Mini-Review: Funeral Kings


This is a post that is a repurposing of an old-school Mini-Review Round-Up post. As stated here I am essentially done with running multi-film review posts. Each film deserves its own review. Therefore I will repost, and at times add to, old reviews periodically. Enjoy!

Funeral Kings

In most cases, it takes some fairly brave filmmaking, the kind you usually only find on the indie scene; to get a refreshing and fairly honest coming-of-age style tale. This is not just a question of using profanity and making “kids sound like kids,” but also being unafraid to make the characters fairly complicated; gray, neither black nor white. For in this tale the two main foci Charlie (Alex Maizus) and Andy (Dylan Hartigan) are inclined to make trouble and misbehave, but when backed into a corner they reach the point of maturation, and reveal their true character. The closest thing to a “white” character is Dave (Jordan Puzzo) but even he, as the plot necessitates, shows a little added dimension and isn’t entirely squeaky-clean.

Of course, none of this journey, which is more a life-like domino-effect of events than a standard plot; without very realistic performances from the young actors in question. This leading trio is exceptional. Maizus has before him what can likely be considered as the most daunting task having to juggle streetwise smart-aleckness, Napoleonic complex and a well-guarded sensitivity and excels. However, Hartigan matches Maizus’ worldliness and brings his own brand of alpha to the part. Last, but most certainly not least is the performance most likely to be overlooked, and it oughtn’t be, is Jordan Puzzo. Puzzo has to be earnest and deadpan and absolutely nails all of his dialogue that has to land.

Funeral Kings is very funny, insightful and refreshing take on a coming-of-age tale that put character first and circumstance second even though it sets itself up for potentially sensationalistic scenarios.