Review: The Snowtown Murders

The Snowtown Murders

Note: Potential spoiler below. The ending is discussed but not in detail.

Next to nothing in this film works, that’s just the sad fact. I will discuss them with as much brevity as humanly possible and brevity would’ve helped this film. Typically when I’m discussing pace it refers to certain scenes and shots being truncated and rendered more quickly to allow the totality of the film to flow better in this film the first issue you have is that there are scenes of little to no narrative necessity or consequence that not only are allowed to occur but at times repeat themselves (see the bull sessions about stomping out pedophiles).

Characters are very poorly introduced and the population of the tale is too large. Some of the struggles of this film can be attributed to attempting to remain true to the real-life story upon which its based but not excused. A huge cadre combined with indirectly acquired information and at times implied incidents is not an easy road map to success. The protagonist in the tale is a bit too passive such that it would’ve almost been better told from a different perspective especially since it became clear who the perpetrator would be though the film took a while to formally announce it. The score designed to be grating ends up being just annoying. The film also seems to show where it ought not and have restraint where it ought not. This tact adds importance to the MacGuffin and exacerbates the delusional vigilante angle that’s really just a cover for psychosis. Granted that’s important to convey but once demonstrated that needn’t be reinforced.

The film despite all its massive flaws still keeps on a decent trajectory in terms of narrative build but then meanders irrevocably when it should be building towards some sort of concrete conclusion but instead decides it’s shown us enough horrors such that enough is enough, and rather than finding an artistic way to convey the deserved downfall of these people they’ll just give us the information in cards. This is information I could’ve acquired in a web search but I’d have preferred to have seen it now that my time’s already been wasted. Finish the job! Give me the epilogue visually. It’s not quite the slap in the face that the end of The Devil Inside is but considering the start this one had the totality may have been worse.

Furthermore, as if that wasn’t bad enough, I really needed convincing in this film and I didn’t get anything to sway me. I thought of This is England while watching this film which has perhaps an even more vile ‘charismatic antagonist’ but both in writing and performance is far more believable as someone who would be followed perhaps even against one’s will. It seems that things occur and are shown here just because they actually happened and no thought was given to narrative propriety and almost seems deliberately sensationalistic at times and never interesting.