I had quite a review drought to end 2011 so I think the remedy for this kind of post would be to have the post be cumulative monthly. Therefore, after each qualifying film a short write-up will be added to the monthly post. The mini-reviews will be used to discuss Netflix and other home video screenings.
For a guide to what scores mean go here.
The Whisperer in the Darkness
The Whisperer in Darkness was a film I just had to see. After having seen The Call of Cthulhu, which was a short, silent version of a Lovecraft classic, I knew I’d want to see anything this company (known as the H.P. Lovecraft Historical Society) did.
In their newest film, and first feature, they tackle The Whisperer in Darkness and shifted from a silent film representation to a monster film of the 1930s approach. In both cases, the style of film that is emulated perfectly suits the work being interpreted.
I firmly believe this to be the case, regardless of your familiarity with either of these very distinct niches. If you are unfamiliar with Lovecraft this is a great introduction as it very faithfully, but also intriguingly in cinematic terms, renders the narrative. Any admirer of film, regardless of what era(s) they prefer, will recognize some of the conventions on display in this film, and as details of the narrative unfold it’ll become clear the choice is an inspired one.
Much of this is a roundabout way of saying that odds are you’ll like this if you go in with the knowledge of what the film is attempting, and you could be a fan of either or neither end of the narrative equation and walk away liking it. However, if you like both it’s rather heavenly, or should I say hellacious? Either way, it’s great stuff.
I can’t put it right at the top, but when all is said and done, Intruders will likely end up being one of my favorite horror films of the year. It starts almost immediately with a scene that you think will just be a great teaser but instead ends up being the first building block in a parallel storyline (in terms of both time and place). Aside from being a bi-lingual film, the film does a great job mirroring certain themes and elements in the storylines, giving elements different spins in each. The film is very tense but also cloistered in its drama and fear-inducing, which it makes it very effective indeed. To say too much more would be to start giving things away. I think that fans of the horror genre, Spanish horror in particular should see this film.
To accentuate the positive first, I cannot, nor can anyone in all likelihood, accuse Detention of being unoriginal or predictable. One of its few perks is that it does not ever make it obvious where it’s going next, and in its own insane way does manage to link everything together in the end. However, the film seems to think it’s a lot more clever and funny than I find it to be. It’s part (sub)genre-hopping horror/sci-fi and mostly comedy but the comedy portion is very forced, nearly all of it. Few and far between are the jokes that work for me and rarely did jokes strike me as genuine reflections of character. Instead the characters always seem to be in a state of limbo between being a stand-in for a horror archetype and a human vessel for a punchline.
I can see how the film has produced divisive reactions, and I always prefer a film that strives for divisiveness. When all is said and done, attempting to please everyone creates tepid cinema. Truly universal stories, at their core, come from a very personal place- so, I can easily see how this might be someone else’s cup of tea, but it’s not mine.
I tend to take my time to even send out a tweet reaction to a film most of the time. In very vague terms I’ll know walking out of a film, if I liked it or not. However, to what extent I did and what I thought of it usually takes a little time to decide. It’s the rare film that plays on my mind for a while.
Lovely Molly is one of those films. My initial tweet about it, when I did finally mention it, was slightly mis-worded: it’s not that the film is difficult to follow, it’s not; the denseness and nebulousness comes in the ‘answers’ the film gives to questions it poses. They’re not entirely clear, they invite debate, they invite you to re-view the film; but they are all chilling and surprising.
The film also features a fabulous performance by Gretchen Lodge, which makes you stand up and take notice.
This film made me realize that there are two kinds of re-viewable films ones that could get massively better and one with a definite ceiling. This film is the latter kind, but worth giving your own shot.
The Moth Diaries
It’s a bit of a shame when a film that offers a different perspective on a subgenre fails to catch lightning in a bottle. The Moth Diaries is not only subtle vampire tale set at an all girls school, but is also directed by a woman. It’s a slow-burn, which never quite catches fire all the way and it doesn’t really bend convention too much save for the casting and setting. Some of the better parts of the film are the overt allusions to the Gothic literature, from which all vampire tales draw at least some inspiration, which doesn’t bode too well for the piece at hand. The film doesn’t seem to detach itself too much from the source material, and there is an excessive amount of voice over for the story being told. Perhaps the novel is a better vehicle for this tale than the film as constructed.