The 2002 BAM Awards

Introduction

As those who are my friends on Facebook, or follow me on Twitter know, in December I am gearing up for my annual film awards (The BAM Awards), and that only partially explains my recent reposting of all past winners.

Since these are picks made by one person, the nominating process is even more important. Aside from the the past years, the full slate of nominees from all years past was not public knowledge.

This is because the first time I did them, in 1996, I created them by myself, for myself. At the time, I knew a lot less about how these decisions are made, campaigning, the year-end barrage of contenders and the like, such that the releasing of the Academy Award nominees was more frustrating than it could be otherwise. Rather than just bemoan it I decided to create an award slate based on what I had seen.

Back then I was ticket-stub pack rat, at the time it was the only way I had to track anything. So I created the list, picked winners and printed it out. The fact that I stuck with hard copies and no back-up created issues later. However, it was just for me at the time.

I called them the BAM Awards because I needed a name. I suppose I came up with Bernardo Academy of Movies because I was being reactionary to The Academy. How one man by himself can be an Academy I didn’t fully consider. I thought it was kind of a silly name, even at the time, so eventually it just became the BAM Awards.

Slowly, the awards widened: soon I emailed a select group of friends (that created eventual storage issues), a few years ago when I was on the Site That Must Not Be Named I decided to really take it public. I didn’t think about it ahead of time, it just occurred to me roundabout late November of ’09 that I could.

The publication was an exciting and unnerving process, regardless of how many or how few people would actually care to see them. While there are a two categories (which I now and again consider ending, and have skipped on occasion) which are negative, it is a positive emotion that brings me to these announcements. I want to at the end of the year share what I thought and why, and all winner announcements come with some explanation, and I do belabor them and struggle with them.

So it is heartening that last year, for the first time, the actual honorees, be they nominees or winners, on occasion acknowledged it. Now that may seem like a self-aggrandizing statement, but what I liked was knowing the news reached them, and other people, and they were pleased to hear it. The design of these awards are to cement what performances, works and films most affected me, I make no bones about that, and sharing that felt like a gamble, but it’s been rewarding for that and many other reason.

Of course, if you see a film missing from any year you may inquire, and there is room for intelligent discourse, but the above statements are true: trolling or disrespectful comments aimed at those chosen won’t be tolerated. Your own awards are just a blog post away.

I apologize for even needing to insert that statement but I did have cause to make similar points last year. Anyway, with how much I enjoyed last year’s and how much I’m looking forward to this year’s awards, I thought it’d be a good idea to put all I have out there in a “reverse” countdown, a count -up if you will.

So here goes…

2002

-This year features some revisionist history I was able to successfully reverse. There are two categories with only three nominations, which in revision mode I filled out to 5. I was able to trim it back to three, thus making it back to what it was 10 years ago.

-In another revisionist note, this was the first year where I started splitting the screenplay award in the year where I wrote them. I did when I revised the past awards create both categories from 1996-2001. This was the first time I did it live.

-Lagaan was the first film that was nominated for Best Picture only.

-In one of the quirks of the BAM system, Hugh Mitchell who had small roles in both Harry Potter and Nicholas Nickleby, earned two nominations, and one win, for being in both casts.

-Harry Potter is Lucciesque anew setting a new nomination record, Star Wars takes the most trophies.

-This was another year that illustrated that I needed not only equality in categories, but also a top 10 or more list because there are many great films this year not in Best Picture.

-Comedic performances are prominent once again.

-Nicholas Nickleby is another multiple actors in same category film.

Winners are in BOLD and pictured.

Best Picture

Star Wars: Episode II: Attack of the Clones (20th Century Fox)

Star Wars: Episode II: Attack of the Clones (20th Century Fox)

Harry Potter and the Chamber of Secrets
Equilibrium
Star Wars: Episode II- Attack of the Clones
Lagaan
La Pianiste

Best Actress

Isabelle Huppert La Pianiste
Fairuza Balk Deuces Wild
Amanda Bynes Big Fat Liar
Jodie Foster Panic Room
Emma Watson Harry Potter and the Chamber of Secrets

Best Actor

Equilibrium (2002, Dimension Films)

Benoît Magimel La Pianiste
Mike Myers Austin Powers in Goldmember
Christian Bale Equilibrium
Kieran Culkin Igby Goes Down
Hugh Grant About a Boy

Best Supporting Actress

Rachel Griffiths The Rookie
Toni Collette About a Boy
Beyoncé Knowles Austin Powers in Goldmember
Maggie Smith Harry Potter and the Chamber of Secrets
Lucy Tulugarjuk Atanarjuat

Best Supporting Actor

Edges of the Lord (2001, Nu Image Films)

Haley Joel Osment The Edges of the Lord
Rupert Grint Harry Potter and the Chamber of Secrets
Jamie Bell Nicholas Nickleby
Christopher Plummer Nicholas Nickleby
Ewan McGregor Star Wars: Episode II – Attack of the Clones

Best Director

George Lucas (2002, Lucasfilm)

George Lucas Star Wars: Episode II – Attack of the Clones
Kurt Wimmer Equilibrium
John Lee Hancock The Rookie
Burr Steers Igby Goes Down
Chris Columbus Harry Potter and the Chamber of Secrets

Best Original Screenplay

Star Wars: Episode II - Attack of the Clones (2002, 20th Century Fox)

George Lucas and Jonathan Hales Star Wars: Episode II – Attack of the Clones
Steven Kloves, J.K. Rowling Harry Potter and the Chamber of Secrets
Michael Heneke, Elfried Jelinek La Pianiste
Robert Rodriguez Spy Kids 2: The Island of Lost Dreams
Kurt Wimmer Equilibrium

Best Adapted Screenplay

Daniel Radcliffe, Rupert Grint and Emma Watson in Harry Potter in the Chamber of Secrets (Warner Bros.)

JK Rowling and Steven Kloves Harry Potter and the Chamber of Secrets
Michael Heneka and Elired Jelniek La Pianiste
Nick Hornby, Peter Hedges, Chris and Paul Weitz About a Boy
Philip K. Dick, Scott Frank and John Cohen Minority Report
Charles Dickens and Douglas McGrath Nicholas Nickleby

Best Cinematography

Star Wars: Episode II - Attack of the Clones (2002, 20th Century Fox)

Roger Pratt Harry Potter and the Chamber of Secrets
Norman Cohn Atanarjuat
Walter Carvalho Abril Despedaçado
Janusz Kaminski Minority Report
David Tattersall Star Wars: Episode II – Attack of the Clones

The following two (2) categories intentionally only have three (3) nominees.

Best Score

Star Wars: Episode II - Attack of the Clones (2002, 20th Century Fox)

John Williams Star Wars: Episode II – Attack of the Clones
Ennio Morricone The Legend of 1900
George Clinton Austin Powers in Goldmember

Best Visual Effects

Star Wars: Episode II - Attack of the Clones (2002, 20th Century Fox)

Star Wars: Episode II – Attack of the Clones
Harry Potter and the Chamber of Secrets
Spy Kids 2: The Island of Lost Dreams

Best Performance by a Child Actor

Edges of the Lord (2001, Nu Image Films)

Haley Joel Osment The Edges of the Lord
Nicholas Hoult About A Boy
Rupert Grint Harry Potter and the Chamber of Secrets
Daniel Radcliffe Harry Potter and the Chamber of Secrets
Amanda Bynes Big Fat Liar

Most Overrated Film

Spider-Man (2002, Sony Pictures)

Road to Perdition
Spider-Man
XXX
Insomnia
Abril Despedaçado

Worst Film

Spider-Man (2002, Sony Pictures)

Spider-Man
Insomnia
Get a Clue
40 Days and 40 Nights
The Santa Clause 2

Most Underrated Film

Star Wars: Episode II - Attack of the Clones (2002, 20th Century Fox)

Star Wars: Episode II- Attack of the Clones
Austin Powers in Goldmember
Spy Kids 2: The Island of Lost Dreams
The Legend of 1900
Igby Goes Down

