The first film in this newly reborn series was passable, but barely. There was a rote nature to it that held it back from being all it could have been. While this film doesn’t maximize the full potential of Greek mythology, it does implement its gods and demigods in a much more enjoyable fashion than the prior installment did. What minor stumbles occurred in this installment were more just missteps than an over-aching approach that was slightly off, so the end result is very enjoyable.
To start with the elements that are slightly off: one of my pet peeves that makes suspension of disbelief rather difficult in many films, (and it is truly a question of accents more so than performance) is the unwritten cinematic tradition in the US has stated that British accents substitute for foreign tongue when the film is shot entirely in English. The first installment adhered to said rule, so it was fine. Here it is sketchy. Sam Worthington is speaking with a full-on Australian accent. While I applauded the decision in the Narnia series that took Caspian from sounding Castilian to using his natural voice, it’s more forgivable in a fantasy, and at least in the Narnia series there was a conscious attempt to make the Telmarines sound like they were from another country in a fantastical realm, hence the affectation. Here there’s no basis in logic for the switched accent.
Yet, despite that distraction, the performances are good. Worthington is slightly more engaging than before; Fiennes and Neeson are allowed to strut their stuff more than they were. Meanwhile, Rosamund Pike adds a much needed tough-girl factor and John Bell, as Helius Perseus’ son, gives an effective performance which acts as Perseus’ catalyst in part.
The beginning of this film means well by establishing that Perseus has had it with the gods and their games and he should be reticent, however, the stakes introduced are far too high for him to ignore. We end up knowing he’ll resist but concede to the quest so the first act is rather bereft of tension. To the film’s credit, tension does come eventually but this beginning holds it back, and despite all the past experiences he has seems uncharacteristic.
Once the obligatory resistance is overcome the story really kicks into high gear and becomes very entertaining indeed. There is an ease with which the story flows in this installment that was not quite as present previously.
Similarly, and this is crucial, several different mythical elements are introduced in this film, and barring the occasional bit of expositional dialogue, they are folded into the mix much better. This more seamless blending of mythological tropes makes the story far more engaging and enjoyable than the predecessor.
I can’t speak for the 3D as I did not see it as such, however, the effects work is definitely an upgrade and when you consider the fact that much bigger creatures, both in stature and importance, are tackled than this is also a very welcome change.
The score of the film also does its part to churn the film along while adding the necessary tension to the mix.
The new incarnation of Greek Myth films has not yet been perfected but this most certainly is a step in the right direction and very much worth checking out.