OK, I know what you’re thinking: What’s with the slashes? Well, quite frankly, I’m not sure I’ve had a post that’s changed so much from the day I wrote it to the day I was going to post it. Essentially, what I was setting out was the first in a series wherein I would propose a utopian concept that should exist. Namely a database wherein you can type the title of a movie and its status (lost, extant, out-of-print, etc.) would be listed.
Here’s the text I started with:
I will always, and without apologies, support a utopian ideal if I think it will really be of service. For those who love film there is such a thing as film activism and if I should see something pop up that matches that criteria I will post a new edition of that series.
That Should Be a Thing is an idea that spawns more form my daydreaming about an ideal and not thinking or knowing if something like it exists. If it does not it should is what I am getting at here.
I am a strong supporter of film preservation efforts. The goal of preservation is the prevention of loss of films we already have. Sadly, many have already been lost. Finding out about a very cool sounding movie, looking for it; only to discover it is now considered lost is a terrible thing. However, much searching, headache and heartache could be spared the seeker of the arcane if a database existed listing the status of a given film.
Therfore, all one would have to do upon learning about a title would be to input the title and year of a film and be given a status report.
Do any of you know if anything like this exists? I know Movies Silently has been profiling lost films in a series, and it’s always great to feature lost titles but that’s not a searchable database of myriad titles, which would be ideal I’m envisioning. If there is such a thing I’d love to know about it.
So what changed the post? Well, it’s not quite the same thing, but there is an effort to assemble a comprehensive list of lost films, which has been organized by the Deutsche Kinemathek – Museum für Film und Fernsehen, Berlin, and funded by the Kulturstiftung des Bundes (German Federal Cultural Foundation). As per its about section anyone and everyone is encouraged to join:
Its purpose is to make visible the invisible portion of film history by acting as a collaboration platform for internet users to bring together relevant information and surviving documents concerning Lost Films.
The archive of titles currently contains over 3500 films believed or declared to be lost.
A constantly growing network of collaborators has been responsible for building up this archive.
Initial collaborators submitted almost 500 of these titles to a specially set up Wiki during the earliest stages of Lost Films’ development.
Others, meanwhile, have been kind enough to allow Lost Films to reproduce information already published elsewhere.
The archive was specially developed using a new Open Source Software called CollectiveAccess.
Using this software, it is possible to supplement individual titles with detailed textual, photographic, audio and video information – all in a single, virtual space.
As an example, the Deutsche Kinemathek has personally illustrated 37 of the most sought after lost German films, carefully selected through consultation with renowned experts.
The 6 partner institutions together submitted over 1500 surviving primary documents, which were then uploaded to the CollectiveAccess database and linked to the relevant film title(s).
Over 40 different document categories were assigned to the documents so that users would have the option to view the different document types separately.
Document types uploaded include surviving production records, such as scripts and set designs, as well as posters and other distribution materials, press items, censorship documents and music manuscripts. Also uploaded are numerous photographic stills and even in some cases digitised film clips.
An identify section, meanwhile, presents a selection of pictures and video clips of unidentified films for users to help identify.
All visitors to Lost Films are free to view its contents. However, members have the added benefit of being able to amend existing information, as well as to contribute additional information and documents.
Member contributions will assure the frequent and essential supply of the most up-to-date and accurate information.
All visitors to Lost Films are therefore encouraged to become members. Click here to register.
Sure enough when I searched its database Buttons, (a title I was prompted to search for due to my having read The Keystone Kid) which was recently reported as lost to me via Warner Archive’s Facebook wall, is not in the database. Therefore, while I await the utopian arrival I will join and do what I can (try to get that title added). I hope you will too.