The Book of Manning: A Personal History and Mini-Review

Introduction

This is another post that was intended as a Mini-Review Round-Up entry, but then grew legs and so I decided to post it separately.

Personal History

To be completely honest, though I knew about the upcoming slate of 30 for 30 films for this fall; I was caught unaware by this installment of the ESPN Films series under the banner of SEC Storied.

And apparently this was not the debut installment, but rather part of plan to have four conference-specific titles per year. However, when the subject of the Manning family came up it’s not a wonder that I heard about about it and then saw the documentary.

It’s only now with hindsight that I could see that my fascination with this family has gone on longer than I realized. I was too young to witness Archie Manning’s career as it was happening, but I remember seeing footage of the fleet-of-foot gunslinger left on an island and run ragged when playing for the mostly hapless New Orleans Saints. In fact, in my nameless-player, league-branded NES game he was a large reason I “created” my own similarly gifted and bedraggled field general for the same team.

NFL (Nintendo)

Later on I, of course, became aware of Peyton in his college days and when he joined the Colts, though I am not a Colts fan, that would be the team I’d most consistently watch (besides the my own) to see him play. Peyton Manning is must-see TV.

Almost anyone can note how the story of the Manning family, at least in football terms, is like a fairy tale. However, it becomes a bit more so in my case. Of course, part of the fascination in watching Peyton play is not just his prowess, but a bit of envy, “Why can’t my team’s quarterback be just a little like that?”

I became even more aware of the fact that Eli was a college quarterback than I was of Peyton. Partially because he was the little brother. I think he was a sophomore when the pipe dream of his ending up on the New York Giants entered my mind and I laughed it away as an impossible notion. In fact, I never entertained it as something tangible until rumors started coming around about his not wanting to play in San Diego.

Super Bowl XLII (ESPN)

I can’t remember who else was in the running but the Giants weren’t the only team to need a quarterback that year, but were the only one’s who could pull the trigger on the deal. Eli Manning was a quarterback for the New York Giants something less than two years after I had the crazy idea. Not only that but later that same ill-fated 2004 season I lucked into a ticket for a late-season, virtually meaningless game against the Atlanta Falcons. Eli’s first start was a close-run loss wherein I screamed myself hoarse. After that history it’s not a wonder I was one of his few staunch-yet-silent-supporters as he and the Giants struggled to get their bearings. Despite the start to this season, two borderline-miraculous Super Bowl runs later, what’s not fantastical in that story?

The Film

Ole_Miss_vs_Tennessee_1969_(4233310964)

As intimated above the footballing aspect of the Manning family seems to be a fairly tale. Yet I long ago learned of the unfortunate circumstances Cooper Manning faced in his freshman year of college. However, what makes this an interesting tale is that there are in Archie and Cooper’s stories highly unfortunate events. The first molds Archie in his personal life as a man, the next fuels Peyton in his will-to-win on the field.

So there’s a redemptive aspect to Peyton’s section of the film. Yet, although brief there is one to Eli’s as well because of the perceived slight the state of Mississippi felt that Archie and Peyton had levied upon them. Though there was no such slight and the reasoning each had for their actions were justified.

In editorial terms there is a slightly repetitious nature to the film. However, that’s one of the few things you can quibble about. There are a few brief, well handled re-enactments. The stills, pictures as well and the one-on-one interviews give you a more complete version of the tale than if there had just been game footage involved.

The college football, the Southeastern Conference, slant on the story allows it probably a better structure than one that took in more of each of the three pro careers involved and it ends up working better for it.

I could almost disqualify myself from a rating based on the aforementioned personal history, but you can consider that the grain of salt portion of the review. It still does work and I think, since it is a family story even more than a football one, and Olivia is interviewed quite a bit as well; non-fans will also enjoy it.

8/10

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March to Disney: Secretariat and the Sports Films of Disney

This is a series of posts this month wherein I will focus on Disney films. For more on my background with Disney films and about the timing of this focus please read the introductory post here.

It’s almost as unoriginal to say all sports films are essentially the same as sports films are, at least on the surface. What tends to separate the better ones is that they are usually on a very specific incident or figure, and more commonly, what else the film has going for it.

For example, one of the more acclaimed documentaries in recent years is Undefeated. It’s about a high school football team. What made it critically acclaimed and an Oscar winner was not the football aspect, but rather, and high school sports can do this better than most, the off-the-field life lessons involved. So there, even in documentary form, it’s about “What else do you have going for you?”

