Tarzan Thursday: Tarzan and the Amazons (1945)

Introduction

Last year the character of Tarzan celebrated his 100th year in print. A serialized version of the story first appeared in 1912. A hardcover collection of Tarzan of the Apes first appeared in 1914. Being in the middle of the Tarzan centennial period it’s an opportune time to (re)visit many of the screen renditions of the character.

Tarzan and the Amazons (1945)

So after the last installment was a triumph here is where the series should excel again, instead it starts to falter anew. Sure after two successful (at least in financial terms) go-arounds without Jane’s character being present re-introducing her, even with the need to recast here, should’ve been a no-brainer. Only the recasting wasn’t done right. This is not to lay the entire blame on Brenda Joyce. She’s not terrible, but she’s mediocre at best, and certainly at Maureen O’Sullivan’s level.

A majority of the blame though has to lay on the shoulders of the writers who through the course of Jane’s appearances in the RKO titles backslid her from being a progressive character to one who was nearly antiquated even in the 1940s. She soon began to become overly-trusting of the outside world and bowing to them too much, thereby defying Tarzan without good cause. This may have even worked if it was addressed; if Tarzan called her out. However, it was like a retcon, as if Jane was always this gullible about the world she willingly left behind and the writing of her character became even more unfortunate than the recast.

This is difficult enough to swallow without combining it nearly on a film-by-film basis with Boy either consciously or naively making a mistake. Sure, the leads can be flawed but what it does is to an extent defangs the antagonists. They seek to trick and gain confidence where maybe a few more instances of strong-arming would’ve been more effective.

Tarzan and the Amazons (1945, RKO)

I’ll grant some of those preferences are subjective, but what’s not as much is the importance of Act II and that’s where this film decides to do most of its time-wasting, which makes it a rather grueling viewing experience. What makes it worse is that it does waste some of the better elements of the film: there is an animal attack with great relevance, as opposed to the gratuitous ones in other films. Johnny Sheffield, both in reciting Hiawatha and his conflict with Tarzan, delivers his best performance as Boy, and there’s the great Maria Ouspenskaya as seemingly one of the few playing a non-caucasian character in the film. All those things go for naught due to the missteps.

I can’t fault the film for trying to create conflict, but when there are characters that are established acting somewhat out of sorts; it feels hollow. The best element of the tale is perhaps Tarzan that needed to keep a secret and not giving any clues as to the fact that there even is one, but even this becomes redundant as it’s discussed quite a few times with no progress made. It’s a good touch to have Tarzan an allied secret-keeper as opposed to an intimidating force, but, sadly this title has far too many failings.

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