This particular entry is a bit different than prior ones in the series inasmuch as this one occurred while I was re-watching the Star Wars prequels. As I didd I saw the young version of Lars and thought to myself, “He looks familiar.” I’ll admit to a brian-cramp because he hardly looks much different at all, but surely enough it’s Joel Edgerton whose star and profile has been consistently rising over the past few years.
So here I am again with another of these posts that I plan on tossing up when I suddenly realize I knew someone who is far more familiar from an earlier role. This post marks the first actress included in the festivities in Sarah Paulson. However, it also is the first where I actually realized two early roles.
The first role Paulson’s occurred to me when I recently wrote about underrated comedies. I realized that she was in Held Up. She is in it the pretty girl that no one really notices until their all stuck together for quite some time in a very humorous scene.
However, there came another instance recently where I spotted her. I sat down to start watching American Gothic for the first time in eons and I noticed her name in the credits there and sure enough her role is pivotal in the first episode.
She may be most well-known now for appearances in Martha Marcy May Marlene, Mud and American Horror Story: Asylum but these are some early roles that did give an indication of her talent.
Don’t You Recognize Me? will be a sporadically posted theme wherein I briefly highlight an early role of a now well-known actor. Typically, it will be one where I didn’t immediately make the connection, hence the title.
This one wasn’t a realization I came upon unassisted, thanks to a tweet by Richard Roeper for that assist, but first a little back story.
As of this writing, I have now read, through trades, the equivalent of the first 102 issues of The Walking Dead in comic book form. When I do read it, it’s been in binge mode. So I held off on starting the TV series until this year. I started watching the series in early January and am now current.
With such a heavy watching schedule, I didn’t look everyone up on the IMDb, but Andrew Lincoln, who plays Rick, did seem to have a familiar face.
Then late the other night Richard Roeper tweeted a reference to where I knew him from. He was the guy desperately in love with Keira Knightley in Love Actually. Funny thing is now that I did check his IMDb, I see why I missed the connection.
It was literally the last thing I saw him in. Since then there were a few movies I knew of, but didn’t see, and many TV series that are unfamiliar to me. Love Actually was one of my favorite films in 2003 and one I viewed repeatedly, but it’s one film I had to reacquire as it seems to have vanished from my collection. I’ve not revisited it in some time so, in the haze of memory and all the other faces in that film I already knew, he got lost in the shuffle.
So the next time I pop in Love Actually, probably around Christmas, the “Where are they now?” game will be quite the interesting sidebar: Knightley, Nighy, Firth and Rickman have since won BAMs for other works; Thomas Sangster, believe it or not is the voice of Ferb on Phineas and Ferb, Liam Neeson has since developed his badass persona, and of course, Lincoln is on The Walking Dead just to name a few.
It was quite the sudden realization because as soon as I read the tweet I knew the scene in Love Actually referenced and I could see his face, and it crystallized. In the end, the interpretation of Rick on the show is a different one both physically and in some other small aspects. They’re not identical by any means, but they’re both Rick Grimes, which is a testament to both series staying true to their form.
Don’t You Recognize Me will be a sporadically posted theme wherein I briefly highlight an early role of a now well-known actor. Typically, it will be one where I didn’t immediately make the connection, hence the title.
Society has become a bit more instantaneous in the internet age, very preoccupied with what’s current and what’s next and not as much with what’s past. It’s a generalization but this does apply to the world of film a bit too. Therefore, career trajectories sometimes will sneak up on you. At times I’ll see a name in a casting announcement and only in the piece connect a name with a face. Evans’ case is not quite that, but it happens a lot.
The journey an actor takes from recognizable face to known name is still, in most cases, one that is many years in the making. As I hearkened back to Not Another Teen Movie I checked his IMDb and realized that I did see him since, even before his second more successful superhero incarnation, in Scott Pilgrim vs. the World and The Nanny Diaries but this is the one I always think about.
It’s a far cry from the kinds of roles that he’s playing now, but in a lot of ways Not Another Teen Movie is the last wholly successful parody I saw. Acting in a parody requires serious chops. You find yourself in the most ridiculous, outlandish and unrealistic situations placed on film and not only do you have to suspend your own disbelief as a performer and play scenes without commenting on them, but you have to sell the audience and make them suspend it too, at least to an extent. Evans is the love interest Jake Tyler, maybe the only highly-skilled high school back-up quarterback in the annals of teen filmdom (“Mr. Not First String Anymore is not first string anymore” as Austin, his rival, puts it). He’ll be the one who is at the epicenter of the broadcast, cheeky bet to turn the glasses-and-a-ponytail-paint-on-her-overalls Janie Briggs to be prom queen, and succeeds on every level.
Yet, as well as it works somehow this slipped my mind until after I saw Captain America and just before The Avengers. When it clicked it just made me smile and gave me a whole new level of respect both for what he did prior and with his latter roles. If you only know Evans now and like a good, ridiculous parody that is a bit raunchy at times check out Not Another Teen Movie. It has had high replay value for me.
Note: This film is Rated R by the MPAA for strong crude sexual content and humor, language and some drug content.