Best Cast

Nicholas Nickleby (2002, United Artists)

Daniel Radcliffe, Rupert Grint, Emma Watson, Maggie Smith, Alan Rickman, Kenneth Branaugh, Richard Harris and John Cleese Harry Potter and the Chamber of Secrets
Frankie Muniz, Amanda Bynes, Paul Giamatti, Amanda Detmer and Donald Fasion Big Fat Liar
Kieran Culkin, Susan Sarandon, Claire Danes, Ryan Phillippe, and Jeff Goldblum Igby Goes Down
Charlie Hunnam, Jamie Bell, Christopher Plummer, Nathan Lane, Alan Cumming, Jim Broadbent, Edward Fox, Hugh Mitchell, Stella Gonot, and Romola Garai in Nicholas Nickleby
Mike Myers, Beyoncé Knowles, Michael York, Mindy Sterling, Seth green, Verne Troyer, and Fred Savage Austin Powers in Goldmember

Nominations

Harry Potter and the Chamber of Secrets 12
Star Wars: Episode II – Attack of the Clones 9
La Pianiste 5
Austin Powers in Goldmember 5
Equilibrium 4
Igby Goes Down 4
About a Boy 4
Nicholas Nickleby 4
Big Fat Liar 3
Spy Kids 2: The Island of Lost Dreams 3
Abril Despedaçado 2
The Legend of 1900 2
Minority Report 2
The Rookie 2
Atanarjuat 2
The Edges of the Lord 2
Lagaan 1
Panic Room 1
Deuces Wild 1

The 2001 BAM Awards

2001 BAM Awards

Introduction

As those who are my friends on Facebook, or follow me on Twitter know, in December I am gearing up for my annual film awards (The BAM Awards), and that only partially explains my recent reposting of all past winners.

Since these are picks made by one person, the nominating process is even more important. Aside from the the past years, the full slate of nominees from all years past was not public knowledge.

This is because the first time I did them, in 1996, I created them by myself, for myself. At the time, I knew a lot less about how these decisions are made, campaigning, the year-end barrage of contenders and the like, such that the releasing of the Academy Award nominees was more frustrating than it could be otherwise. Rather than just bemoan it I decided to create an award slate based on what I had seen.

Back then I was ticket-stub pack rat, at the time it was the only way I had to track anything. So I created the list, picked winners and printed it out. The fact that I stuck with hard copies and no back-up created issues later. However, it was just for me at the time.

I called them the BAM Awards because I needed a name. I suppose I came up with Bernardo Academy of Movies because I was being reactionary to The Academy. How one man by himself can be an Academy I didn’t fully consider. I thought it was kind of a silly name, even at the time, so eventually it just became the BAM Awards.

Slowly, the awards widened: soon I emailed a select group of friends (that created eventual storage issues), a few years ago when I was on the Site That Must Not Be Named I decided to really take it public. I didn’t think about it ahead of time, it just occurred to me roundabout late November of ’09 that I could.

The publication was an exciting and unnerving process, regardless of how many or how few people would actually care to see them. While there are a two categories (which I now and again consider ending, and have skipped on occasion) which are negative, it is a positive emotion that brings me to these announcements. I want to at the end of the year share what I thought and why, and all winner announcements come with some explanation, and I do belabor them and struggle with them.

So it is heartening that last year, for the first time, the actual honorees, be they nominees or winners, on occasion acknowledged it. Now that may seem like a self-aggrandizing statement, but what I liked was knowing the news reached them, and other people, and they were pleased to hear it. The design of these awards are to cement what performances, works and films most affected me, I make no bones about that, and sharing that felt like a gamble, but it’s been rewarding for that and many other reason.

Of course, if you see a film missing from any year you may inquire, and there is room for intelligent discourse, but the above statements are true: trolling or disrespectful comments aimed at those chosen won’t be tolerated. Your own awards are just a blog post away.

I apologize for even needing to insert that statement but I did have cause to make similar points last year. Anyway, with how much I enjoyed last year’s and how much I’m looking forward to this year’s awards, I thought it’d be a good idea to put all I have out there in a “reverse” countdown, a count -up if you will.

So here goes…

2001

-With A.I. sweeping through these awards this marks the pinnacle both of Haley Joel Osment’s four-year run in the Young Actor category, and of Janusz Kaminski’s run through the awards. Each is the winningest in their own field.

-Melanie Griffith joins the ranks of those who have won both Supporting and Leading Actor trophies.

-A Partilha is the first film to have three performers nominated in the same category.

-A.I. wins 10 awards in 11 nominations, the most awards and highest success rate to date.

Harry Potter begins its rather Lucciesque run racking up 9 nominations and one win here.

– I don’t watch too many made for TV movies, but they are not verboten in these awards. This year features one of the rare occasions they break into a positive category with Snow in August.

-Here again you see the need for equal categories between mature and youth performers.

-Until recently I had forgotten that Zoolander passed largely unnoticed due in part to its release occurring shortly after 9/11. The underrated nod affirms that notion.

-This was likely the first time I toyed with the notion of US Release dates. In this year The Wide Blue Road (1957) played for, what I perceived to be, the first time in the US. I made it eligible. I likely won’t stretch that far back ever again, but it did start me looking at US debuts more closely.

Winners are BOLD and pictured.

Best Picture

Artificial Intelligence: A.I. (2001, DreamWorks)

Mauvaises Frequentations
A Partilha
A.I.: Artificial Intelligence
Max Keeble’s Big Move
Harry Potter and the Sorcerer’s Stone

Best Director

Steven Spielberg (DreamWorks)

Steven Spielberg Artificial Intelligence: A.I.
Ridley Scott Gladiator
Jean-Pierre Améris Mauvaises Frequentations
Laís Bodanzky Bicho de Sete Cabeças
Ridley Scott Hannibal

Best Actor

Artificial Intelligence: A.I. (2001, DreamWorks)

Robinson Stévenin Mauvaises Frequentations
Rodrigo Santoro Bicho de Sete Cabeças
Haley Joel Osment Artificial Intelligence: A.I.
Daniel Radcliffe Harry Potter and the Sorcerer’s Stone
Tamineh Normatova The Silence

Best Actress

Melanie Griffith in Cecil B. Demented (Artisan Enterment)

Melanie Griffith Cecil B. Demented
Andréa Beltrão A Partilha
Nicole Kidman The Others
Maud Forget Mauvaises Frequentations
Sandrine Bonnaire Est-Ouest

Best Supporting Actor

Artificial Intelligence: A.I. (2001, DreamWorks)

Ronaldo Bonacchi The Wide Blue Road
Jude Law Artificial Intelligence: A.I.
Jake Thomas Artificial Intelligence: A.I.
Rupert Grint Harry Potter and the Sorcerer’s Stone
Bruce Greenwood Thirteen Days

Best Supporting Actress

Hope Davis Hearts in Atlantis
Alicia Witt Cecil B. Demented
Paloma Duarte A Partilha
Lília Cabral A Partilha
Glória Pires A Partilha

Best Original Screenplay

Spy Kids (2001, Troublemaker Studios)

Alain Layrac Mauvaises Frequentations
David L. Watts, Jonathan Bernstein, Mark Blackwell, James Greer Max Keeble’s Big Move
Robert Rodriguez Spy Kids
John Waters Cecil B. Demented
Luis Bolognesi Bicho de Sete Cabeças

Best Adapted Screenplay

Artificial Intelligence: A.I. (2001, DreamWorks)

João Emmanuel Carneiro, Miguel Falabella, Daniel Filho, Mark Haskell A Partilha
Ian Watson, Brian Aldiss, Steven Spielberg Artificial Intelligence: A.I.
Thomas Harris, David Mamet and Steven Zaillian Hannibal
Steven Kloves and J.K. Rowling Harry Potter and the Sorcerer’s Stone
Stephen King and William Goldman Hearts in Atlantis

Best Score

Artificial Intelligence: A.I. (2001, DreamWorks)

