Moviegoing in Days of Future Past

The temptation to make this a tirade that meanders for far too long, waxes poetic finds any and all tangents and beats them to death several times over is great. However, with a few days I have been able to ponder the impetus for sitting down and writing this in the first place to the reasoned, cautionary bit of friendly advice was meant to be in the first place. In other words, please don’t take this as get-off-my-lawn but rather a necessary suggestion on course correction as we proceed through time as moviegoers.

The impetus was, as has been the case in the past, something overheard while leaving a theater. This time it was rather innocuously, and I must admit rather enthusiastically, a parent saying, mere moments after the end of the new X-Men film “Now we have to wait two years for the next one; X-Men: Apocalypse.”

This little moment struck me in so many ways as a microcosm of the current state of moviegoing, and entertainment in general. It was mere seconds after the film had ended, the experience not yet fully absorbed, but already the next one was anticipated and longed for. Clearly, there’s a positive to that. However, there’s a certain lack of even “stopping to smell the roses” indicated when one cannot walk out of an auditorium and wait five minutes before pondering the follow-up.

Hugo (2011, Paramount)

Perhaps the acuity of this particular observation was amplified because it was a parent and a kid (or kids). I distinctly recall not knowing what was coming out far in advance as a child and the surprise seemed to add to the magic. I’m not saying I don’t anticipate things for a long time now, but I still very diligently try to preserve mini-surprises like trying to only see trailers at the movies. I also don’t play the whole teaser to a trailer game.

The impact of this particular moment was further amplified by the fact that I anticipated there’d be another X-Men film but I honestly had not read up on it and didn’t even know a title. I fully understand that we live in a day and age wherein untitled projects from studios getting a slot three years down the line is news, and press releases including initial synopses get ubiquitous coverage, but I don’t want to look forward to all things at all times, so X-Men fell through the cracks. Not that I’ve had a big issue with any X-Men film. Perhaps it’s due to a subconscious desire to have Sony and Fox fall asleep at the wheel, or strike a deal, to unify the cinematic Marvel universe that I don’t diligently follow their plans.

Another reason this moment jumped out to me was that in my blogging I try and strike balance in what I cover. I try and keep current but also not forget cinematic achievements and glories of films past. It seems that the old struggle (for lack of a better word) was to not ignore the past as a film enthusiast. Now with the evolution of Internet coverage it seems at times a struggle to give adequate focus to the present.

Is it possible that all this short-sightedness has unexpected positive side-effects, such as more films being “rediscovered” after being too quickly summarily dismissed and/or ignored? Sure, but I wouldn’t count on it.

Look, I get that there’s a glut of information out there, and I don’t want to sit here and preach that we should be ignoramuses. I am perfectly aware of my bad habits. For example, I hate casting rumors and prefer confirmations, but I read both. I think my best advice to dealing with an excess of information is that there is a time for everything. So if you love a series you will read about what’s next regardless, but save your thoughts and longings for further installments for an adequate time after seeing the latest. Give it a moratorium.

X-Men: First Class (2011, Paramount)

Going back to the specific example that was the catalyst for this piece: I loved First Class a lot. So much so it ended up very high on my year-end list. My watching Days of Future Past was a lock based on how much I liked it. I saw news tidbits and they slipped in-and-out of my consciousness, as it was a film I wanted to see regardless. The trailer enticed me. I liked it quite a bit. Only today five days after seeing it did I start to read up on the stinger that closes it out. Granted it was a longer moratorium than is needed, and it connects to this last film, but it does foreshadow.

Everything is cyclical and going against the current, or trying to change is single-handedly, is foolhardy. A certain amount of information has always been available to film lover. It’s just that, like with everything, the Internet has democratized it and moved it out of the sole purview of the trades. I have more frequently lately had to check Fandango to see “What’s out this weekend?” It’s something a while ago I may have been embarrassed to admit, but I’d rather check it to see what’s out this weekend than know what’s out this weekend so I can see what I have to look forward to two or three years from now.