Disney, in both shorts and feature films, has a long history of dealing with sports as the focus of a film. The earliest, most notable forays, were the Goofy shorts wherein he’d engage in a number of sports with his usual haphazard results. The shorts, aside from being funny, are fairly good caricatures of the sports in question. Meaning it’s more about impression than accuracy of rendition and also about placing a character in a context so whether skiing, basketball, boxing, football (American), ice hockey, aquatic sports, or any other they served as short hilarious sketches and/or introductions to the sport.

The short form animated sports film has its own template of exaggeration, while the feature film usually deals in underdog stories. Which is what usually brings me back to Secretariat. Now, what the real world themes that are being brought to the fore are rather obvious. Due to the the setting and plot the film is a feminist comment. Ms. Tweedy, played marvelously by Diane Lane, is smart, tough, a risk-taker and ultimately successful. She’s the underdog of the tale, whereas the horse, who even if you only know a slight bit about horse racing, you know is the overdog. He, like many a thoroughbred, shot out of the blue into national consciousness, but is unquestionably the most dominant horse the sport has ever known.

Secretariat (2010, Disney)

Aside from the feminism, which the film plays through both mother and activist daughter, there is also the gently folded in family element. You see her sacrifice and work on two fronts due to what she feels is her responsibility to her father, the farm and the horse, and as much as she can she travels back across country to be with her husband and four kids.

That’d be more than enough, but Secretariat, being a film about horse racing, also plants the seeds of doubt about health of the horse, and addresses the concern of those ambivalent to negative on the nature of the sport. Needless to say there’s likely poetic license taken all over the place, it’s a film after all, but the impressive thing is that the film works on many fronts and levels, which is why it was one of my top films of 2010, and didn’t diminish upon re-view.

Now, as much as I do like other Disney sports films of a more traditional nature, like The Mighty Ducks, which I saw at a sneak preview with a friend and it got us so pumped that we laced up our rollerblades and had a near midnight practice session, or Cool Runnings. They do fall into the more typical mold. Secretariat stretches it on a few fronts. Now there is a recent rash of other Disney sports films that I am behind on, however, based on what I know of them Secretariat still upped the ante a great deal. Usually, there’s a theme or two tackled and few possible end games.

In a purely sporting sense, Secretariat paints a portrait that even a blowout can be a thing of beauty due to the prowess of the athlete and the dramatic stakes placed upon the race. Whereas in other films there’s one “brass ring,” here our protagonist has staked her livelihood on the fact that the horse will win the Triple Crown, something that hadn’t happened in 25 years at the time, and has only happened once since.

Now, all this is not to say Disney’s record is flawless in the genre, there’s far too many Most Valuable Primate and Air Bud films for that to be the case, but in the past decade or so, even with as many as I’m missing, on the dramatic end of the spectrum; they have found stories in the subgenre that can push the envelope ever so slightly in this kind of film.

Summer Olympic Movie Picks- Part Two

I did a post like this for the Vancouver games a little more than two years ago and I shall unearth it again at some point at least on Letterboxd because that was certainly a lot more fun and in many cases weirder. However, the variety that is provided by the over-stuffed nature of the summer games is nothing to sneeze at. I think that these films that feature the sports of the warmer Olympiad will likely introduce you to something you want to check out. I know I found a few. These picks will be posted in three parts. You can read part one here.


Football

Since the Olympics is global I will use the international name and translate for America, this is soccer. All kidding aside, as I looked through some lists of soccer movies I was struck by the realization that the disparity between the greatness of the game and the quality of films generated by it is greatest here. Most of the ones I saw listed were sad. There are some I heard good things about but have yet to see, like The Damned United, Once in a Lifetime: The Extraordinary Story of the New York Cosmos, and Pelada. Many of them in the US are usually about a ragtag bunch of kids on a team the best probably being The Ladybugs. As for the adult version of the game the best most recent one I saw was Rudo y Cursi which gave us this song too:

However, world cinema does provide a few more options which are suitable for all ages. If you like your soccer with genre-bending weirdness, I’d suggest the Die Wilden Kerle series from Germany. However, I’d stress you not watch any of them dubbed. I saw one dubbed the first time and it was some of the poorest collective work I’ve seen, aside from the fact that in the US we for some reason altered the chronology.

Then O Menino Maluquinho (The Nutty Boy) has a climatic game which features brilliant, practically superhuman goaltending by the protagonist, which is one of many great aspects of the film.