John Williams Artificial Intelligence: A.I.
John Williams Harry Potter and the Sorcerer’s Stone
Michael Wandmacher Max Keeble’s Big Move
Hans Zimmer Gladiator
Danny Elfman Spy Kids

Best Visual Effects

Artificial Intelligence: A.I. (2001, DreamWorks)

Artificial Intelligence: A.I.
Spy Kids
Harry Potter and the Sorcerer’s Stone
The Others
Jurassic Park III

Best Performance by a Child Actor

Artificial Intelligence: A.I. (2001, DreamWorks)

Haley Joel Osment Artificial Intelligence: A.I.
Pete Tambakis Snow in August
Daniel Radcliffe Harry Potter and the Sorecer’s Stone
Rupert Grint Harry Potter and the Sorcerer’s Stone
Alex Linz Max Keeble’s Big Move

Best Cinematography

Artificial Intelligence: A.I. (2001, DreamWorks)

Janusz Kaminski Artificial Intelligence: A.I.
Andrew Lesnie Lord of the Rings: Fellowship of the Ring
Hugo Kavensky Bicho de Sete Cabeças
Javier Aguirrresarobe The Others
Ebrahim Ghafori The Silence

Best Cast

Emma Watson, Rupert Grint and Daniel Radcliffe in Harry Potter and the Sorcerer's Stone (Warner Bros.)

Haley Joel Osment, Jude Law, William Hurt, Frances O’Connor, etc. Artificial Intelligence: A.I.
Daniel Radcliffe, Rupert Grint, Emma Watson, Robert Harris, Robbie Coltrane, etc. Harry Potter and the Sorcerer’s Stone
Alex Linz, Larry Miller, Zena Gray, Nora Dunn,, etc. Max Keeble’s Big Move
Andréa Beltrão, Paloma Duarte, Lília Cabral, Glória Pires, Herson Capri A Partilha
Melanie Griffith, Stephen Dorff, Alicia Witt, Adrian Grenier Cecil B. Demented

Most Underrated Film

Artificial Intelligence: A.I. (2001, DreamWorks)

Articial Intelligence: A.I.
Max Keeble’s Big Move
Cecil B. Demented
Mauvaises Frequentations
Zoolander

Most Overated Film

Lord of the Rings: Fellowship of the Ring
Malena
Planet of the Apes
Hearts in Atlantis
The Others*

*A very good film touted as great.

Worst Picture

Believe (2001, LionsGate)

Hounded
Believe
The Poof Point
The Jennie Project
The Luck of the Irish

Nominations

Artificial Intelligence: A.I. 11
Harry Potter and the Sorcerer’s Stone 9
A Partilha 7
Mauvaises Frequentations 6
Max Keeble’s Big Move 6
Cecil B. Demented 5
Bicho de Sete Cabeças 4
The Others 4
Spy Kids 3
Hearts in Atlantis 3
Gladiator 2
Hannibal 2
The Silence 2
Lord of the Rings: The Fellowship of the Ring 2
Jurassic Park III 1
Snow in August 1
Est-Ouest 1
The Wide Blue Road 1
Thirteen Days 1
Zoolander 1
Malena 1
Planet of the Apes 1
Hounded 1
Believe 1
The Poof Point 1
The Jennie Project 1

Christmas Special Review- A Garfield Christmas

A Garfield Christmas is the warmest/fuzziest of the three specials. I do not mean that to sound facetious, it does have its touching moments both with Garfield comforting Grandma and Garfield and Odie actually getting along for a change.

It does start off on a misfire with Jon’s song as they are driving towards his mother’s house. It is a prime example of original music in a Christmas special falling on its face, which is why sometimes Carols work better. What’s worse is that the music insists on staying in this special. However, to its credit the music is not the downfall of this story.

It is a fun little jaunt, I can’t say it’s the best of the Garfield holiday specials, but it is definitely a worthy addition to the trilogy.

This story opens in a dream that’s is quite funny and the transformation Garfield has from greedy glutton to understanding the true meaning of the holiday is gradual and rather invisible which is refreshing.

The 2000 BAM Awards

Introduction

As those who are my friends on Facebook, or follow me on Twitter know, in December I am gearing up for my annual film awards (The BAM Awards), and that only partially explains my recent reposting of all past winners.

Since these are picks made by one person, the nominating process is even more important. Aside from the the past years, the full slate of nominees from all years past was not public knowledge.

This is because the first time I did them, in 1996, I created them by myself, for myself. At the time, I knew a lot less about how these decisions are made, campaigning, the year-end barrage of contenders and the like, such that the releasing of the Academy Award nominees was more frustrating than it could be otherwise. Rather than just bemoan it I decided to create an award slate based on what I had seen.

Back then I was ticket-stub pack rat, at the time it was the only way I had to track anything. So I created the list, picked winners and printed it out. The fact that I stuck with hard copies and no back-up created issues later. However, it was just for me at the time.

I called them the BAM Awards because I needed a name. I suppose I came up with Bernardo Academy of Movies because I was being reactionary to The Academy. How one man by himself can be an Academy I didn’t fully consider. I thought it was kind of a silly name, even at the time, so eventually it just became the BAM Awards.

Slowly, the awards widened: soon I emailed a select group of friends (that created eventual storage issues), a few years ago when I was on the Site That Must Not Be Named I decided to really take it public. I didn’t think about it ahead of time, it just occurred to me roundabout late November of ’09 that I could.

The publication was an exciting and unnerving process, regardless of how many or how few people would actually care to see them. While there are a two categories (which I now and again consider ending, and have skipped on occasion) which are negative, it is a positive emotion that brings me to these announcements. I want to at the end of the year share what I thought and why, and all winner announcements come with some explanation, and I do belabor them and struggle with them.

So it is heartening that last year, for the first time, the actual honorees, be they nominees or winners, on occasion acknowledged it. Now that may seem like a self-aggrandizing statement, but what I liked was knowing the news reached them, and other people, and they were pleased to hear it. The design of these awards are to cement what performances, works and films most affected me, I make no bones about that, and sharing that felt like a gamble, but it’s been rewarding for that and many other reason.

Of course, if you see a film missing from any year you may inquire, and there is room for intelligent discourse, but the above statements are true: trolling or disrespectful comments aimed at those chosen won’t be tolerated. Your own awards are just a blog post away.

I apologize for even needing to insert that statement but I did have cause to make similar points last year. Anyway, with how much I enjoyed last year’s and how much I’m looking forward to this year’s awards, I thought it’d be a good idea to put all I have out there in a “reverse” countdown, a count -up if you will.

So here goes…

2000

-Comedic performances back with Drew Barrymore

-Goldie Hawn and Kate Hudson are first mother-daughter nominees.

-Perhaps the year most in need of youth categorical equality. There are many splits. Young performers making “open” categories, but not making the child actor cut.

-This was the first time a special achievement award was included in the proceedings, and I handed out two. The interesting thing about the Billy Elliot selection is that it circles around the idea that it should be a musical before that ever happened.

-There are only four nominees in Best Score, I’m not certain that’s intentional, but it may well have been based on the special achievements.

-Jessica Lange here earns her 4th nomination and 3rd win. She is the first, and only actress to date, to win back-to-back Best Actress prizes, and one of two to have a win in both lead and supporting categories, along with Melanie Griffith.

-Not only does a woman win Best Director here long before the Oscars, but Taymor also does so against a fellow female nominee (Leder).

-The 11 nominations for Titus was a record.

– The 10 nominations for Pay it Forward is likely the most for a film not nominated for Best Picture.

The Bernardo Academy of Movies

Best Picture

Titus (1999, Fox Searchlight)

The Patriot
The Red Violin
Titus
Ma Vie en Rose
Cradle Will Rock

Best Actress

Titus (1999, Fox Searchlight)

Julia Roberts Erin Brockovich
Susan Sarandon Anywhere But Here
Jessica Lange Titus
Helen Hunt Pay It Forward
Drew Barrymore Charlie’s Angels

Best Actor

Pay It Forward (2000, Warner Bros.)

