Here’s another case of full disclosure is necessary, there are two things that bear mentioning with regards to Fright Night: first, I am in no way a fan of the original Fright Night, it has some strong elements but overall I was not entertained in the least. Therefore, I walked into this version with an open mind as it with this remake I actually felt there was a need for it.
This incarnation of Fright Night does absolutely wonderful things with the aspect of disbelief in the horror genre. Typically and you get very weary of this if you’re a fan of the genre. You are therefore used a long struggle were characters doubt the supernatural elements of the story. The modern notion respects the audience enough and is just reflexive enough that this part of the story is quickly addressed but sped through. Never has it been so quickly and intelligently handled as in this film.
This, of course, lends itself to much comedy. Comedy in a horror film can be a precarious thing. Many people do need that release valve for their nervous energy but many horror films veer too heavily towards comedy. This one does something odd in as much as it keeps the horror subsumed and allows it to bubble to to the surface and take over when necessary.
Not to say that those who like their horror in a more classical style will necessarily walk away disappointed from this film. You get in this film very well-done gore and perhaps what I was most grateful for good, old fashioned scary vampires. The horror elements are there in spades.
Another way in which this film is a kind of throwback is that its a horror property that was able to attract talent to it. First, you have your protagonist in Anton Yelchin, who may not be a household name yet but has certainly done his fair share of films and should be recognizable to most. You also have the ever-versatile Toni Collette as his mother. Then there’s Christopher Mintz-Plasse as his friend. Then perhaps the most important duo is the vampire (Colin Farrell) and the vampire hunter (David Tennant).
It’s truly a shame that the 3D backlash came at a time when good films with effective 3D work was released. This is one of them. Yes, there is an over-saturation of 3D but this film should not have fallen victim to our general malaise with it.
The pace of this film as intimated earlier is fantastic. Due to the fact that it deals with the niceties quickly, effectively with great dialogue it allows the film to move quite quickly and still manages to build suspense while doing so. There are quite a few memorable sequences in this film.
It’s quite easy to look at Fright Night and say “Oh, look, another remake and another vampire movie at the same time,” however, this one gives both a good name and is worth seeing.