Gymnastics (Artistic & Rhytmic)

Unless I’m missing something major, gymnastics hasn’t had a lot of great representation on the big screen. Christopher Campbell’s list definitely makes me want to see Gymkata and it’s certainly more compelling in concept than anything I thought of or found; a rash of biopics, lame parodies and anorexia-themed MOWs and, of course, the most unfortunately executed death in Final Destination 5.

Now, Rhythmic Gymnastics seems to be absent from any real representation. Like synchronized swimming it has its notable parodies like that on Lizzie Maguire and by Will Ferrell in Old School, but I can’t seem to find anything straight. It could be great fodder for a doc in the vein of what I perceive Pina to be, as I still need to see it. There is a niche waiting to be had.

Handball

Yup, this is what thew world thinks of when you handball, just another example of our at times jingoistic naming practices, though to be fair Wall Ball is used to describe the one we know better too. Handball is another sport I’m glad to see roll around every four years and I agree wholeheartedly with this Awful Announcing post that it should be a featured on ESPN more often.

With regards to movies there wasn’t much to find. There’s Szansa a Polish film which seems to pit a nurturing, caring, intellectual, literary teacher against a hard-nosed, disciplinarian, gym teacher who crosses the line to win and winning said handball games is good for the school. Then there’s Forever the Moment a fictionalized account of the South Korean women’s handball team that competed in the 2004 games.

Hockey

Only during my occasional watching in the last games did I finally come to appreciate the version of the game which is played on grass and not ice. The only movie that seemed to jump out was Chak De! India, which is a kind of underdog story about a former player turned coach who takes over the long languishing national women’s team. This title is available to stream on Netflix (US).

Judo

Judo is a martial arts discipline I enjoy watching and pretty much always have since I’ve known of the games. The issue, as with many of these sports, has been finding a filmic representation of it.

Some quick searches brought some docs partial and short, but then as it turns out Kurosawa’s debut is a judo film, Sanshiro Sugata, wherein a young man struggles to learn the nuances and meaning of judo and life. This film is available from Criterion in one of their excellent Eclipse collections. This film is accompanied by a sequel and is referred to collectively as the Judo Saga.

Modern Pentathlon

Honestly, when I went to search out film ideas for each of these sports the one I pegged as being the hardest was the pentathlon. Truth be told, I only found one movie to pick from, but it’s called Pentathlon and Dolph Lundgren is in it. Essentially, Lundgren’s character and his sadistic trainer meet up eight years after their Olympic sojourn in an ever-escalating series of action nonsense, much of which you could have spoiled for you by the Wikipedia entry. It sounds like one of those movies that’s so brash it’s brilliant or painful – it does strike me as one of those movies I’ve seen on TV and all but forgotten.

Rowing

I mentioned in the canoe section that rowing could be found in The Social Network, however, there are a few more options to be had. You could pick either of two versions of the same tale, as comparing an original and a remake can be fun in A Yank at Oxford and Oxford Blues. For a more sports-oriented choice there’s True Blue (called Miracle at Oxford on US Home video) about a famous 1987 race. Lastly, if you want your sport as more of a setting for your drama than the premise, you have Summer Storm, which is about relationships and sexuality, and Queen of the Night, with a backdrop of politics, handicaps and romance.

Shooting

Now, I won’t be vague with shooting because the number of films that involve gunplay are countless. So I sought out films that at least feature competitive marksmen and there are two provided by Honk Kong cinema called Double Tap and Triple Tap, the former spins off from the first. Both involve rival shooters and getting involved inadvertently in crime and intrigue.

Swimming

Swimming is one of the most populated sports in terms of events, and one of the most popular at the games in general. Even on dedicated websites like Sports in Movies there isn’t a long list of swimming films. It’s hard to imagine that recreational swimming is something that needed to be created, much less that sport needed developing. However, there is a share of cinema in the pool.

Going back to 1931 you can watch Jean Vigo’s 2nd short film Taris, which is a rather artistic rendition and promotion of France’s swimming record-holder at the time. This film is available in the Complete Vigo through Criterion. If you prefer your star-power cinematic The Swimmer stars Burt Lancaster. If your inclinations are more stalker-crazy there’s the fairly recent Swimfan. In the more family-friendly realm there’s the fantastical DCOM The Thirteenth Year and swimming features somewhat in A Dolphin Tale.

