Film Thought: Train Wrecks of Nostalgia, or News Film Fans Aren’t Owed

On the Internet, I do not believe timing is everything. Quite frankly I found it emotionally exhausting to keep my ear pinned to the proverbial ground waiting to hear the next thing I “had” to have an opinion about when my postings needed to be more current event based on the Site That Shall Not Be Named.

Due to this, when I first heard of Jake Lloyd’s arrest following a high-speed chase in South Carolina I didn’t comment on it in any way, shape, or form.

That brings me around to the most recent time he made the news. Nearly a month ago (4/10), after almost 10 months in prison, he was transferred to a psychiatric ward to better treat his schizophrenia.

Episode 1 Teaser

The reason I’ve taken my time both in winding my way to the meat of this story, and also in terms of time elapsed since having heard it are as follows:

  • This is by no means intended to be yet another morbid “Where are they now?” piece.
  • Nor is this attempting to pin the ills of society or individuals on what some refer to as the necessary evil of child actors in film and television

Instead the three points I want to make citing this and a more recent story are:

  1. The need to make correctional institutes as rehabilitative as they were once intended to be rather than merely punitive money pits that either re-release criminals or breed career criminals.
  2. What should occur instead is: if there is a clear diagnosis that needs medicating, and in some extreme cases relocation, that must occur. It’s bad enough that stigma contributes to too many people with mental illnesses being unaware, undiagnosed or unmedicated in society.
  3. For prison officials to be dubious of, or callous to, inmates’ needs while they’re incarcerated can only result in their continued mental degradation and possibly those around them, both on the inside and on the outside.

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As for the ills of society or individuals:

There are a vast array of mental illnesses. Even with schizophrenia being one of the most difficult to diagnose, and even though some attribute environmental and substance abuse factors into its development or accelerated onset, there is still a genetic component in it as well, just as there is with things as common as depression or more severe like bipolar disorder.

It is far to simplistic to state things like: “This never would have happened if he wasn’t Anakin.” Episode I was released 17 years by now. If you were making a biopic it’d be jarring to cut from behind the scenes on a film set to that individual’s low-point in life. A narrative feature would also then work to fill in those gaps and then “explain” everything.

Sometimes there is no explaining something because as Forrest Gump famously insinuated “Shit happens.”

Stuff-Happens

That’s where cognitive dissonance comes in, and the recent news that Joey Cramer, of Flight of the Navigator fame, was arrested after a series of bank robberies. Basically, you can’t have seen this story reported without his mugshot being spliced next to a still from the 1986 film.

It’s understandable since that film has more of a cult following, and a few passionate fans who have been vocally anti-remake (at the moment that project remains in development), as opposed to Lloyd whose breakout role was in a film that was the first virtually guaranteed to gross one billion dollars. However, the cognitive dissonance that’s being implied is the same: that can’t be him. He’s still 12 years old not in in his forties, and much less in his forties with a rap sheet. That dissonance is further exacerbated by the fact that relative time travel plays a factor in the plot of that film.

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However, that shock one can feel is because their limited frame of reference in that story is an A to Z view and not the A to B straight line many people see. Which is how media reports many stories. Consider for example how simultaneous the media made Diablo Cody’s work as an exotic dancer and as a screenwriter.

Crime stories are bound to make the news anyway whether the perpetrator is mentally ill or not, had a three-year-acting-career or not. But the amount of attention it gets makes me wonder the following:

  • Is the schadenfreude that rewarding?

and

  • Is the aching nostalgia of childhood “dying” among the hottest commodities on the Internet?

In the end, in either scenario, all I end up feeling is empathy and sadness, and a wish not to see the stories going viral lest they can do some good. Reporting Lloyd’s transfer may give a slight push to criminal justice reform, may highlight mental illness just a little more during Mental Health Month. On the other hand photos of Macaulay Culkin while he’s just wandering down the streets of New York designed only to create “is he or isn’t he on drugs?” speculation is the kind of frivolous invasion of privacy that anti-paparazzi laws are for.

