Mini-Review: The Condemned

Introduction

This is a post that is a repurposing of an old-school Mini-Review Round-Up post. As stated here I am essentially done with running multi-film review posts. Each film deserves its own review. Therefore I will repost, and at times add to, old reviews periodically. Enjoy!

The Condemned

This can be a tough film to discuss without putting too fine a point on things and giving away several key elements, but like the film I will try to be subtle. There has been much talk in recent years, as it’s been more in vogue as of late than in years past, of the slow burn, particularly as it applies to the horror genre. A slow burning tale, as I’ve likely stated before, is not one that’s in and of itself problematic. Usually, the key to success for these films is either of two things: first, incremental and consistent, even if slight, escalation of stakes, and second, a sufficiently impressive and resonant pay-off to the wait.

The Condemned does not build quickly, even for a slow burn, but it excels tremendously in the pay-off department. What’s interesting is that it dabbles with many known tropes: haunting, children, secrets and the like, but with the way things play out it even toys with the very notion it even being a horror film, in a similar way to how last year’s The Hidden Face did, but ultimately remains one for all else it is.

There are subtleties throughout, things you are advised to recall though you may not think it crucial at the time. The Condemned is a wonderfully rendered tale that does sufficient visual exposition and elaboration on its turning points such that most, if not all, loose ends are tied up and the whole piece is elevated by, and not subjugated to, its trickery.

Its surely for horror fans, and I’d say art house fans too as it is an intelligent, well-acted and crafted film that does linger. It seems like the horror crop of 2013 may be a brainier bunch than ones in the past few years.

10/10

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