Synchronized Swimming

With synchronized swimming there is actually rather a balanced choice. You can either enjoy it rendered comically in this classic bit:

On in a light, whimsical, biopic musical called Million Dollar Mermaid.

It is just by its very nature one of the easiest sports to poke fun at but it is really something when done well, and something else when it’s not which both those clips prove.

The list will conclude tomorrow!

My Year in Film: 1994

First, a tip of the hat to @bobfreelander who was the first I saw doing retroactive year-in-review posts and why I will do a few. Now, while I will be able to contextualize my picks to an extent I cannot be as anal retentive as I wanted to. Ideally, I would’ve loved to say I saw these movies in the year in question and these later, but I cannot with any degree of accuracy. The reason this matters to me is that I was 13 to 14 when these films were being released. Now I, unlike many students around me when I was in school, have been able to exonerate many films I saw before studying films formally from over-analysis. So while many are getting a pass or some sentimental value attached to them I shall not disown them, they are still me. Much in the way I am no longer making BAM Awards for years where I didn’t actively track releases, I am also not changing winners as I did on rare occasions in my teens. This list like those awards are a snapshot, time can reshape one affection for a film, whether heightening or lessening it but the films that mark that year for you mentally remain pretty much identical.

I start with 1994 in part because it was a great year for me in general, I was out of sixth grade and into 7th and 8th and I rather enjoyed Junior High where using your mental faculties to achieve a heightened sense of immaturity was rewarded, at least amongst my circle of friends. Sports-wise it was a great year as my faith in my beloved New York Rangers was rewarded, I knew it’d be a championship season in pre-season and it was. Then not too long after I saw Brazil win its 3rd World Cup while visiting my family.

Not that movies lagged that far behind, if at all. Many of these films, whether I saw them during the calendar year or soon thereafter, have been favorites for many years.

The films are in no particular order.

1. Satantango

Sátántangó (Kino Lorber)

I’ve been meaning to give this film an annual viewing but at 7+ hours in length it is very hard to schedule. I first heard about this film in college when it wasn’t readily available on DVD but I hunted it down. Having it was like having gold such that I even loaned it to a professor once. It’s an impressive example of story-telling muscle-flexing as it goes back and forth in time with many events repeating at intersecting points of perspective, as we follow characters and see certain events over through their eyes. Its ending is a shocking as such a minimalist ending can be and gives me goosebumps every time.

2. Milk Money

Milk Money (Paramount)

Here’s one I could’ve seen in ’94 but didn’t. In a world where I didn’t have a computer or access to the IMDb I couldn’t confirm my casting misconceptions, namely at the time I confused one of the girls in a quick shot in the trailer with Anna Chlumsky. I did eventually see it on HBO and this was where my admiration for Melanie Griffith originated and I hunted down practically everything she did after seeing it. Now hooker with a heart of gold stories weren’t new to me even then but the context and the slightly verboten yet laissez-fair handling of this one along with its outcome are a major part of what won me over.

3. Once Were Warriors

Once Were Warriors (Fine Line Features)

When the Independent Film Channel (IFC) first hit the airwaves I watched it practically every night for a week, and as an atypical teen movie fan I craved something different and I got it. This is a harrowing tale of a Maori family in New Zealand. I’m not even sure if I’ve even revisited it. Even if I have it could surely qualify as a film you only need to see once.

4. Disclosure

Disclosure (Warner Bros.)

This is a great film. Yes, it’s true Michael Douglas gets Michael Douglas-ed in it, if you’ve seen enough of his films you get what I mean, but sexual harassment was a hot button issue in the country as there was a politically correct renaissance about and to flip expectations to have an actress like Demi Moore, in likely her best role, in that position make it a compelling drama.

5. The War

The War (Universal)

For those of you who may have been asleep during the 90s and didn’t know, Elijah Wood was one of the most prodigious child actors who ever graced the silver screen. This film of his is his most criminally under-seen. It’s a great allegorical tale wherein Wood does his most serious work as a youth but he’s supported by Kevin Costner, Mare Winningham and Lexi Randall. If you’ve never seen this film do yourself the favor.

6. Little Giants

Little Giants (Warner Bros.)

G-Men! OK, if you read my intro you probably surmised I’m a native New Yorker, however, that’s not the only reason that this film makes the list, there are some others. It is smart that this film does play into actual NFL rivalries and takes the Bad News Bears motif to football but there’s some more to it. Part of it has to do with seeing Ed O’Neill in a movie and perfectly cast, it being one of Rick Moranis’ last theatrically released films plays into it some. Yet it’s also about the team, which plays into the appeal of any underdog story, and also it may be the most effective rivalries in terms of having certain off-the-field relationships with the opposition.