Georges DuFresne Ma Vie en Rose
Mel Gibson The Patriot
Anthony Hopkins Titus
Kevin Spacey Pay it Forward
Jamie Bell Billy Elliot

Best Supporting Actress

Titus (1999, Fox Searchlight)

Laura Fraser Titus
Kate Hudson Almost Famous
Julie Walters Billy Elliot
Cameron Diaz Charlie’s Angels
Kathleen Turner The Virgin Suicides

Best Supporting Actor

Jean-Luc Bideau The Red Violin
Osheen Jones Titus
Haley Joel Osment Pay It Forward
Bill Murray Charlie’s Angels
Stuart Wells Billy Elliot

Best Director

JULIE TAYMOR PRESENTS BOOK OF HER FILM 'TITUS'

Julie Taymor Titus
Mimi Leder Pay it Forward
Stephen Daldry Billy Elliot
Tim Robbins Cradle Will Rock
Francois Girard The Red Violin

Best Original Screenplay

Bowfinger (1999, Universal)

Steve Martin Bowfinger
Tim Robbins Cradle Will Rock
Robert Rodat The Patriot
James Toback Black and White
Lee Hall Billy Elliot

Best Adapted Screenplay

JULIE TAYMOR PRESENTS BOOK OF HER FILM 'TITUS'

Julie Taymor, William Shakespeare Titus
Leslie Dixon, Catherine Ryan Hyde Pay It Forward
Scott Spencer and Robert Dillon Waking the Dead
Tim Sandlin Skipped Parts
John Hodge and Eric Garland The Beach

Best Cinematography

Unbreakable (2000, Touchstone Pictures)

Alain Dostie The Red Violin
Luciano Tovoli Titus
Brain Tufano Billy Elliot
Eduardo Serra Unbreakable
Paul Laufer The Cell

Best Visual Effects

The Patriot (2000, Columbia)

The Patriot
The Cell
Hollow Man
Mission to Mars
X-Men

Best Score

Pay it Forward (Warner Bros.)

Pay it Forward (Warner Bros.)

Elliot Goldenthal Titus
Thomas Newman Pay It Forward
John Corigliano The Red Violin
John Williams The Patriot

Best Performance By A Child Actor

Trevor Morgan The Patriot
Osheen Jones Titus
Haley Joel Osment Pay It Forward
Cristoph Koncz The Red Violin
Frankie Muniz My Dog Skip

Special Achievement Awards

The Exorcist (1973, Warner Bros.)

The Exorcist

For its re-releaseshowing the world how classics should be seen.

Billy Elliot (2000, Universal)

Billy Elliot

Stephen Daldry, Stephen Warbeck and Peter Darling for unparalleled musical arrangements and choreography in a new kind of musical.

Most Overrated Film

The Contender (2000, DreamWorks)

The Contender
American Psycho
Frequency
The Talented Mr. Ripley
Meet the Parents

Worst Picture

Stigmata (2000, MGM)

The Talented Mr. Ripley
Stigmata
Next Friday
Mission to Mars
Hollow Man

Best Cast

Pay it Forward (Warner Bros.)

Pay it Forward (Warner Bros.)

Titus
Pay it Forward
Billy Elliot
The Red Violin
The Virgin Suicides

Nominations

Titus 11
Pay it Forward 10
The Red Violin 8
Billy Elliot 6 (wins Special Achievement)
The Patriot 6
Cradle Will Rock 3
Charlie’s Angels 1
Ma Vie en Rose 2
The Virgin Suicides 2
Hollow Man 2
Mission to Mars 2
The Talented Mr. Ripley2
Almost Famous 1
Erin Brockovich 1
Anywhere but Here 1
Bowfinger 1
Black and White 1
Waking the Dead 1
Skipped Parts 1
The Beach 1
Unbreakable 1
The Cell 1
My Dog Skip 1
The Contender 1
American Psycho 1
Meet the Parents 1
Next Friday 1
Stigmata 1
Frequency 1

The 1999 BAM Awards

Introduction

As those who are my friends on Facebook, or follow me on Twitter know, in December I am gearing up for my annual film awards (The BAM Awards), and that only partially
explains my recent reposting of all past winners.

Since these are picks made by one person, the nominating process is even more important. Aside from the the past years, the full slate of nominees from all years past was not public knowledge.

This is because the first time I did them, in 1996, I created them by myself, for myself. At the time, I knew a lot less about how these decisions are made, campaigning, the year-end barrage of contenders and the like, such that the releasing of the Academy Award nominees was more frustrating than it could be otherwise. Rather than just bemoan it I decided to create an award slate based on what I had seen.

Back then I was ticket-stub pack rat, at the time it was the only way I had to track anything. So I created the list, picked winners and printed it out. The fact that I stuck with hard copies and no back-up created issues later. However, it was just for me at the time.

I called them the BAM Awards because I needed a name. I suppose I came up with Bernardo Academy of Movies because I was being reactionary to The Academy. How one man by himself can be an
Academy I didn’t fully consider. I thought it was kind of a silly name, even at the time, so eventually it just became the BAM Awards.

Slowly, the awards widened: soon I emailed a select group of friends (that created eventual storage issues), a few years ago when I was on the Site That Must Not Be Named I decided to really take it public. I didn’t think about it ahead of time, it just occurred to me roundabout late November of ’09 that I could.

The publication was an exciting and unnerving process, regardless of how many or how few people would actually care to see them. While there are a two categories (which I now and again consider ending, and have skipped on occasion) which are negative, it is a positive emotion that brings me to these announcements. I want to at the end of the year share what I thought and why, and all winner announcements come with some explanation, and I do belabor them and struggle with them.

So it is heartening that last year, for the first time, the actual honorees, be they nominees or winners, on occasion acknowledged it. Now that may seem like a self-aggrandizing statement, but what I liked was knowing the news reached them, and other people, and they were pleased to hear it. The design of these awards are to cement what performances, works and films most affected me, I make no bones about that, and sharing that felt like a gamble, but it’s been rewarding for that and many
other reason.

Of course, if you see a film missing from any year you may inquire, and there is room for intelligent discourse, but the above statements are true: trolling or disrespectful comments aimed at those chosen won’t be tolerated. Your own awards are just a blog post away. I apologize for even needing to insert that statement but I did have cause to make similar points last year.
Anyway, with how much I enjoyed last year’s and how much I’m looking forward to this year’s awards, I thought it’d be a good idea to put all I have out there in a “reverse” countdown, a count -up if you will. So here goes…

1999

Observations of this year are as follows:

-Jessica Lange here is nominated anew, and is the second actor to win in both lead and supporting
categories.
-With 7 wins The Sixth Sense is the winningest film to this date.
-Oliver Stone is nominated two years running, his direction nomination here also marks a split between Picture and
Director. -Kevin Spacey earns another nomination here, as does Melanie Griffith and Sharon Stone.
-I have since warmed to Magnolia some.

Winners are BOLD and pictured.

