This is a post that is a repurposing of an old-school Mini-Review Round-Up post. As stated here I am essentially done with running multi-film review posts. Each film deserves its own review. Therefore I will repost, and at times add to, old reviews periodically. Enjoy!
Dracula 3D (2012)
This particular selection from Dario Argento was an official selection of last year’s Cannes Film Festival and was recently picked up by IFC Midnight here in the US. However, if you are a fan of his I would not recommend you go out of your way to acquire the film, as I did, and simply wait for it to roll around as a rental [It has rolled around on DVD and Blu for purchase and rental. Rather cheap even for a 3D version]. If you are not familiar with Argento do not start here. I’d recommend Suspiria as a jumping off point.
Much of what’s unfortunate about this film is the disconnect between certain elements: there is throughout a very uneasy relationship between the well-photographed, geometrically intricate, well-lit shots; gorgeous production design and a tendency to go for really unconvincing and unfortunate CG. This is not just a complaint about CG blood, but larger elements. Much of the CG blood usually upon opening wounds and then the close-ups use practical effects well.
An issue of a less nitpicky nature is the that there isn’t a consistent enough progression and amplification of stakes and incidents. Argento has always had a leaning to a slow-burning style but there there’s not a lot of intrigue to buffer that slight build here. Those peaks where there are spikes in the action, where we need to feel the oomph, are usually undercut by the CG work.
The scoring is great, and minus some seriously off moments by some lesser players the acting is good to passable. One thing that had me searching online after it was over was that there is a veritable bestiary of creatures that this Dracula can become. This is not inaccurate, but with the redefinition that cinema has had in various versions over the years it rather took me aback without a more overt introduction in this tale. However, it really is the stuttering pace, the disjointed nature of certain elements and fairly lifeless final third that keep this version from staying afloat.