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The lines between celebrity and anonymity, reality and fiction, are constantly being blurred now, when they ought not be. These people are not their characters or personae, they’re only human. One should not take into consideration a person’s life in evaluating their art, and one’s art should never be an indicator that their life will or will not go according to plan. Fame or failure as a young person onscreen is not an oracle of future good fortune, unfortunate circumstances, mental illness or poor decision-making.

My advice on these child actor crime stories can be summed up in a callously succinct New York compound phrase: It is what it is, so fughettaboutit. By which I mean, just because you spent umpteen hours watching someone on the silver screen or TV when you were a kid doesn’t mean you are entitled to:

  • Excruciating minutia in regards to their low point.
  • An explanation of how they got there.
  • To incessantly assault them with your miniscule-in-the-grander-scheme vile opinion of what they “did” to a property you profess to love.

Just as mental illness is not something catching or to be scoffed at nor is excessive information on one’s downfall owed to anyone because they had the gall to audition for, and land, a role when they were merely a child, as you once were.

In Memoriam- Corey Haim

Granted train wrecks of nostalgia are jarring because images on film are eternal and crystallized whereas time goes on and we all age and things change. Sometimes in the glacial moments of life it can seem like things don’t change but then stories like this remind us time does move along, at times cruelly.

However, the sense of ownership we seem to feel over such stories is a fallacy. Jake Lloyd is hopefully getting his help now. Hopefully, Joey Cramer can too, whatever help that may be. Internet trolling doesn’t breed mental illness, but one has to wonder what it says about humanity that even in light of that news some still feel the need to pile on.

The Internet and social media can make things that once would have been mere footnotes bigger than they once would have been. One person thinking “This story matters,” sharing it, without comment, is, in terms of pixels and space on a feed, much larger than a small column in a traditional newspaper. If we feel the need to feel an excess of emotion for people we never met because they’ve died because they marked a significant moment in our childhood or life, then perhaps it’s time to show a bit of empathy for those who may have made a mark on us whom are still here but have fallen on hard times.

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Having been in some films a decade or more ago and then going on to try to live a normal existence after you move on for whatever reason does not mean you’re in the public eye anymore. Those in entertainment at current know that’s part of the deal. Those who have tried to move on to a new phase who may have not been entirely successful deserve a bit more consideration and a chance to rehabilitate without public scrutiny.

BAM Best Picture Profile: Star Wars: Episode II – Attack of the Clones (2002)

Each year, I try and improve the site, and also try to find a new an hopefully creative and fun way to countdown to the unveiling of the year’s BAM Awards. Last year, I posted most of the BAM Nominee and winner lists (Any omissions will be fixed this year). However, when I picked Django Unchained as the Best Picture of 2012 I then realized I had recent winner with no write-ups. I soon corrected that by translating a post and writing a series of my own. The thought was all films honored as Best Picture should have at least one piece dedicated to them. So I will through the month of December be posting write-ups on past winners.

NOTE: The 2001 winner was covered extensively in a very long series starting here.

Star Wars: Episode II – Attack of the Clones (2002)

Basically I will here, as I have done with a few of these posts, synthesize not only my writings on the given film, but also discuss my personal history with the film. And understanding where I’m coming from with both Star Wars and the prequels is key to at least cutting me a stone if not understanding and agreeing with what I say here.

Here’s a brief intro to my history with Star Wars and why I didn’t even think I’d like this one that much in the first place:

I saw the Star Wars prequels first. Having never felt the urge to see the originals, and then hearing about the prequel concept which was popularized, if not invented by, Lucas – I wanted to watch the movies in the story’s chronological order. So I waited until 2005 to see the original trilogy. After having seen The Phantom Menace I just didn’t get the appeal, but I stuck it out and went to see Attack of the Clones and then I got it – Star Wars – Episode II: Attack of the Clones is awesome. The Phantom Menace was just not that good at all and it never will be no matter how many times I watch the film. Star Wars – Episode II: Attack of the Clones won the BAM for Best Picture in 2002 (BAMs are my personal movie awards – look out for those here next year).

