61 Days of Halloween- Children of the Corn IV: The Gathering
Children of the Corn IV: The Gathering is an absolute dud. If it wasn’t for some of the performances this film might rank lower in the annals of the franchise than it does. It is seriously sluggish throughout and never gets anywhere fast.
The most notable thing about this film is that two of its more prominent players have gone on to bigger and better things and you can see why Naomi Watts and Mark Salling (Glee) are so much better than the parts they play and the film they’re in that they scarcely lift it up but merely make their portions of the film somewhat tolerable.
To get a sense of the issues that this film faces there is yet another noteworthy performance in this film and it is that of Karen Black. It’s actually a shame to see someone like Karen Black in a film like this and it made me think of the Family Guy joke about her just a little bit different, not as an obscure reference but in an obscure film.
This also one of the films in the series wherein the child prophet (Josiah played by Brandon Klayla) is missing through a large majority of the film. Rather than write him scarier he’s disfigured with bad prostheses and doesn’t invoke as much fear as he should, however, he is behind the eight ball due to his screen time.
This film also suffers from the fact that it’s the one that does the most to try and absolve the children of being evil. The corn and its disease plays a major role in this film and though some of the hospital scenes are the better ones in the film it’s a perpetuation of an unfortunate development in the series that thankfully dies after this film.
While this film does only somewhat better in juggling a blossoming romance and a horror story it misses the boat. The problem is romances are exciting and new and you “have” to watch the courtship and have it detract from the reason you’re watching the film, to be scared. Yes, it could help you connect to these characters and raise the stakes but it also introduces a lot of artifice and room for easy exposition, life stories as exchanges and so forth. Whereas in the original, the remake and the latest installment one of the stronger elements in all of them is that the couples have an existing relationship. They have a history they talk, debate, bicker and fight and you learn about them in a more subtle way and have a better chance of rooting for them because they are together and want to get out go on a honeymoon, have kids and what have you. Marriages, and/or committed relationships have more permutations, interest and conflicts than star-crossed love stories.
The other huge issue with this film is indicated by the subtitle, The Gathering. There’s not much more to it than that. It’s likely if not the most, one of the most anticlimactic films in the series. In the other ones, even those that aren’t good, at least deliver a compelling climax, in conception anyway.
I frequently write about the last image, shot and/or scene of a film being very important. After a film such as this one you want that scene to something quick and simple and hopefully not open, I’ll grant it that this one wasn’t an open end but still kind of a gimmicky one but unfortunately fitting considering what preceded it.