Best Picture
The Sixth Sense (1999, Touchstone Pictures)
Arlington Road
The Butcher Boy
The Green Mile
Simon Birch
The Sixth Sense

Best Director
M. Night Shyamalan
Oliver Stone Any Given Sunday
Frank Darabont The Green Mile
Neil Jordan The Butcher Boy
Mark Pellington Arlington Road
M. Night Shyamalan The Sixth Sense

Best Actor The Sixth Sense (1999, Touchstone Pictures)

Warren Beatty Bulworth
Kevin Spacey American Beauty
Al Pacino Any Given Sunday
Haley Joel Osment The Sixth Sense
Eammon Owens The Butcher Boy

Best Actress
Cousin Bette (1998, Fox Searchlight)

Annette Bening American Beauty
Melanie Griffith Shadow of Doubt
Jessica Lange Cousin Bette
Juliette Lewis The Other Sister
Sharon Stone Gloria

Best Supporting Actor

Arlington Road (1999, Screen Gems)

Doug Hutchinson The Green Mile
Jesse James A Dog of Flanders
Jamie Foxx Any Given Sunday
Tim Robbins Arlington Road
Bruce Willis The Sixth Sense

Best Supporting Actress The Sixth Sense (1999, Touchstone Pictures)

Thora Birch American Beauty
Toni Collette The Sixth Sense
Cameron Diaz Being John Malkovich
Diane Keaton The Other Sister
Elisabeth Shue Cousin Bette

Best Performance by a Child Actor The Sixth Sense (1999, Touchstone Pictures)

Joseph Cross Jack Frost
Jesse James A Dog of Flanders
Joseph Mazzello Simon Birch
Haley Joel Osment The Sixth Sense
Eammon Owens The Butcher Boy

Best Original Screenplay The Sixth Sense (1999, Touchstone Pictures)

M. Night Shyamalan The Sixth Sense
Warren Beatty Bulworth
David Pyne, John Logan and Oliver Stone Any Given Sunday
Mike Myers and Mark McCullers Austin Powers: The Spy Who Shagged Me
Ehren Kruger Arlington Road

Best Adapted Screenplay The Butcher Boy (1998, Warner Bros.)

Stephen King and Frank Darabont The Green Mile
Honore de Balzac, Lynne Siefert and Susan Tarr Cousin Bette
Pat McCabe and Neil Jordan The Butcher Boy
Washington Irving, Kevin Yagher and Andrew Kevin Walker Sleepy Hollow
Mark Childress Crazy in Alabama

Best Score
The Sixth Sense (1999, Touchstone Pictures)

James Newton Howard The Sixth Sense
Elliot Goldenthal The Butcher Boy
Angelo Badalamenti Arlington Road
Trevor Rabin Jack Frost
Mark Snow Crazy in Alabama

Best Cinematography
Sleepy Hollow (1999, Paramount Pictures)

Salvatore Totino Any Given Sunday
Tak Fujimoto The Sixth Sense
Emmanuel Lubezki Sleepy Hollow
Adrien Biddle The Butcher Boy
Conrad L. Hall American Beauty

Best Visual Effects

The Matrix (1999, Warner Bros.)
Star Wars: Episode I- The Phantom Menace
The Matrix
Jack Frost
Sleepy Hollow
Being John Malkovich

Best Cast
The Sixth Sense (1999, Touchstone Pictures)

The Sixth Sense
American Beauty
The Butcher Boy
Jack Frost
A Dog of Flanders

Most Underrated Film The Other Sister (1999, Touchstone Pictures)

Crazy in Alabama
The Story of Us
A Dog of Flanders
The Other Sister
Election

Most Overrated The Matrix (Warner Bros.)

Magnolia
The Matrix
Snow Falling on Cedars
Message in a Bottle The Love
Letter

Worst Film
Durango Kids (1999, Good Friends Entertainment)

Can’t Be Heaven
Durango Kids
Invisible Mom II
Au Pair
Can of Worms

Nominations
The Sixth Sense 10
The Butcher Boy 8
Arlington Road 5
Any Given Sunday 5
American Beauty 5
The Green Mile 4
Jack Frost 1
A Dog of Flanders 3
Cousin Bette 3
Sleepy Hollow 3
Crazy in Alabama 3
Simon Birch 2
The Matrix 2
Bulworth 2
Being John Malkovich 1
Shadow of Doubt 1
Star Wars: Episode 1 – The Phantom Menace 1
Gloria 1
Austin Powers: The Spy Who Shagged Me 1
Election 1
Magnolia 1
Snow Falling on Cedars 1
Message in a Bottle 1
The Love Letter 1
Can’t Be Heaven 1
Durango Kids 1
Invisible Mom II 1
Au Pair 1
Can of Worms 1

Short Film Saturday: The Sorcerer’s Apprentice

If you’re like me and you absolutely couldn’t stand the new version of The Sorcerer’s Apprentice that was foisted upon us than have a gander below at the original intent. Minus the introduction which I believe is from the rehash Fantasia 2000, it is without dialogue. It is wordless and symphonic leaving you to marvel at good old cel animation and simple well-executed story.


It’s surprising that Disney has done nothing to commemorate the 70th anniversary of the film perhaps that is waiting five years for the 75th- so be on the lookout in 2015. I was never a huge fan of the film as a whole but this was always my favorite segment and perhaps that realization brings a new axiom into the mix: “you don’t know what you got ’til it’s remade.”

Contenders for Favorite Older Film First Seen in 2012

Lee Montgomery in Burnt Offerings one of my favorite older films of 2011. (United Artists)

UPDATE: Due to the strong focus I give to 2012 titles in late November and December, this list of possibilities is virtually complete. It will be whittled down and written up for posting in early January!

This post really serves a few purposes. First it’ll track the possibilities for a year end list. The first edition of it can be found here. Second, I’ll also be posting this list on my Letterboxd account, if you use it you can follow me there my user name is Bernardo Villela just as it is on Twitter.

This year I may include a shorts section but that will remain a secret. here are but the features.

1. Big Red
2. This is England
3. Peeping Tom
4. Make a Wish
5. The Boy Who Cried Werewolf (1973)
6. The Glass Child
7. Rawhead Rex
8. Blood & Roses
9. The Drum
10. The Comedy of Terrors
11. House of Dark Shadows
12. The Fallen Idol
13. Scrooge
14. Indiscretion of an American Housewife
15. Wait Until Dark
16. Wild Boys of the Road
17. The Window
18. Frenzy
19. Thief of Bagdad
20. Mrs. Parkington
21. Bless the Beasts & Children
22. The Masque of the Red Death
23. Visages d’enfants
24. Spectre
25. A Child Called Jesus
26. Christmas Tale
27. Big Business
28. Death and Cremation
29. Goobers! (fka Mystery Monsters)
30. 28 Up
31. Dr. Horrible’s Sing-Along Blog
32. 42 Up
33. The Life and Passion of Jesus (1905)
34. From the Manger to the Cross (1912)
35. Coriolanus
36. No Greater Glory
37. The Manster
38. Only When I Dance
39. The Birds
40. Island of Lost Souls
41. The House of Usher
42. Summer Interlude
43. Tales from the Hood
44. The War of the Buttons (1994)
45. Where the River Runs Black
46. Only When I Dance
47. Lil’ A (Short)
48. The Birds
49. Island of Lost Souls
50. Summer Interlude
51. The House of Usher
52. Brats (1930)
53. Always
54. Jet Boy
55. Emil and the Detectives
56. Student Bodies
57. The Devil and the Statue
58. Gulliver’s Travels Among the Lilliputians and Giants
59. The Kingdom of the Fairies
60. The Eclipse, or The Courtship of the Sun and Moon
61. The Conquest of the Pole
62. Frankenstein and the Monster from Hell
63. Ghost Town (1988)
64. Lady in White (1988)
65. The Mummy (1932)
66. Planet of the Vampires
67. O Pagador de Promessas (The Promise Keeper)
68. Salome
69. The Forbidden
70. The Omen III: The Final Conflict
71. Chabelo y Pepito Contra los Monstruos
72. Hellphone
73. Hansel & Gretel
74. Aro Tolbukhin: In the Mind of a Killer
75. House of Long Shadows
76. The Final
77. The Thing from Another World
78. A Shot in the Excitment
79. The Rape of the Vampire
80. Wes Craven’s New Nightmare
81. The White Shadow

The 1998 BAM Awards

Introduction

As those who are my friends on Facebook, or follow me on Twitter know, in December I am gearing up for my annual film awards (The BAM Awards), and that only partially explains my recent reposting of all past winners.

Since these are picks made by one person, the nominating process is even more important. Aside from the the past years, the full slate of nominees from all years past was not public knowledge.

This is because the first time I did them, in 1996, I created them by myself, for myself. At the time, I knew a lot less about how these decisions are made, campaigning, the year-end barrage of contenders and the like, such that the releasing of the Academy Award nominees was more frustrating than it could be otherwise. Rather than just bemoan it I decided to create an award slate based on what I had seen.

