It’s a method I generally try to avoid, but perhaps the best way to discuss Benji is via comparative analysis. After I had seen Benji what occurred to me is that there was some structural similarity to 9.79*, and that being that it is mainly a chronology of events (this one far more linear) but there is a late-in-the-game monkeywrench thrown into the mix. I will not expose details to preserve surprise, but the late revelation here only has one side telling the story period, not just on camera. Furthermore, the revelation, in my mind didn’t really shift the legal burden of blame.
Regardless, for the most part, this is an effectively rendered tale for the most part that reveals a mostly unknown personage now. The film does well to just present its case and not comment upon it. The only other issue it suffers from is that there is a slight lack of ebb and flow. There is a definitive rise-and-fall, but its crescendo and decrescendo. The rigidly linear nature of this tale hinders its efficacy some.