So allow me to continue what I discussed with regards to Invalid complaining about the prequels in general:

Here’s where my watching the series knowingly in chronological, so far as the narrative goes, order starts to factor in. This is one of the most over-debated and over-analyzed aspects of the entire saga. You can like or dislike it as you please, but I really don’t see the point in getting all up in arms about this point, when you have so many you could possibly choose from. Granted you implement things in the prequel trilogy that don’t follow through to the original and it removes an element of mystery but how much does it really detract? Furthermore, to parlay the filmmaker point above, it was introduced when the prequels were very much Lucas’s design, as concessions may have been made later on, so clearly he had it in mind. So it may not fit your vision but it fit his. Essentially, if one if offended by the very notion of the prequels they ought not waste time on this factoid. Conversely, if this is your biggest issue with the series that’s not so bad or you’ve blown it way out of proportion.

I later realized I probably saw snippets of them growing up, but that’s not really seeing them. And having seen these first things like midi-chlorians which were later introduced are easier for me to stomach as a “late-series” change.

Now while I will always defend Jake Lloyd from the lynch mob, I agree The Phantom Menace is no great shakes. However, a few things bear considering: the first is that if you think there are problems with that film he’s one of the very small ones, there are others. Next, oddly enough, and my brother and others in his generation are a testament to this; Lucas really did make that one for kids. In essence, he always did, at least to the kids in adults. Over the years while no new follow-ups emerged the legend ballooned, the grandiosity, importance and gravitas foisted upon the series by fans sky-rocketed.

To such an extent that when I saw The Phantom Menace, with no prior frame of reference, I was like “That was OK, but I don’t see what the big deal is.” When Attack of the Clones came out – that’s when I started to see what the big deal was. The 2002 BAM Awards are a testament to that.

While you can sit there and write-off the awards as a newfound fanboy heaping love on his new pet if you want some things are separate from the film that were awarded merely on technical and artistic merits of the work done. Williams’ scoring in this film remains one of my favorites in his canon; arguing against ILM on a Lucasfilm project is folly; cinematography in CG-heavy films does matter (perhaps the Academy was a bit misguided in choosing Avatar to recognize that notion, but it does). And wooden dialogue or not this film does move wonderfully and has great situations and is a bifurcated tale of romance and political intrigue. It plays much closer to its serial film roots here.

It’s also a film I’ve revisited very often since I saw the original films and given the chance to do this year over again I doubt I’d change my mind.

The 5 Most Invalid Star Wars Complaints

With the recent release of Star Wars: Episode 1- The Phantom Menace in one additional D that has never before been seen there were bound to be many new articles that wrote upon the first film (chronologically) all over again.

Now, it’s been well-documented that fans and critics alike didn’t have much regard for Jake Lloyd’s interpretation of Anakin Skywalker and this was reiterated in the new articles. However, what struck me as a I read a new piece on old news was that, even in Episode One, much less the entire series, there are far more bothersome things that those of us who are fans can nitpick about. So, since fandom breeds nit-pickery whether one likes it or not, I have decided that there needs to be some priority set to this nitpicking. Namely, the focus will be on things ought not be nitpicked when you think about it.

I have asked Joey Esposito and Tom Sanford V to contribute their own lists as they are bigger die-hards than I, I’ll link to those when they’re up. I provide a sort of detached-weirdo perspective as the first time I truly saw the trilogy was in order in 2005 after I had seen Episode 3.

So enjoy (or become enraged by) my opinions below.

5. The Alternate Versions

This one is the last on my list because I agree with the fans right to complain about the alternate edits with new effects and the like with a caveat: namely, and this is a theme with me, if it really enrages you that much don’t buy them. I know I’m sticking with my DVDs for the time being. While I agree with the director’s right to change his film if he so pleases, I would prefer it if Lucas treated Star Wars like Spielberg treated E.T., meaning the original, unaltered version was always available and the new stuff was optional. I went to see the new E.T. but that was the only time, every other time the original has been just fine by me. So, yes, you have a right to complain about this switch, however, if you keep buying every release it’s falling on deaf ears. Therefore your options are one of two: hold out or get over it. None are great I grant you, but it’s the sad truth.