Back then I was ticket-stub pack rat, at the time it was the only way I had to track anything. So I created the list, picked winners and printed it out. The fact that I stuck with hard copies and no back-up created issues later. However, it was just for me at the time.

I called them the BAM Awards because I needed a name. I suppose I came up with Bernardo Academy of Movies because I was being reactionary to The Academy. How one man by himself can be an Academy I didn’t fully consider. I thought it was kind of a silly name, even at the time, so eventually it just became the BAM Awards.

Slowly, the awards widened: soon I emailed a select group of friends (that created eventual storage issues), a few years ago when I was on the Site That Must Not Be Named I decided to really take it public. I didn’t think about it ahead of time, it just occurred to me roundabout late November of ’09 that I could.

The publication was an exciting and unnerving process, regardless of how many or how few people would actually care to see them. While there are a two categories (which I now and again consider ending, and have skipped on occasion) which are negative, it is a positive emotion that brings me to these announcements. I want to at the end of the year share what I thought and why, and all winner announcements come with some explanation, and I do belabor them and struggle with them.

So it is heartening that last year, for the first time, the actual honorees, be they nominees or winners, on occasion acknowledged it. Now that may seem like a self-aggrandizing statement, but what I liked was knowing the news reached them, and other people, and they were pleased to hear it. The design of these awards are to cement what performances, works and films most affected me, I make no bones about that, and sharing that felt like a gamble, but it’s been rewarding for that and many other reason.

Of course, if you see a film missing from any year you may inquire, and there is room for intelligent discourse, but the above statements are true: trolling or disrespectful comments aimed at those chosen won’t be tolerated. Your own awards are just a blog post away.

I apologize for even needing to insert that statement but I did have cause to make similar points last year. Anyway, with how much I enjoyed last year’s and how much I’m looking forward to this year’s awards, I thought it’d be a good idea to put all I have out there in a “reverse” countdown, a count -up if you will.

So here goes…

1998

Here are some tidbits as they pertain to this year in the BAM Awards.

-This is the first time a film earned double-digit nominations.

-This was the first time a film not in the English Language won Best Picture. Another reason the Foreign Language process is a bit convoluted in the Oscars is that only official submissions of nations are eligible. Any and all foreign films are eligible at the BAM Awards.

-This is the first director-film split. Kind of hard to argue against Spielberg‘s work in Ryan though.

-Here again you see young performers in all categories. Predicting the need for equality in acting categories.

This is Nick Nolte’s 3rd nomination and 2nd win. He is the first actor to win both in lead and supporting categories.

Actresses Jessica Lange and Melanie Griffith get 2nd nominations.

This marks Janusz Kaminski’s 3rd nomination and 2nd win for Cinematography

Winners are BOLD and pictured. Also, if you’re a stat geek (like I am), I’ll be compiling these observations and more in a post when these are done. Things like writer credits will be taken into account, and incorporated into that post.

Best Picture

Central Station (1998, Sony Pictures Classics)

As Good as It Gets
Central do Brasil
The Mighty
U Turn
Wide Awake

Best Director

Steven Spielberg (DreamWorks)

James L. Brooks As Good as It Gets
Walter Salles Central do Brasil
Oliver Stone U Turn
M. Night Shyamalan Wide Awake
Steven Spielberg Saving Private Ryan

Best Actor

As Good As It Gets (1997, TriStar Pictures)

Vinícius de Oliveira Central do Brasil
Jack Nicholson As Good as It Gets
Kieran Culkin The Mighty
Samuel L. Jackson The Negotiator
Joseph Cross Wide Awake

Best Actress

Central Station (1998, Sony Pictures Classics)

Helen Hunt As Good as It Gets
Jessica Lange Hush
Fernanda Montenegro Central do Brasil
Dominique Swain Lolita
Sharon Stone Sphere

Best Supporting Actor

U Turn (1997, TriStar Pictures)

Nick Nolte U Turn
Edward Norton American History X
Kevin Spacey The Negotiator
Ian McKellen Apt Pupil
Ed Harris The Truman Show

Best Supporting Actress

Central Station (1998, Sony Pictures Classics)

Sharon Stone The Mighty
Marília Pêra Central do Brasil
Jennifer Lopez U Turn
Alexandra Dahlström Show Me Love
Melanie Griffith Lolita

Best Visual Effects

Small Soldiers (1998, Universal/DreamWorks)

U Turn
What Dreams May Come
Sphere
Small Soldiers
The Faculty

Best Original Screenplay

Central Station (1998, Sony Pictures Classics)

M. Night Shyamalan Wide Awake
Robert Rodat Saving Private Ryan
Lukas Moodyson Show Me Love
James DeMonaco and Kevin Fox The Negotiator
Marcos Bernstein, João Emanuel Carneiro and Walter Salles Central do Brasil

Best Adapted Screenplay

The Mighty (1998, Miramax)

John Ridley U Turn
Rodman Philbrick and Charles Leavitt The Mighty
Eddie Little, Christopher B. Landon and Stephen Chin Another Day in Paradise
Brandon Cole and John Turturro Illuminata
Michael Crichton, Kurt Wimmer, Paul Attanasio and Stephen Hauser Sphere

Best Cinematography

Saving Private Ryan (1998, DreamWorks)

Janusz Kaminski Saving Private Ryan
Walter Carvalho Central do Brasil
Sven Nyqvist Celebrity
Ulf Brantås Show Me Love
Adam Holander Wide Awake

Best Score

Central Station (1998, Sony Pictures Classics)

Antonio Pinto and Jacques Morelebaum Central do Brasil
Bill Whalen Dancing at Lughnasa
John Williams Saving Private Ryan
Elliot Goldenthal Sphere
Ennio Morricone U Turn

Best Performance by a Child Actor

Central Station (1998, Sony Pictures Classics)

Vinícius de Oliveira Central do Brasil
Joseph Cross Wide Awake
Kieran Culkin The Mighty
Dominique Swain Lolita
Jeremy James Kissner Great Expectations

Best Cast

As Good As It Gets (1997, TriStar Pictures)

Central do Brasil
Saving Private Ryan
As Good as It Gets
Illuminata
U Turn

Most Underrated Film

Wide Awake (1998, Miramax)

Hush
Lolita
Wide Awake
U Turn
The Mighty

Most Overrated Film

There's Something About Mary (1998, 20th Century Fox)

There’s Something About Mary
Luminous Motion
Living Out Loud
Shadrach
Great Expectations

Worst Film

The Secret Kingdom (1998, Amazing Fantasy Entertainment)

Hurlyburly
The Secret Kingdom
There’s Something About Mary
Billboard Dad
Billy Frankenstein

Nominations

Central do Brasil 10
U Turn 9
Wide Awake 7
The Mighty 6
As Good as it Gets 5
Saving Private Ryan 5
Lolita 4
Sphere 4
Show Me Love 3
The Negotiator 3
Hush 2
Great Expectations 2
There’s Something About Mary 2
American History X 1
Apt Pupil 1
The Truman Show 1
What Dreams May Come 1
Small Soldiers 1
The Faculty 1
Another Day in Paradise 1
Illuminata 1
Celebrity 1
Dancing at Lughansa 1
Luminous Motion 1
Living Out Loud 1
Shadrach 1
Hurlyburly 1
The Secret Kingdom 1
Billboard Dad 1
Billy Frankenstein 1

The 1997 BAM Awards

Introduction

As those who are my friends on Facebook, or follow me on Twitter know, in December I am gearing up for my annual film awards (The BAM Awards), and that only partially explains my recent reposting of all past winners.

Since these are picks made by one person, the nominating process is even more important. Aside from the the past years, the full slate of nominees from all years past was not public knowledge.

This is because the first time I did them, in 1996, I created them by myself, for myself. At the time, I knew a lot less about how these decisions are made, campaigning, the year-end barrage of contenders and the like, such that the releasing of the Academy Award nominees was more frustrating than it could be otherwise. Rather than just bemoan it I decided to create an award slate based on what I had seen.