7. A Feast at Midnight

A Feast at Midnight (Live Entertainment)

This is a film that I found a few years later. One thing that’s refreshing about it is that it’s a tale of boarding school mischief that doesn’t get too dark. Essentially the boys at this school are tired of their crap food. They learn to cook and bake and sneak about in the dead of night to have proper feasts. More comedy and tension are added by Christopher Lee who plays the headmaster who they refer to as a dinosaur and many scenes play out as homages to Jurassic Park, which are just brilliantly done.

8. Vanya on 42nd Street

Vanya on 42nd Street (Sony Pictures Classics)

If I recall correctly this was an impromptu purchase. I typically used my weekend allowance to take a bus to the multiplex and then to the mall after to pick up another film. This was likely one of them. It didn’t lead me to instantly pursue more Chekhov but it was the spark that opened the door for my appreciation of his work.

9. The Shawshank Redemption

The Shawshank Redemption (Columbia Pictures)

What could I possibly say about this film that hasn’t been said before? I didn’t see it in 1994 as it was slightly before I discovered Stephen King, and my life forever changed. I saw it later and I saw it before I read it, and I learned Frank Darabont is a King adaptation master, and this is his best work.

10. North

North (Columbia Pictures)

Here’s the section of the list where I’ll place a couple of movies you likely hate and I hope you’ll do me the kindness of scrolling past them if you do hate them rather than closing your browser window. For those of you who are still with me, I can even understand how you can dislike North and It’s Pat, the latter much more than the former. However, with this one I really don’t get how some claim its one of the worst things ever. Yes, it’s another Elijah Wood title and while here he’s more comedic this one really does have more to do with the concept than him or the supporting all-star cast. It’s a wish-fulfillment story and yes, based on the tale you know where it’ll likely end up, but that doesn’t stop it from being a very effective fantasy in my estimation.

11. It’s Pat

It's Pat (Touchstone Pictures)

I get it on this one, OK? Pat is gross, that’s what makes the sketch funny for those who do think it’s funny. I’d say this is likely the most avoided and reviled SNL-sketch based feature of them all, I will not claim that it’s the best, but I do like it. Julia Sweeney is a very underrated comedienne and this is her best character.

12. The Little Rascals

The Little Rascals (Universal Pictures)

I can’t remember if I ever consciously wanted to see this movie but having younger siblings it was acquired on home video and I ended up watching it many times and I ended up liking it quite a bit also. Looking back you could almost draw a parallel between this and The Three Stooges in as much as those actors were The Little Rascals, so theoretically a remake shouldn’t work but it was cast so well and the story was very much in the spirit of the original with minor updates such that it works very well.

13. Airheads

Airheads (20th Century Fox)

When you rely on cable television for your viewing you can end up watching things over and over whether you want to or not. An example or not would be Empire Records, I have no idea what convinced me that seeing it over and over would change my opinion of it. It just kept getting suckier. This I liked right away and wanted to see many times over, it’s just a hilarious and well executed premise.

14. The Client

The Client (Warner Bros.)

Joel Schumacher can be very divisive and I certainly cannot defend all of his films. However, those that I can I will tooth and nail. This is one of them. I watched The Client many years later and it has in it perhaps one of the tensest first acts I can recall. It doesn’t let up much from there.

15. Speed

Speed (20th Century Fox)

Here’s a film that’s become a bit of a punching bag in hindsight. I will grant there is a level of silliness to it, however, if you get past the whole 50 MPH thing, (which I have) it rather works. Also, one must bear in mind that this was really Sandra Bullock’s breakout role so she was new to us and about to be beloved by many. Also, this is Keanu many roles before we saw that being Keanu is about the extent of his range.

16. Trading Mom

Trading Mom (Trimark Pictures)

This is a film that it took me a while to track down, eventually it debuted on cable. My willingness to see it was mostly due to Anna Chlumsky’s involvement. It would be a great double-feature with North as there are similar themes to it, Wanting to Change Parents but Realizing Yours Are the Best, however, it also features a great performance by Sissy Spacek in many incarnations. Its a more down-to-earth and stripped-down version of the aforementioned premise that still works rather well.

