If you followed this link I know what you’re likely thinking: How many actors have been awarded Oscars that both not in a competitive category (meaning there were no nominations announced), and also not honored in a Lifetime fashion. It’s true there aren’t too many, but they are worth noting.
Some notes: Honorary Awards were once testing grounds for concepts before they were categories like Color Cinematography, Best Foreign Language Film, Best Visual Effects, Best Sound Editing, etc.
For each honoree I’ve included the Academy’s official blurb where available, and
For your edification here are the Honorary Oscars that are for an actors’ body of work over the course of their career:
2015
Maureen O’Hara on 2/22.
2014
Angela Lansbury and Steve Martin.
2013
Hal Needham
Is this the closest the Academy will get to acknowledging stunt performers?
2012
James Earl Jones
2011
Eli Wallach
AMPAS Governors Awards: Given ‘For a lifetime’s worth of indelible screen characters’.
2010
Lauren Bacall
In recognition of her central place in the Golden Age of motion pictures.
2003
Peter O’Toole
Whose remarkable talents have provided cinema history with some of its most memorable characters. (Oscar statuette)
2002
Sidney Poitier
For his extraordinary performances and unique presence on the screen and for representing the industry with dignity, style and intelligence. (Oscar statuette)
Robert Redford
Actor, director, producer, creator of Sundance, inspiration to independent and innovative filmmakers everywhere. (Oscar statuette)
1996
Kirk Douglas
For 50 years as a creative and moral force in the motion picture community.
1994
Deborah Kerr
An artist of impeccable grace and beauty, a dedicated actress whose motion picture career has always stood for perfection, discipline and elegance.
[Immortalized since my childhood in Brazilian singer/songwriter Rita Lee’s “Flagra.” Lyrics and audio can be found here, translations can be done on engines. ]
1991
Sophia Loren
For a career rich with memorable performances that has added permanent luster to our art form.
Myrna Loy
In recognition of her extraordinary qualities both on screen and off, with appreciation for a lifetime’s worth of indelible performances. (Oscar statuette) – Myrna Loy was not present at the awards ceremony. She gave her acceptance speech live via satellite from her Manhattan apartment.
1987
Ralph Bellamy
For his unique artistry and his distinguished service to the profession of acting.
1986
Paul Newman
In recognition of his many and memorable and compelling screen performances and for his personal integrity and dedication to his craft.
Paul Newman was not present at the awards ceremony. He gave his acceptance speech via satellite from Chicago.
1985
James Stewart
For his fifty years of memorable performances,, for his high ideals both on and off the screen, with respect and affection of his colleagues.
1983
In recognition of his 50 years of versatility in a variety of memorable film performances.
1982
Barbara Stanwyck
For superlative creativity and unique contribution to the art of screen acting.
1981
Henry Fonda
The consummate actor, in recognition of his brilliant accomplishments and enduring contribution to the art of motion pictures.
1979
Laurence Olivier
For the full body of his work, for the unique achievements of his entire career and his lifetime of contribution to the art of film.
1976
Mary Pickford
In recognition of her unique contributions to the film industry and the development of film as an artistic medium.
Mary Pickford was not present at the awards ceremony. The presentation was made at her Pickfair estate and taped for inclusion in the broadcast.
1974
Groucho Marx
In recognition of his brilliant creativity and for the unequaled achievements of the Marx Brothers in the art of motion picture comedy.
1973
Edward G. Robinson
Who achieved greatness as a player, a patron of the arts, and a dedicated citizen … in sum, a Renaissance man. From his friends in the industry he loves.
Posthumously. Robinson died 2 months before the ceremony, after the award was voted on. His widow Jane Robinson accepted the award on his behalf.
1972
Charles Chaplin
For the incalculable effect he has had in making motion pictures the art form of this century.
1971
Lillian Gish
For superlative artistry and versatility in the creation of motion pictures.
Orson Welles
For superlative artistry and versatility in the creation of motion pictures.
Orson Welles was not present at the awards ceremony. His acceptance speech was pre-recorded.
1970
Cary Grant
For his unique mastery of the art of screen acting with the respect and affection of his colleagues.
1966
Bob Hope
For unique and distinguished service to our industry and the Academy (gold medal).
[The fourth time Hope was honored is the only one in which it seems to be for the whole of his career.
1961
Gary Cooper
For his many memorable screen performances and the international recognition he, as an individual, has gained for the motion picture industry.
Gary Cooper could not attend the awards ceremony. James Stewart accepted the award on his behalf.
Stan Laurel
For his creative pioneering in the field of cinema comedy. Stan Laurel was not present at the awards ceremony. Presenter Danny Kaye accepted the award on his behalf.
[Just Stan? Fair or unfair? Unfair.]
1960
Buster Keaton
For his unique talents which brought immortal comedies to the screen.
1959
Maurice Chevalier
For his contributions to the world of entertainment for more than half a century.
1957
Eddie Cantor
For distinguished service to the film industry.
1955
Danny Kaye
For his unique talents, his service to the Academy, the motion picture industry, and the American people.
Greta Garbo
For her unforgettable screen performances. Greta Garbo was not present at the ceremony. Nancy Kelly accepted the award on her behalf.
1953
Bob Hope
For his contribution to the laughter of the world, his service to the motion picture industry, and his devotion to the American premise.