Back then I was ticket-stub pack rat, at the time it was the only way I had to track anything. So I created the list, picked winners and printed it out. The fact that I stuck with hard copies and no back-up created issues later. However, it was just for me at the time.

I called them the BAM Awards because I needed a name. I suppose I came up with Bernardo Academy of Movies because I was being reactionary to The Academy. How one man by himself can be an Academy I didn’t fully consider. I thought it was kind of a silly name, even at the time, so eventually it just became the BAM Awards.

Slowly, the awards widened: soon I emailed a select group of friends (that created eventual storage issues), a few years ago when I was on the Site That Must Not Be Named I decided to really take it public. I didn’t think about it ahead of time, it just occurred to me roundabout late November of ’09 that I could.

The publication was an exciting and unnerving process, regardless of how many or how few people would actually care to see them. While there are a two categories (which I now and again consider ending, and have skipped on occasion) which are negative, it is a positive emotion that brings me to these announcements. I want to at the end of the year share what I thought and why, and all winner announcements come with some explanation, and I do belabor them and struggle with them.

So it is heartening that last year, for the first time, the actual honorees, be they nominees or winners, on occasion acknowledged it. Now that may seem like a self-aggrandizing statement, but what I liked was knowing the news reached them, and other people, and they were pleased to hear it. The design of these awards are to cement what performances, works and films most affected me, I make no bones about that, and sharing that felt like a gamble, but it’s been rewarding for that and many other reasons.

Of course, if you see a film missing from any year you may inquire, and there is room for intelligent discourse, but the above statements are true: trolling or disrespectful comments aimed at those chosen won’t be tolerated. Your own awards are just a blog post away.

I apologize for even needing to insert that statement but I did have cause to make similar points last year. Anyway, with how much I enjoyed last year’s and how much I’m looking forward to this year’s awards, I thought it’d be a good idea to put all I have out there in a “reverse” countdown, a count -up if you will.

So here goes…

1997

The fact of the matter is whether I’ve referred to it as The Titus Conundrum or “The Butcher Boy Rule” late-year release dates have long been an issue I’ve had to contend with. When it comes to thew 2012 edition I will explain what counted and what didn’t just note that in past years there will likely be year-end limited releases shifted into the following year.

-Yes, this one had revisions in later years, and it lead to a goof I’ve left intact. I accidentally assigned Little Men to 1997 even though it was released in 1998. This is a prime example of why I’m not into revisionism any longer. This error was made about 10 years ago I’d guess, has been perpetuated and I have no records as to what it replaced. So this year, like 2003 where I lost the nominees and only have the winners bears a blemish. Alas, this is why I lament my storage concerns above. Had I only known I’d keep them.

– Again, there are lots of comedy nominees here. Porbably many more when I was younger but they always seem to be aroun. In this year they are: Mike Myers, Meg Ryan, Scott Thompson, Lisa Kudrow and Jeneane Garofalo.

-Henry Thomas was the first performer to be nominated for multiple films in the same year (Actor, Supporting Actor and Cast (twice)).

-If you look carefully at the 1996 nominees you’ll notice logical conundrums so far as acting nominations are concerned, namely young actors in open categories snubbed in the young ctor category. Another reason Young Actor categories needed expanding. Here it occurs anew. Recently, much deliberation has been spent trying to reason a split. A picture/director split occurs here, which is rare and I typically have good cause for it. Usually it has to to with the driving force of vision. Mandt and Thronton each played similar roles in their films and awards were divvied accordingly.

Romy & Michelle’s High School Reunion and A Thousand Acres each had three acting nominations, but no others.

-Janusz Kaminski is the first person nominated twice in the same category in the same year.

Lost World does end up in worst of the year but nominated and winning in others. I try and compartmentalized that and there were many fewer films in the running back then.

-Charlie Sheen has been a in a Worst Picture winner, Emilio Estevez has not.

Winners are BOLD and pictured.

Best Picture

Sling Blade (1996, Miramax)

The Sweet Hereafter
Hijacking Hollywood
Contact
Sling Blade
Mother Night

Best Director

NeilMandt

Atom Egoyan The Sweet Hereafter
Neil Mandt Hijacking Hollywood
Robert Zemeckis Contact
Billy Bob Thronton Sling Blade
Keith Gordon Mother Night

Best Actor

Sling Blade (1996, Miramax)

Nick Nolte Mother Night
Henry Thomas Hijacking Hollywood
Billy Bob Thornton Sling Blade
Mike Myers Austin Powers: International Man of Mystery
Dominic Zamprogna The Boy’s Club

Best Actress

Contact (1997, Warner Bros.)

Jodie Foster Contact
Jena Malone Bastard Out of Carolina
Jessica Lange A Thousand Acres
Mira Sorvino Romy and Michelle’s High School Reunion
Meg Ryan Addicted to Love

Best Supporting Actor

Sling Blade (1996, Miramax)

Henry Thomas Suicide Kings
Lucas Black Sling Blade
Dustin Hoffman Wag the Dog
Jason Robards A Thousand Acres
Scott Thompson Hijacking Hollywood

Best Supporting Actress

A Thousand Acres (1997, Touchstone Pictures)

Michelle Pfeiffer A Thousand Acres
Jena Malone Contact
Jeaneane Garofalo Romy and Michelle’s High School Reunion
Lisa Kudrow Romy and Michelle’s High School Reunion
Julianne Moore Boogie Nights

Best Cinematography

Mother Night (1996, Fine Line Features)

Tom Richmond Mother Night
Janusz Kaminski Amistad
Janusz Kaminski Jurassic Park: The Lost World
Don Burgess Contact
Peter Deming Lost Highway

Best Score

John Williams Jurassic Park: The Lost World
George Clinton Austin Powers: International Man of Mystery
Mychael Danna The Sweet Hearafter
Mark Korven Cube
Milan Khymlicka Little Men

Best Visual Effects

Jurassic Park 2: The Lost World (Universal)

Jurassic Park 2: The Lost World (Universal)

Cube
Contact
Jurassic Park: The Lost World
Snow White: A Tale of Terror
The Peacemaker

Best Original Screenplay

Neil Mandt

Austin Powers: International Man of Mystery
Addicted to Love
Deconstructing Harry
Hijacking Hollywood
Uncle Sam

Best Adapted Screenplay

Contact (1997, Touchstone Pictures)

Little Men
Contact
Sling Blade
Snow White: A Tale of Terror
The Sweet Hereafter

Best Performance by a Child Actor

Bastard Out of Carolina (1996, Showtime)

Jena Malone Bastard Out of Carolina
Lucas Black Sling Blade
Dominic Zamprogna The Boy’s Club
Ben Cook Little Men
Joseph Ashton The Education of Little Tree

Most Underrated Film

Little Men (1997, Warner Bros.)

Hijacking Hollywood
The Education of Little Tree
Contact
Little Men
The Peacemaker

Most Overrated Film

Life is Beautiful (1997, Miramax)

La Vita é Bella
Afterglow
The Ice Storm
Boogie Nights
Men in Black

Worst Film

Bad Day on the Block (1996, Largo Entertainment)

Lost Highway
Leave it to Beaver
Bad Day on the Block
Shadowbuilder
Jurassic Park II: The Lost World

Best Cast

Hijacking Hollywood (1997, Curb Entertainment)

Suicide Kings
Hijacking Hollywood
Sling Blade
Austin Powers: International Man of Mystery
O Que é Isso Companheiro?

Nominations

Contact 8
Sling Blade 7
Hijacking Hollywood 7
The Sweet Hereafter 4
Mother Night 4
Austin Powers: International Man of Mystery 4
Little Men 4
A Thousand Acres 3
Romy & Michelle’s High School Reunion 3
Jurassic Park: The Lost World 3
Addicted to Love 2
The Boy’s Club 2
Bastard Out of Carolina 2
The Suicide Kings 2
Boogie Nights 2
Lost Highway 2
Cube 2
The Education of Little Tree 2
Peacemaker 2
Amistad 1
La Vita é Bella 1
Afterglow 1
The Ice Storm 1
Men in Black 1
Leave it to Beaver 1
Bad Day on the Block 1
Shadowbuilder 1
O Que é Isso Companheiro? 1
Snow White: A Tale of Terror 1

The 1996 BAM Awards

Introduction

As those who are my friends on Facebook, or follow me on Twitter know, in December I am gearing up for my annual film awards (The BAM Awards), and that only partially explains my recent reposting of all past winners.

