Frequently, it is mentioned that one should disregard the marketing of a film when analyzing it. I agree with that principle, however, when there is a germane marketing point to be made I feel it is worth mentioning as an aside I will include it. The fact of the matter is all film’s have a pre-life. You hear about the concept, see the trailer or what have you. You know of a film before you see that and you decide “Oh, I want to see that” or “I might see that” and so on. When the projector starts up that’s when your preconceived notions must go away but everyone forms some opinions and at times, to our delight or chagrin, we are wrong.
The ads for The Adjustment Bureau don’t misrepresent the film at all. Why it bears mentioning is that in seeing the trailer, in conjunction with that for the forthcoming Limitless, they both seem like the kinds of concepts that are interesting but may eventually spin out of control.
The Adjustment Bureau never does that. It does deal with the concept of fate and who is the puppetmaster of our destiny and what if anything we can do about it but what it never does is get too absurd or grandiose. It manages to do this by focusing solely on our protagonist and his very simple goal: to be with the woman he loves.
Even though those pulling the strings are abstractions of higher entities and there is a bright and lofty future intended for both our protagonists we never have flash-forwards that open up a Pandora’s Box or make these characters less identifiable to the common man.
In the single-minded obsession of our protagonist a film with some heady notions stays somewhat grounded. Slowly but surely the hierarchy and what these figures do and do not understand about the plan is revealed. There are some awkward moments along the way but ultimately you find that you are allowed to “beat the system” it’s just very difficult.
Of course, the grounding of this tale would be impossible without affable and talented leads and this film has that indeed. The first mention goes to Emily Blunt. Who is one of the more electric, charismatic, talented and under-hyped young stars of the cinema today. She plays perfectly in to the refreshing no B.S. love story that is crafted for her. Adding humor, warmth and personality to it in spades.
Then there’s Matt Damon whom cuts through a lot of the red tape set up by the character and script. There is a long sequence at the beginning of the film which gives us his characters’ political past replete with many cameos by figures of the political world. We meet the image before the man and we come to know the man as the film moves along. He faces hard choices as he has stumbled upon a secret that most will not and debates how he should respond and how much he is willing to risk to get what he wants.
This is also the kind of film with effects work that is likely to get overlooked because it’s not the “Look At Me” variety but rather the functional variety wherein they only come into play to display locations that cannot possibly exist behind the doors that are opened. They are, however, very well done.
By keeping the story close to the vest suspension of disbelief becomes very easy even with some rather unbelievable things happening throughout. What is also helpful is that there is a humorous element to the story that is acknowledged and embraced by the film which raises its level somewhat from where it otherwise would’ve been.
The end of the film while not breathtaking after a rather action-filled film is proper and puts the last few questions to bed. It fits and is earned and that’s all that can be asked for in truth. The Adjustment Bureau is a fun and intelligent film of the kind there are far too few of these days.