[Number three. Since it cites the Motion Picture industry I do not cite it as an award for other services.]
Harold Lloyd
For his contribution to the laughter of the world, his service to the motion picture industry, and his devotion to the American premise.
1952
Gene Kelly
In appreciation of his versatility as an actor, singer, director and dancer, and specifically for his brilliant achievements in the art of choreography on film.
1950
Jean Hersholt
For distinguished service to the motion picture industry.
Fred Astaire
For his unique artistry and his contributions to the technique of musical pictures.
Actors Awarded for Other Endeavors
There have been many cases where Honorary Awards have been specifically given to actors for work not onscreen. Here are those instances with the Academy’s blurb for each. When necessary I have expounded on them:
1945
Bob Hope
For his many services to the Academy (Life Membership in the AMPAS).
[Did hosting apply to this too?]
1943
Charles Boyer
For his progressive cultural achievement in establishing the French Research Foundation in Los Angeles as a source of reference (certificate).
1941
Bob Hope
In recognition of his unselfish services to the motion picture industry (special silver plaque).
1940
Jean Hersholt (president), Ralph Morgan (chairman of the executive committee), Ralph Block (first vice-president), Conrad Nagel (Motion Picture Relief Fund)
Acknowledging the outstanding services to the industry during the past year of the Motion Picture Relief Fund and its progressive leadership
(plaque).
Douglas Fairbanks
Recognizing the unique and outstanding contribution of Douglas Fairbanks, first president of the Academy, to the international development of the motion picture (Commemorative Award).
1938
Edgar Bergen
For his outstanding comedy creation, Charlie McCarthy (wooden statuette).
[Ventriloquism is performance, but since this award is for the creation of a character I consider it “another” contribution.]
1932
Walt Disney
For the creation of Mickey Mouse.
[Walt Disney received quite a few custom-created Oscars. This one I consider as an actor for another endeavor because he did start of drawing and voicing Mickey aside for conceptualizing him. Disney’s renown is justly more for producing and his creative/business acumen, but it did all start with a mouse which he was the driving force behind].
Actors Awarded For Singular Performances in Non-Competitive Ways
OK, now that we got the standards and the oddities out of the way we can discuss briefly the two single-performance Honorary Oscars ever. They are rare and each have their own unique circumstances.
1948
Song of the South: James Baskett
For his able and heart-warming characterization of Uncle Remus, friend and story teller to the children of the world, in Walt Disney’s Song of the South.
[Here I go talking about Song of the South again, I knew this was going to overlap here when I planned it.
Essentially this is the Academy taking up the idea after Disney’s urging. Baskett sadly died a most untimely death of heart failure shortly after his being awarded the Oscar.
1929
Charles Chaplin, The Circus
For versatility and genius in acting, writing, directing and producing The Circus.
Though nominated for best actor, the academy decided to remove Chaplin’s name from the competitive classes and instead award him a Special Award.
As I will look at in the defunct categories post when snubs come around thing were a lot different in the early days before the Academy gained prestige and standard operating procedures. Even though the blurb for Chaplin’s honorary award reads very complimentary between the lines it does seem to read like: “You were going to embarrass everyone, Charles, here’s an award now let’s all give some other folks a chance.” Whether personal, actual or business politics came into play I’m sure will never be confirmed, but it’s really one of the most head-scratcing decisions ever on the surface. We’re going to un-nominate you and give you an Oscar then re-award Best Actor of 1929. Weird to say the least. Not only were the Oscars new but the industry was in flux. Silent versus Talkies may have played into it as well.
Chaplin, of course, would go on to win another Honorary Award after long leaving the US, and again when Limelight made its way across the Atlantic after 20 years.
Conclusion
Anyone with further information on the Chaplin oddity, please do add some. Thank you. Next week I will discuss the short-lived and otherwise defunct Oscar Categories in the Snubs theme. I hope this was an enjoyable one even with the long lead-in citing conventional Honorary Winners.
SO much talent on this list! Sometimes it’s almost hard to take it all in. Wonderful post for our 1st day. Thanks so much for participating in our blogathon, Bernardo!
Thank you, glad to be on board. Yes, it is a bit to take in all at once!
I’m sure the recipients were pleased and touched to be so honoured, and I’ll bet Stan considers it to be a shared award even with the Academy’s glaring neglect of his partner.
The blurb on Harold Lloyd’s awards “…and his devotion to the American premise.” seems a little odd to me. Just what specifically could they be referring to?
Patricia, thanks for reading and for the thoughtful comment. I know Stan probably did consider it as such, and I don’t mean to imply that the Academy should’ve honored both simultaneously. It just would’ve been nice to have one for both. Though I understand there were more than could be gotten to.
Harold’s blurb struck me as curious also. My theory is that something of his persona struck AMPAS as particularly “American” (whatever that means). However, I am not well-versed in his works at all, so that’s just a shot in the dark.
Wow! I just wrote a piece for this very blogathon about three movie comics who won “Honorary” Oscars when they should have won the real thing — and Chaplin was one of them! In any case, very nicely done!
What a talented bunch! I enjoyed reading the official blurbs – almost like the Academy stepped their game up to acknowledge they had missed out some pretty awesome players.And the Stan and Laurel question? Totally unfair!
Thanks for reading and for the comment. Yeah, the blurbs ended up being rewarding because they were fairly tailored to the recipient.