Since these are picks made by one person, the nominating process is even more important. Aside from the the past years, the full slate of nominees from all years past was not public knowledge.

This is because the first time I did them, in 1996, I created them by myself, for myself. At the time, I knew a lot less about how these decisions are made, campaigning, the year-end barrage of contenders and the like, such that the releasing of the Academy Award nominees was more frustrating than it could be otherwise. Rather than just bemoan it I decided to create an award slate based on what I had seen.

Back then I was ticket-stub pack rat, at the time it was the only way I had to track anything. So I created the list, picked winners and printed it out. The fact that I stuck with hard copies and no back-up created issues later. However, it was just for me at the time.

I called them the BAM Awards because I needed a name. I suppose I came up with Bernardo Academy of Movies because I was being reactionary to The Academy. How one man by himself can be an Academy I didn’t fully consider. I thought it was kind of a silly name, even at the time, so eventually it just became the BAM Awards.

Slowly, the awards widened: soon I emailed a select group of friends (that created eventual storage issues), a few years ago when I was on the Site That Must Not Be Named I decided to really take it public. I didn’t think about it ahead of time, it just occurred to me roundabout late November of ’09 that I could.

The publication was an exciting and unnerving process, regardless of how many or how few people would actually care to see them. While there are a two categories (which I now and again consider ending, and have skipped on occasion) which are negative, it is a positive emotion that brings me to these announcements. I want to at the end of the year share what I thought and why, and all winner announcements come with some explanation, and I do belabor them and struggle with them.

So it is heartening that last year, for the first time, the actual honorees, be they nominees or winners, on occasion acknowledged it. Now that may seem like a self-aggrandizing statement, but what I liked was knowing the news reached them, and other people, and they were pleased to hear it. The design of these awards are to cement what performances, works and films most affected me, I make no bones about that, and sharing that felt like a gamble, but it’s been rewarding for that and many other reason.

Of course, if you see a film missing from any year you may inquire, and there is room for intelligent discourse, but the above statements are true: trolling or disrespectful comments aimed at those chosen won’t be tolerated. Your own awards are just a blog post away.

I apologize for even needing to insert that statement but I did have cause to make similar points last year. Anyway, with how much I enjoyed last year’s and how much I’m looking forward to this year’s awards, I thought it’d be a good idea to put all I have out there in a “reverse” countdown, a count -up if you will.

So here goes…

1996

As I have mentioned in that past, as the years moved on I tried to back track to my year of birth, and before I shared them I made changes, but since then I’ve taken the approach that it’s really a yearbook. I’m capturing my own personal zeitgeist.

So in the first few years there’s some muddling between how it was in the year of and how it was in the years after, but it’s mostly identical, about 90% plus for this year, they get more immutable as the years pass.

Some general observations here:

-One thing I’ve always had a tendency to do is include comedic performances, see Carrey, Williams, Hawn, Alda, and all but one of the Supporting Actress nominees.

-With behind-the-scenes positions I’ve gone back and forth between wanting to learn the name of every person under consideration and just judging the work and finding the name later. Most of this year I’ve done the latter.

-Any newer award, it would seem, adds a category to to try and stand apart; I added three. I’ve done more of this as the years have passed but the first was adding a category for young actors. This has since expanded.

-I’ve altered the order I’ve written these in. This is presented “as is.”

Winners are in BOLD and pictured.

Best Picture

Mulholland Falls (1996, MGM)

Bound
Everyone Says I Love You
Freeway
Harriet the Spy
Mulholland Falls

Best Director

https://themovierat.com/wp-content/uploads/2011/04/ltamahori.jpg?w=400&h=267

Woody Allen Everyone Says I Love You
Ben Stiller The Cable Guy
Matthew Bright Freeway
Francis Ford Coppola Jack
Lee Tamahori Mulholland Falls

Best Actor

Mulholland Falls (1996, MGM)

Nick Nolte Mulholland Falls
Jim Carrey The Cable Guy
Kiefer Sutherland Freeway
Robin Williams Jack
Mel Gibson Ransom

Best Actress

Freeway (1996, Republic Pictures)

Reese Witherspoon Freeway
Michelle Trachtenberg Harriet the Spy
Goldie Hawn The First Wives Club
Carla Gugino Jaded
Sonia Braga Tieta do Agreste

Best Supporting Actor

Mulholland Falls (1996, MGM))

Tony Shaloub Big Night
Chazz Palminteri Mulholland Falls
Alan Alda Everyone Says I Love You
Gregory Smith Harriet the Spy
John Leguizamo Romeo + Juliet

Best Supporting Actress

Mulholland Falls (1996, MGM)

Diane Keaton The First Wives Club
Bette Middler The First Wives Club
Natasha Lyonne Everyone Says I Love You
Melanie Griffith Mulholland Falls
Marília Pêra Tieta do Agreste

Best Original Screenplay

https://themovierat.com/wp-content/uploads/2011/05/tout_le_monde_dit_i_love_you_everyone_says_i_love_you_1997_reference.jpg?w=600&h=401

The Kids in the Hall: Brain Candy
Everyone Says I Love You
Freeway
The Cable Guy
Mulholland Falls

Best Adapted Screenplay

Harriet the Spy (1996, Nickelodeon/Paramount)

Mystery Science Theatre 3000: The Movie
Harriet the Spy
Mondo
A Midsummer-Night’s Dream
Tieta do Agreste

Best Cinematography

Romeo + Juliet (1996, 20th Century Fox)

Eric Guichard Mondo
Edgar Moura Tieta do Agreste
Donald McAlpine Romeo + Juliet
Ian Wilson A Midsummer-Night’s Dream
Haskell Wexler Mulholland Falls

Best Score

Howard Shore and Adam Schlesinger That Thing You Do!
Caetano Veloso Tieta do Agreste
Jamshied Sharifi Harriet the Spy
John Ottman The Cable Guy
Dick Hyman Everyone Says I Love You

Best Visual Effects

Independence Day (1996, 20th Century Fox)

Independence Day
Mars Attacks!
Mondo

Best Performance by a Child Actor

Harriet the Spy (1996, Nickelodeon/Paramount)

Michelle Trachtenberg Harriet the Spy
Gregory Smith Harriet the Spy
Adam Zolotin Jack
Mario Yedidia Jack
Brawley Nolte Ransom

Most Overrated

Fargo (1996, Miramax)

The English Patient
Fargo
One Fine Day
Independence Day
Romeo + Juliet

Most Underrated Film

Harriet the Spy (1996, Nickelodeon/Paramount)

Mulholland Falls
Harriet the Spy
Jack
The Cable Guy
Mars Attacks!

Worst Film

Fever Lake (1996)

Fargo
The English Patient
Kazaam
Fever Lake
Girl 6

Best Cast

Mulholland Falls (1996, MGM)

Jack
Harriet the Spy
Everyone Says I Love You
Mulholland Falls

Freeway

NOMINATIONS

Harriet the Spy- 9
Mulholland Falls- 9
Everyone Says I Love You- 7
Jack-6
Freeway- 6
The Cable Guy- 5
Tieta do Agreste- 5
Mondo- 3
The First Wives Club- 3
Romeo + Juliet- 3
A Midsummer-Night’s Dream- 2
Independence Day- 2
Mars Attacks!- 2
The English Patient-2
Fargo- 2
Bound, Jaded, Diabolique, Kids in the Hall: Brain Candy, Mystery Science Theatre 3000: The Movie, That Thing You Do!, One Fine Day, Kazaam, Fever Lake, Girl 6, Bastard Out of Carolina-1