Mini-Review: Post Tenebras Lux
This is a post that is a repurposing of an old-school Mini-Review Round-Up post. As stated here I am essentially done with running multi-film review posts. Each film deserves its own review. Therefore I will repost, and at times add to, old reviews periodically. Enjoy!
Post Tenebras Lux
At some point while watching Post Tenebras Lux I paused to make sure I had an a correct understanding of what the title meant. I knew it was Latin, I had a notion of each individual word, but wanted to make sure that in context it meant “After Darkness, Light.”
Slowly after the film was complete I had a theory about what it was I had read as I crossed the terrain. In a fashion not dissimilar to when I first saw Holy Motors, where it has sections that I had to ferret out rather than an ultimate goal, or feeling; here it was a bit of both that needed to be ferreted out simultaneously. I believe I have those answers now. However, the overriding point of a film in the style of Post Tenebras Lux is not ultimately what is its “truth,” but how it weaves its mysterious web, what an audience’s level of engagement is and if you find a connection to it.
It’s almost disappointing to describe it in such an alchemical way, but what it boils down to is do its ellipses, its seeming impenetrability, repel or compel you; frustrate or fascinate; goad or gratify. In the end, I enjoyed the grapple more than I fought with it. I enjoyed parsing scenes, sequences and the whole based on what I perceived to be the perspective; whether I felt it reality or hallucination; past, present or future.
The impact I felt from it may not have been as big as the aforementioned Holy Motors, but it is quite nearly as fascinating, in a quieter, more introspective (just whose introspection it is, is debatable) rumination on life, culture and humanity.