4. Midi-Chlorians

Here’s where my watching the series knowingly in chronological, so far as the narrative goes, order starts to factor in. This is one of the most over-debated and over-analyzed aspects of the entire saga. You can like or dislike it as you please, but I really don’t see the point in getting all up in arms about this point, when you have so many you could possibly choose from. Granted you implement things in the prequel trilogy that don’t follow through to the original and it removes an element of mystery but how much does it really detract? Furthermore, to parlay the filmmaker point above, it was introduced when the prequels were very much Lucas’s design, as concessions may have been made later on, so clearly he had it in mind. So it may not fit your vision but it fit his. Essentially, if one if offended by the very notion of the prequels they ought not waste time on this factoid. Conversely, if this is your biggest issue with the series that’s not so bad or you’ve blown it way out of proportion.

3. The Prequels In General

I alluded to this above but there are some who never got over the prequels happening in the first place. That’s fine. The original films are still there and if you watch those on an endless loop for all of eternity and never watch the prequels, would you still feel dirty knowing they exist? I wouldn’t. Now, even having seen the prequels first and then racing home to finish the series that night I won’t say the prequels are better, however, the concept was new to me when I first heard of it so I figured: “Why not watch it in order?” Today I think my appreciation for the saga and for prequels in general are heightened for it. Yes, I saw the prequels first, and yes, The Empire Strikes back is my favorite, and yes, The Phantom Menace is my least favorite, but in a lot of ways it functions like A New Hope does as a prelude to what’s to come.

2. Writing

People started to pile on to Lucas’ screenwriting seemingly only from 1999 to 2005 when seeing the new ones and then retroactively casting aspersions on his prior works. I can’t defend him in some areas but he knows his style and he jokes about being the “master of wooden dialogue.” He’s not Woody Allen or Joseph Mankiewicz or any of the greats, he knows that but he also typically writes his script in milieus he knows and where his style can flourish: Sci-Fi and adventure tales structured like serials, at least 10 films he had a hand in creating are in this vain (Star Wars and Indiana Jones) they emulate the style down to visual transitions and what I prefer to refer to as functional dialogue. However, suddenly when there are movies of his forthcoming some are not excited to see he is to be mocked and ridiculed? It’s exactly the same as what he’s always done. It worked then and it worked when the films rolled around again, the difference was in the receptiveness of the audience more so than the prowess of the artist.

1. Acting

Star Wars ain’t Shakespeare. Some actors will flail about. I don’t usually excuse actors I know to be talented from struggling with flat roles they seem uninterested in but it does happen. The fact of the matter is, I can ignore sub-par acting if I like the story enough. It will detract from it sure but rarely does it single-handedly ruin a film. Furthermore, as implied above, the saga might not embolden every actor. Sure, Harrison Ford did great things as Han, however, it’s right in his wheelhouse and his range is not the most vast to be honest. When dialogue has always been functional (I think we all know the story of the argument Ford and Lucas had on the set of the original about writing and saying things) and some actors can’t find themselves as well in that world, suddenly in the fourth film you’re going to pile on to a kid? I’m not going to say Jake Lloyd was the greatest thing since sliced bread but he did become the whipping boy for all that ailed The Phantom Menace in the eyes of many. Even I, who marginally liked the film, can pick many issues with that one and Lloyd is nowhere to be found on my list.

Essentially, due to fan outrage about the concept of the prequels existing and their dissatisfaction with the end result a child’s life was ruined, and yes I will go so far as to say potential was thwarted. You can’t tell me that Portman and Christiansen were always on point or that it ranks amongst Sam Jackson’s best works. As much as I’d like him you’d rattle off a bunch of Ewen MacGregor films before getting to the prequels. And if nothing else convinces you to absolve Jake Lloyd maybe this will: Did you like The Sixth Sense? I am assuming that you are a human being reading this and the answer is yes. Well, Haley Joel Osment is just one of those who auditioned for the role of Anakin but was not selected. So you can thank Jake Lloyd for The Sixth Sense if nothing else. Then feel free to troll on elsewhere, if you so please.