvel has been gearing up for an Avengers films. They have been doing so very methodically with slight dovetails in previous films. For the uninitiated where S.H.I.E.L.D. gets involved in the story has been the prelude to The Avengers. S.H.I.E.L.D. is more of a presence in this film as they cordon off his hammer in a makeshift compound and detain Thor for a while but they’re only as much of an obstruction as they have to be they never become an encumbrance to the plot as a whole.

Having said that if you should see Thor be sure to plan your bathroom trip carefully because you’ll want to sit through the end credits for a teaser and a cameo appearance.

What might perhaps be overlooked is that in a tale such as Thor where you’re dealing with gods in another realm, the Earthlings who find him and those trying to detain him is that acting is pivotal. It’s pivotal both in the casting and the direction of the film. Which is why Kenneth Branagh, as counter-intuitive as it likely sounded to you at first, is the perfect director for this vehicle. This is a man who made his name as an actor and a director by interpreting Shakespeare if anyone can infuse some comedy but also lend this kind of tale the kind of gravitas it needs to succeed it’s him. Yes, it’s strange to see his name attached to something CG-heavy but there umpteen thousand people involved in that aspect he’s just making sure the tale is communicated and it is.

Speaking of the effects they were absolutely fantastic. The most challenging thing for a film is to create a wholly new world and this clan did that with ease. There is some pretty effective creature-work in here too, chilling stuff. The effects, of course, can only do so much it’s merely an interpretation of the production design which is also great. The sets and locations, where they need to be, are grandiose and majestic and just marvelous.

And now for my token paragraph on the 3D. I did see it in 3D. I debated not seeing it in 3D. I don’t think I would’ve liked it one iota less if I had gone the conventional route. If you want to save some money go for it. The colors, scope and vistas will be just as impressive.

I will readily admit my expectations were not very high for Thor. I’ve given you the positives as there were many. It wasn’t perfect but it was darn good and enjoyable and left me wanting more no matter how I come about it (be it comics or a sequel).

8/10