In my 2005 BAM Awards wrap-up, I wrote how I was considering creating a Lifetime Achievement Award and giving it to Ingmar Bergman. The idea was to award him upon completion of his swan song that proved unnecessary when I saw Saraband and it was one of my favorite films of that year and he won Best Director.
It seems this prize has now come full circle as another great director has made what he claims (and right now I believe him) is his last film and it is a great one. This year’s recipient is Bela Tarr.
Tarr is a director I’ve come to know well. However, when I first learned of him and what many consider to be his masterpiece (Satantango) I knew nothing save for the plot of the movie, that it was very long and I had to see it. I went in fairly cold and there was a sort of kinship there. I connected and I got it. That connection extended through much of Hungarian cinema, but it started with Tarr and it started instinctually.
I’ve since come to learn about him, read writings on his work – perhaps what is most fascinating about him is he went from stark cinéma vérité to an aesthetic all his own of long takes, moving cameras, black-and-white minimalist existentialism that is unique in all the world.
I’ve tackled Satantango a number of times, I agree it’s a film that could be viewed annually but I haven’t in a few years and its time to change that. I’ve, of course, seen as many of his films as possible.
It’s one I want to watch all over again. For one thing that is certain is that he proves that auteurism is indeed a live and well. He’s a rare breed, and is also giving back to the cinema fostering artists and striving for aesthetic excellence first and foremost.
The one thing that in my experience I’ve found Tarr has in common with Bergman is this brilliant final bow, his being The Turin Horse.
Tarr’s cinema is one that has evolved and is as exacting as Bergman’s, though not as prolific.
A great filmography is one where many films stand out and apart; Tarr has that:
Almanac of Fall
Journey on the Plain
The Man From London
The Turin Horse
I’ve come to know Hungarian cinema in part because of Bela Tarr and admire it. I admire this man, his work and his vision. This admiration grows leaps and bounds when you add the fact that he’s trying to help ensure the future of the artform in his home country, and around the world.
A great filmmaker’s films will last forever, even greater is the man whose trying to ensure cinema itself lasts forever.
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