Review: No Más

No Más

I am glad I sought other reviews before sitting down to write this one. In doing so I discovered that the director of this film also directed Renee, which could still be the greatest 30 for 30 installment yet. And he has also covered boxing before. That gives me some perspective but still leaves me perplexed and greatly disappointed.

Firstly, there is a question of balance: whereas the most recent installment, which I will discuss below, even-handedly presents interpretations of the career of a controversial figure. This one becomes skewed down the line. Both fighters (Leonard and Duran) are introduced. However, after the infamous incident (wherein Duran quit during the rematch), and many theories are examined to no satisfactory conclusion; the film takes a few odd turns.

In one turn, Leonard (at least based on the way this story I knew the bare minimum about) comes off almost like a sore-winner who never faced any backlash for that fact. Almost like the antithesis of Mary Decker Slaney in terms of public perception.

This shift is a weird occurrence because the film, based on what footage they do have, is seeking a resolution and an answer. Yet, it becomes increasingly apparent that no new or publicly acceptable version of why Duran quit would surface. Despite that there they are face-to-face in a boxing ring in the present day, talking in a highly staged manner, and when Duran is giving at least a more detailed version of his truth than he ever told his audio is drowned out for Sugar Ray’s take on it and how he was able to (eventually) let it go.

I’m not saying I believe Duran’s story or questioning Leonard’s right to a vantage point, but in documentary terms starts to bang its head against the proverbial wall insisting on its interpretation of events being told.

At this point in the series a mediocre doc would be the worst 30 for 30, but this one sadly isn’t even good because of its insistence on seeking an absolute truth and its skewed narrative.