17. Serial Mom

Serial Mom (Savoy Pictures)

I’ve seen this movie a lot of times but none very recently. This could be John Waters at his demented best. This is where I not only learned a rule of fashion but also got “Day Break” stuck in my head for life. Kathleen Turner is incredible in this.

18. The Hudsucker Proxy

The Hudsucker Proxy (PolyGram)

I avoided this film for a long time for a number of reasons. I like Coens films when I watch them but my viewership of their filmography is very incomplete, the title and description also made it seem like it couldn’t be that interesting. It’s perhaps the best argument for just watching the movie. I love it.

19. Major League II

Major League II (Warner Bros.)

As opposed to the sequel later in this list this is one that I think I like more than the original. It’s sillier, funnier and doesn’t take the high road in the ending but those are all things I like about it. Plus, taking the approach that this team overachieved and now rests on its laurels and struggles is pretty smart and true to life.

20. Ace Ventura: Pet Detective

Ace Ventura: Pet Detective (Warner Bros.)

It’s a very simple discussion when dealing with Jim Carrey: Either you love the over-the-top end of his comedic repertoire or you hate it. I love it and Ace Ventura is the prime example of this facet of his gifts.

21. Trevor

Trevor

This film I first saw only last year. It’s the only short on this list. It’s almost more important for its significance than the film itself for this film is what spawned The Trevor Project. Perhaps what’s most impressive is that it really was ahead of the zeitgeist in terms of a hot button issue. It deals with a youth struggling with his sexuality and is suicidal. It won an Oscar after it was made and was re-introduced in a TV special hosted by Ellen DeGeneres but now it has a third incarnation as The Trevor Project is one of the most notable and active NGOs in the nation right now. Granted its a film buoyed by its message and its significance but few films, especially shorts, have this kind of track record so far as reemergence and staying power are concerned.

22. Menino Maluquinho- O Filme

Menino Maluquinho - O Filme (Filmes Europa)

Below you will see another comic character that I love come to life. I saw this a few years after the release of the film. This film benefits from the fact that though this character is featured in Brazilian comic strips he originated in graphic novels and this film tackles the story told in the first of those books for the most part and that streamlines things and makes the interpretation very pure.

23. Forrest Gump

Forrest Gump (Paramount)

This is another film that has become somewhat of a punching bag over the years. Taking the visceral arguments out of the equation (for I do like and connect to the film) the significance of this film in certain cinematic is in fact that it breaks rules about a passive protagonist, in that it employs one, and it works very, very well. You’d be hard pressed to find many other situations where it would but here no doubt it does. I predicted Tom Hanks would win the Oscar on the eve of the show when asked, and not only was I right but I was pleased. It’s another question of time. Hanks has become more interested in producing and has become an Oscar ceremony staple but I’d never question his merits in the roles that won him statues.

24. Little Odessa

Little Odessa (Fine Line Features)

Here is another IFC special. I did revisit this one at least once. It’s a tremendously underrated film and features a great turn by Edward Furlong before his depressing decline.

25. Richie Rich

Richie Rich (Warner Bros.)

Macaulay Culkin is precisely 364 days older than I am, so his stardom was kind of a big deal for me growing up for he was, and is, essentially my age. Furthermore, add the fact that here he was interpreting one of my favorite comics characters of all time and this was going to be a must see for me. Now, here’s an example similar to one you’ll see below where the star and the involvement in a project is more significant to than the film, for I definitely nitpick this one and the follow ups (though they be Culkin-less) it wasn’t an interpretation completely without merit, I did like a lot of it.

26. Blue Chips

Blue Chips (Paramount)

Another cable special and another I’ve given many viewings. Nick Nolte is, as he tends to be, brilliant in this film. However, what really elevates this film for me is the great examination of the moralistic quagmire that amateur athletics are. Nolte’s confession speech while rather unrealistic in a real context, as sports fans know all too well, allow for the film to really expose the inevitability of star athletes getting perks and incentives to go to certain colleges.

27. My Girl 2

My Girl 2 (Columbia Pictures)

Alright, no My Girl 2 is not a great film, there are a few entries on this list I wouldn’t call great. As I mentioned in my introduction that’s not quite the point of this post. It was a film that was overly delayed, in my estimation, and brought a new writer into the fold but the fact of the matter is it’s the sequel to what was at the time my favorite movie ever, and a film I still have a great affection for, so that makes this notable. It’s a film I do pick nits with endlessly but the fact that it matters to me cannot be denied.